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‘The Whiteness’ of Music Analysis. A Gloss on Philip Ewell's Lamentation over Schenker

Sławomira Żerańska-Kominek

Sławomira Żerańska-Kominek

Institute of Musicology, University of Warsaw
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Żerańska-Kominek, Sławomira
  
31 déc. 2022
‘The Whiteness’ of Music Analysis. A Gloss on Philip Ewell's Lamentation over Schenker's Cover Image
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Publié en ligne: 31 déc. 2022
Pages: 96 - 103
DOI: https://doi.org/10.2478/muso-2022-0007
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© 2022 Sławomira Żerańska-Kominek, published by Sciendo
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

The article is a polemic with the views formulated in 2020 by Philip A. Ewell in the Journal of the Society for Music Theory. His text is a critique of European music theory, mainly as represented in the writings by Heinrich Schenker. Ewell's main claim is that European music theory is based on racist concepts.

Langue:
Anglais
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1 fois par an
Sujets de la revue:
Musique, Musique en général
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