This article builds on previous research dealing with temporary theatres in the context of Europe and Slovakia, discusses the topic of pop-up pavilions in terms of architecture, their use in marketing and as a potential tool for reviving the theatre scene. Just as temporary architecture can activate neglected areas in the city and bring stimuli for a permanent change, we believe that it can be equally stimulating in the area of theatre. The Shed by Haworth Tompkins is one of the examples to demonstrate a possible positive contribution of such designs to a permanent theatre and its surroundings. Based on the analysis of similar examples and statistical data on the attendance of theatre performances, we decided to design and implement a prototype of a minimal theatre scene, which also provides wide variability and can be used beyond the time dedicated to theatre activities. In the design phase, we examine the limits of variability and explore the basics of kinetic architecture. In the second phase after the object is assembled and implemented, the subject of research will be its impact on the environment, the extent of user interaction with the object and the overall functionality of the object. The ambitions of our project do not reach as high as presented in