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‘The Whiteness’ of Music Analysis. A Gloss on Philip Ewell's Lamentation over Schenker

Sławomira Żerańska-Kominek
Sławomira Żerańska-Kominek
   | 31 dic 2022
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Publicado en línea: 31 dic 2022
Páginas: 96 - 103
DOI: https://doi.org/10.2478/muso-2022-0007
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© 2022 Sławomira Żerańska-Kominek, published by Sciendo
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

The article is a polemic with the views formulated in 2020 by Philip A. Ewell in the Journal of the Society for Music Theory. His text is a critique of European music theory, mainly as represented in the writings by Heinrich Schenker. Ewell's main claim is that European music theory is based on racist concepts.

eISSN:
2353-5733
ISSN:
1734-1663
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Inglés
Calendario de la edición:
Volume Open
Temas de la revista:
Music, general
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