Holocaust Representation and Graphical Strangeness in Art Spiegelman’s Maus: A Survivor’s Tale: “Funny Animals,” Constellations, and Traumatic Memory
29 dic 2017
INFORMAZIONI SU QUESTO ARTICOLO
Pubblicato online: 29 dic 2017
Pagine: 61 - 75
DOI: https://doi.org/10.1515/auscom-2017-0003
Parole chiave
© 2017 Ana-Maria Gavrilă, published by De Gruyter Open
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.
Gavrilă, Ana-Maria
University of BucharestRomania