<abstract xmlns="http://www.w3.org/1999/xhtml">

<p>The article is a polemic with the views formulated in 2020 by Philip A. Ewell in the <italic>Journal of the Society for Music Theory</italic>. His text is a critique of European music theory, mainly as represented in the writings by Heinrich Schenker. Ewell's main claim is that European music theory is based on racist concepts.</p>
</abstract>

The article is a polemic with the views formulated in 2020 by Philip A. Ewell in the Journal of the Society for Music Theory. His text is a critique of European music theory, mainly as represented in the writings by Heinrich Schenker. Ewell's main claim is that European music theory is based on racist concepts.

‘The Whiteness’ of Music Analysis. A Gloss on Philip Ewell's Lamentation over Schenker

Musicology Today

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

The article is a polemic with the views formulated in 2020 by Philip A. Ewell in the Journal of the Society for Music Theory. His text is a critique of...

‘The Whiteness’ of Music Analysis. A Gloss on Philip Ewell's Lamentation over Schenker

Publicado en línea: 31 dic 2022

Páginas: 96 - 103

DOI: https://doi.org/10.2478/muso-2022-0007

Palabras clave
Schenker, music analysis, anthropological approach to music analysis, racism

© 2022 Sławomira Żerańska-Kominek, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

‘The Whiteness’ of Music Analysis. A Gloss on Philip Ewell's Lamentation over Schenker

Publicado en línea: 31 dic 2022

Páginas: 96 - 103

DOI: https://doi.org/10.2478/muso-2022-0007

Palabras claveSchenker, music analysis, anthropological approach to music analysis, racism

© 2022 Sławomira Żerańska-Kominek, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Palabras clave
Schenker, music analysis, anthropological approach to music analysis, racism