Holocaust Representation and Graphical Strangeness in Art Spiegelman’s Maus: A Survivor’s Tale: “Funny Animals,” Constellations, and Traumatic Memory
29. Dez. 2017
Über diesen Artikel
Online veröffentlicht: 29. Dez. 2017
Seitenbereich: 61 - 75
DOI: https://doi.org/10.1515/auscom-2017-0003
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© 2017 Ana-Maria Gavrilă, published by De Gruyter Open
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.
Gavrilă, Ana-Maria
University of BucharestRomania