Tom 18 (2020): Zeszyt 2 (June 2020)
De Corpore – ‘On the Body’ through the History of Idea, Views of the Body in Philosophy, Literature and Religion. Editor: Ramona Simuț

Mary Shelley in her writings relies on the romanticised notions of nature: in addition to its beauties, the sublime quality is highlighted in its overwhelming greatness. In her ecological fiction, The Last Man (1826), the dystopian view of man results in the presentation of the declining civilization and the catastrophic destruction of infested mankind. In the novel, all of the characters are associated with forces of culture and history. On the one hand, Mary Shelley, focussing on different human bonds, warns against the sickening discord and dissonance, the lack of harmony in the world, while, on the other hand, she calls for the respect of nature and natural order. The prophetic caring female characters ‘foresee’ the events but cannot help the beloved men to control their building and destroying powers. Mary Shelley expresses her unmanly view of nature and the author’s utopian hope seems to lie in ‘unhuman’ nature. While the epidemic, having been unleashed by the pests of patriarchal society and being accelerated by global warming, sweeps away humanity, Mother Nature flourishes and gains back her original ‘dwelling place’.

Futabatei Shimei (1864-1909) was an early modern Japanese novelist, translator, and critic. He wrote what is now generally conceived of as the first Japanese ‘modern’ novel, Drifting Clouds (1887-89). He translated works by Turgenev, Leo Tolstoy, Garshin, Gorky, and others. He also published a number of critical essays, treatises on literary theory, political papers, and so forth. His early translation of Turgenev’s short stories: Aibiki (Rendevous, 1888) and Meguriai (Three Trysts, 1889) were extremely influential on the contemporary literati, who were amazed at the fresh, poetic prose used in stark contrast to the traditional Japanese fiction in the pre-Reformation period. These translations, seen in the light of the present-day readers, were unique in what we might term today ‘foreignizing translation’. Lawrence Venuti in Invisibility of the Translator argues that the ideal of (English) translation has been to conceal itself as a translation, i.e. to present itself as an original text (chap I and passim). In that sense, Futabatei’s translations, scandalously presenting itself as a translation, that is to say, as an alien text, is extremely ‘foreignizing’.

The issue of the resurrection of the body has given rise to a plethora of interpretations. There is a natural need to clarify such issues, since there cannot be a separation between faith in Christ and the resurrection of the body. The two go hand in hand, because one cannot go without the other. In the context of debates spawned by the need to understand, Thomas Burnet seems like a study theologian and a clean hearted man, who wrote for the neighbour, and who managed to offer a detailed map of the resurrection the body. The essay will point to the main aspects of the Burnet’s theology on the resurrection of the body, in a rather descriptive manner. It will also refer to other writers, who tackled the same issues, as a means to show the depth of Burnet’s perspective.

After drug and weapon trafficking, trafficking of women is one of the most lucrative businesses in the world. According to sociologists César Rey Hernández and Luisa Hernández Angueira in People Trafficking in Puerto Rico: The Challenge of Invisibility (2010), fifty percent of the victims are women and minors. This translates to 2.7 million women and girls that are enslaved in this inhuman business. Puerto Rico is no exception. One of its main problems is the slavery of Dominican women who, in search of a better life in Puerto Rico, are lured to illegally migrate to the island for better opportunities. However, once in the new territory, they are imprisoned and forced to become prostitutes. In addition, femicide is another world-wide pressing issue. The World Health Organization (WHO) affirms that violence against women, between fifteen and forty-four years of age, is the leading cause of death, more than cancer, malaria, car accidents and war combined, and the report ‘A Gendered Analysis of Violent Death’, compiled by Small Arms Survey Center, fourteen out of twenty-five countries with the highest rates of femicide in the world are in Latin America and the Caribbean. This essay focuses on Life is a Sexually Transmittable Disease (2014) by Wilfredo Mattos Cintron. In this novel, the enslaved-immigrant girls and women constitute an ‘injured body’, a body that is merely diminished. The third-world prostitute’s body is the material side of male-controlled dominance, subjugation and violence. Mattos Cintron’s text denounces the ‘suffering body of women’—rape, kidnapping, beating, femicide, their exclusion from human rights and sexual relegation. Moreover, along with patriarchy’s power and the socioeconomic variables as responsible agents of creating the injured body, globalization and capitalism objectify and make women’s bodies currency of the system.

One of the major themes of discussion in the art and especially the literature of the 18th and 19th centuries was the body rather than the soul. In the beginning this seemed to be the case mostly because of the natural processes related to the transforming events of maturation and death of the human body and mind. However, towards the end of the 18th century and well into the 19th century, a certain shift took place from the common perspective on the body to a rather scientific literary approach. Our attempt is to notice and make the necessary connections between the concepts of nature (both human and external/physical nature) and the innovative technologies implemented in the then society, with a later reference to the new accidental and commercial facets of death felt as destruction of nature especially in the work of the American Romantic writers Ralph Waldo Emerson and Henry David Thoreau. Being aware that they are highly spoken of in view of their transcendentalism as a particular philosophy dealing with the bond between man and nature, we will slowly come to terms with this type of concerns and connect them to the conflicting reality of industrialization as a sudden and repressive phenomenon within the society of men. Finally our point is that this very phenomenon caused the two writers to make a historical detour and use their formation as naturalist thinkers in order to make sense of their century’s deaths and diseases. This is to say that even from a Romantic perspective, the concern for the body is surprisingly concrete, while these writers’ transcendentalist concerns for the soul are prolix though without substance.

This paper studies the representation of human corporeal reality in the discourses of selected Bhakti poets of the late medieval period in India. Considering the historical background of the Bhakti movement and contemporary cultural milieu in which these mystic poets lived, their unique appropriation of the ancient concept of body is reviewed as revolutionary. The focus of the study is the Kabir Bijak, Surdas’s Vinay-Patrika, and Tulsidas’s Vinay-Patrika, wherein they look at and beyond the organic corporeality and encounter human body not as a socially, religiously, economically stamped noble body or lowly body; male body or female body, but a human body. This paper explores how, like existential phenomenologists, these poet/singers decode the material reality of human beings and link it to the highest goal of achieving Moksha (liberation from the cycle of birth-death) by making body a vulnerable but essential instrument towards spiritual awakening. The paper also reflects upon how these poets have suggested a middle path of absolute devotion to God while performing all earthly duties, seek spiritual enlightenment and avoid the extremities of asceticism and hedonism.