<abstract xmlns="http://www.w3.org/1999/xhtml"><p> The witch has always been the representation of an unspeakable absence. Sycorax embodies all silenced African women, experiencing double patriarchy (a term used by Omofolabo Ajayi-Soyinka). Associated with the margins, she represented the barbarian Other to European culture. Sycorax decolonizes the male-dominated world of Prospero: from absence, she is turned into presence, as she constructs her subjective narrative</p></abstract>

The witch has always been the representation of an unspeakable absence. Sycorax embodies all silenced African women, experiencing double patriarchy (a term used by Omofolabo Ajayi-Soyinka). Associated with the margins, she represented the barbarian Other to European culture. Sycorax decolonizes the male-dominated world of Prospero: from absence, she is turned into presence, as she constructs her subjective narrative

“SYCORAX ON STAGE”: THE UNVOICED SHAKESPEAREAN FEMALE OTHER FINALLY SPEAKS IN SUNITI NAMJOSHI’S POETRY

University of Szeged, Hungary 6722-H Szeged Egyetem u. 2., Hungary

Gender Studies

The witch has always been the representation of an unspeakable absence. Sycorax embodies all silenced African women, experiencing double patriarchy (a term...

“SYCORAX ON STAGE”: THE UNVOICED SHAKESPEAREAN FEMALE OTHER FINALLY SPEAKS IN SUNITI NAMJOSHI’S POETRY

Data publikacji: 14 lut 2014

Zakres stron: 126 - 143

DOI: https://doi.org/10.2478/genst-2013-0008

This content is open access.