Otwarty dostęp

Cognitive Contagion: Thinking with and through Theatre

   | 25 lip 2019
Gestalt Theory's Cover Image
Gestalt Theory
What is What? Focus on Transdisciplinary Concepts and Terminology in Neuroaesthetics, Cognition and Poetics / Was ist Was? Transdisziplinäre Konzepte und Terminologien in Neuro-Ästhetik, Kognition und Poetik. Guest Editors: Renata Gambino, Grazia Pulvirenti, Elisabetta Vinci.

Zacytuj

Blair, R., & Cook, A. (Ed.) (2016). Theatre, Performance and Cognition: Languages, Bodies and Ecologies. London, UK: Methuen. Search in Google Scholar

Boroditsky, L., & Ramscar, M. (2002). The roles of body and mind in abstract thought. Psychological Science, 13 (2), 185–9. Search in Google Scholar

Cook, A. (2007). Interplay: The Method and Potential of a Cognitive Scientific Approach to Theatre. Theatre Journal, 59 (4). Search in Google Scholar

Cook, A. (2015). Bodied Forth: A cognitive scientific approach to performance analysis. In N. George-Graves (Ed.). The Oxford Handbook of Dance and Theater. Oxford: Oxford University Press. Search in Google Scholar

Cook, A. (2016). King of Shadows: Early Modern Characters and Actors. In P. Budra, & C. Werier (Ed.). Shakespeare and Consciousness. London: Palgrave Macmillan. Search in Google Scholar

Edinborough, C. (2016). Theatrical Reality: Space, Embodiment and Empathy in Performance. Bristol, UK: Intellect. Search in Google Scholar

Gibbs, R. W. Jr. (2015). Embodiment and Cognitive Science. New York: Cambridge University Press. Search in Google Scholar

Lakoff, G. (1987). Women, Fire, and Dangerous Things: What Categories Reveal about the Mind. Chicago: University of Chicago Press. Search in Google Scholar

Lakoff, G., & Johnson, M. (1999). Philosophy in the Flesh: The Embodied Mind and Its Challenge to Western Thought. New York: Basic Books. Search in Google Scholar

Matlock, T. (2010). Abstract motion is no longer abstract. Language and Cognition, 2 (2), 243–260. Search in Google Scholar