Tableaux Vivants, Early Cinema, and Beauty-as-Attraction

Publicado en línea: 16 oct 2018

Páginas: 9 - 32

DOI: https://doi.org/10.1515/ausfm-2018-0001

Palabras clave

early cinema, intermediality, film theory, art, painting

© 2018 Daniel Wiegand, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.