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<p>In this article, we briefly present the results of a multifaceted investigation of the book <italic>Ce que le jour doit à la nuit.</italic> We examine the effects produced on the novel by the transgression of multiple frontiers: identity, geographic, interlinguistic, translation, semiotic, etc. These are frontiers that both the writer, Yasmina Khadra, and her novel transgress. A necessary look at the circumstances in which the book was created will allow us to survey the types of frontier transgression: of the self, of the civilian and artistic identity, in order to concentrate on the crossing of interlinguistic frontiers (the translation into Romanian of the novel <italic>Ce que le jour doit à la nuit</italic> in this case), semiotic (its cinema adaptation and its subtitles).</p>
</abstract>

In this article, we briefly present the results of a multifaceted investigation of the book Ce que le jour doit à la nuit. We examine the effects produced on the novel by the transgression of multiple frontiers: identity, geographic, interlinguistic, translation, semiotic, etc. These are frontiers that both the writer, Yasmina Khadra, and her novel transgress. A necessary look at the circumstances in which the book was created will allow us to survey the types of frontier transgression: of the self, of the civilian and artistic identity, in order to concentrate on the crossing of interlinguistic frontiers (the translation into Romanian of the novel Ce que le jour doit à la nuit in this case), semiotic (its cinema adaptation and its subtitles).

Sur la mobilité des frontières de soi au profit du passage transfrontalier interlinguistique et sémiotique. Étude de cas : traduction et adaptation filmique du roman <italic>Ce que le jour doit à la nuit</italic>, de Yasmina Khadra

Translationes

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Sur la mobilité des frontières de soi au profit du passage transfrontalier interlinguistique et sémiotique. Étude de cas : traduction et adaptation filmique du roman , de Yasmina Khadra

In this article, we briefly present the results of a multifaceted investigation of the book Ce que le jour doit à la nuit. We examine the effects produced on...

Sur la mobilité des frontières de soi au profit du passage transfrontalier interlinguistique et sémiotique. Étude de cas : traduction et adaptation filmique du roman Ce que le jour doit à la nuit, de Yasmina Khadra

Publié en ligne: 21 janv. 2022

Pages: 46 - 68

DOI: https://doi.org/10.2478/tran-2021-0002

Mots clés
literary translation, translation (interlinguistic, semiotic, audio-visual), cultureme, cinema adaptation of literary works

© 2021 Georgiana I. Badea et al., published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Sur la mobilité des frontières de soi au profit du passage transfrontalier interlinguistique et sémiotique. Étude de cas : traduction et adaptation filmique du roman Ce que le jour doit à la nuit, de Yasmina Khadra

Publié en ligne: 21 janv. 2022

Pages: 46 - 68

DOI: https://doi.org/10.2478/tran-2021-0002

Mots clésliterary translation, translation (interlinguistic, semiotic, audio-visual), cultureme, cinema adaptation of literary works

© 2021 Georgiana I. Badea et al., published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Mots clés
literary translation, translation (interlinguistic, semiotic, audio-visual), cultureme, cinema adaptation of literary works