Embodied Simulation. Its Bearing on Aesthetic Experience and the Dialogue Between Neuroscience and the Humanities

Data publikacji: 25 lip 2019

Zakres stron: 113 - 127

DOI: https://doi.org/10.2478/gth-2019-0013

Słowa kluczowe

Aesthetic experience, biocultural paradigm, body, embodied simulation, film, immersion, mirror neurons, visual art

© 2019 Vittorio Gallese, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.