Tableaux Vivants, Early Cinema, and Beauty-as-Attraction

Data publikacji: 16 paź 2018

Zakres stron: 9 - 32

DOI: https://doi.org/10.1515/ausfm-2018-0001

Słowa kluczowe

early cinema, intermediality, film theory, art, painting

© 2018 Daniel Wiegand, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.