Holocaust Representation and Graphical Strangeness in Art Spiegelman’s Maus: A Survivor’s Tale: “Funny Animals,” Constellations, and Traumatic Memory

Benjamin, Walter. (2006) [1940]. Paralipomena to “On the Concept of History”. In: Eiland, Howard–W. Jennings, Michael (eds), Selected Writings. vol. 4: 1892–1940. Harvard University Press, 401–411.Search in Google Scholar

Bloom, Harold. (1994). The Western Canon: The Books and School of the Ages. New York and London: Harcourt Brace & Company.Search in Google Scholar

Chute, Hillary. (2009). History and Graphic Representation in Maus. In: Jeet, Heer–Kent, Worcester (eds), A Comics Studies Reader. The University Press of Mississippi, 340–362.Search in Google Scholar

Cory, Mark. (1995). Comedic Distance in Holocaust Literature. Journal of American Culture 18(1): 35–40. DOI: 10.1111/j.1542-734X.1995.1801_35.x (Accessed on: 17 September 2017).10.1111/j.1542-734X.1995.1801_35.x(:17September2017)Open DOISearch in Google Scholar

Hirsch, Marianne. (2001). Surviving Images: Holocaust Photographs and the Work of Postmemory. The Yale Journal of Criticism 14(1): 5–37. DOI: 10.1353/yale.2001.0008 (Accessed on: 17 September 2017).10.1353/yale.2001.0008(Accessed:17September2017)Open DOISearch in Google Scholar

Hirsch, Marianne. (2011). Mourning and Postmemory. In: Michael A. Chaney (ed.), Graphic Subjects. Critical Essays on Autobiography and Graphic Novels (Wisconsin Studies in Autobiography). Wisconsin–London: The University of Wisconsin Press, 17–44.Search in Google Scholar

Kohli, Puneet. (2012). The Memory and Legacy of Trauma in Art Spiegelman’s Maus. The Journal of Historical Studies 1(1). The Department of Historical Studies, University of Toronto Mississauga. http://jps.library.utoronto.ca/index.php/prandium/editor/submission/16285/ (Accessed on: 17 September 2017).Search in Google Scholar

Pullman, Philip. (2003). Behind the Masks. The Guardian, 18 October, 01.05 BST. https://www.theguardian.com/books/2003/oct/18/fiction.art (Accessed on: 18 April 2017).Search in Google Scholar

Romero-Jódar, Andrés. (2017). The Trauma Graphic Novel (Routledge Research in Cultural and Media Studies). New York: Routledge. Print; Taylor and Francis. Kindle Edition.10.4324/9781315296616Search in Google Scholar

Smith, Philip. (2016). Reading Art Spiegelman (Routledge Advances in Comics Studies). New York: Routledge. Print; Taylor and Francis. Kindle Edition.Search in Google Scholar

Spiegelman, Art. (2003). The Complete Maus. London: Penguin Books.Search in Google Scholar

Spiegelman, Art. (2011). MetaMaus: A Look Inside a Modern Classic, Maus. New York: Pantheon Books.Search in Google Scholar

Tabachnick, Stephen E. (2012) [1993]. Of Maus and Memory: the Structure of Art Spiegelman’s Graphic Novel of the Holocaust. Word & Image. A Journal of Verbal/Visual Enquiry 9(2): 154–162. DOI: http://dx.doi.org/10.1080/02666286.1993.10435484 (Accessed on: 18 April 2017).10.1080/02666286.1993.10435484(:182017)Open DOISearch in Google Scholar

Witek, Joseph. (1989). Comic Books as History. The Narrative Art of Jack Jackson, Art Spiegelman, and Harvey Pekar. Jackson and London: University Press of Mississippi.Search in Google Scholar

Witek, Joseph. (2004). Imagetext, or, Why Art Spiegelman Doesn’t Draw Comics. ImageTexT: Interdisciplinary Comics Studies 1(1). Department of English, University of Florida. http://www.english.ufl.edu/imagetext/archives/v1_1/witek/index.shtml (Accessed on: 18 April 2017).Search in Google Scholar

Young, James E. (1998). The Holocaust as Vicarious Past: Art Spiegelman’s “Maus” and the Afterimages of History. Critical Inquiry 2(3): 666–699. The University of Chicago Press. http://www.jstor.org/stable/1344086 (Accessed on: 19 April 2017).Search in Google Scholar