Holocaust Representation and Graphical Strangeness in Art Spiegelman’s Maus: A Survivor’s Tale: “Funny Animals,” Constellations, and Traumatic Memory
29 gru 2017
O artykule
Data publikacji: 29 gru 2017
Zakres stron: 61 - 75
DOI: https://doi.org/10.1515/auscom-2017-0003
Słowa kluczowe
© 2017 Ana-Maria Gavrilă, published by De Gruyter Open
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.
Gavrilă, Ana-Maria
University of BucharestRomania