I – Primary or natural subject matter – (A) factual, (B) expressional – constituting the world of artistic motifs. |
Pre-iconographical description (and pseudo-formal analysis). |
II – Secondary or conventional subject matter, constituting the world of images, stories and allegories. |
Iconographical analysis in the narrower sense of the word. |
III – Intrinsic meaning, or consent, constituting the world of ‘symbolical’ values. |
Iconographical interpretation in a deeper sense (Iconographical synthesis). |