This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Addison, J., The Spectator, nos 411–421, 1712.AddisonJ.The Spectator411–421171210.1093/oseo/instance.00045987Search in Google Scholar
Alsop, D., ‘“Strains of New Beauty”: Handel and the Pleasures of Italian Opera, 1711–28’, in R. Porter and M. Mulvey Roberts (eds), Pleasure in the Eighteenth-Century, London, Palgrave, 1996, pp. 133–163.AlsopD.‘“Strains of New Beauty”: Handel and the Pleasures of Italian Opera, 1711–28’inPorterR.Mulvey RobertsM.(eds),Pleasure in the Eighteenth-CenturyLondonPalgrave199613316310.1007/978-1-349-24962-6_7Search in Google Scholar
Bentham, J., An Introduction to the Principles of Morals and Legislation, 1780, new ed. 1823, re-ed. Jonathan Bennett, 2017, https://www.earlymoderntexts.com/assets/pdfs/bentham1780.pdf (accessed 6 October 2021).BenthamJ.An Introduction to the Principles of Morals and Legislation1780new ed. 1823, re-ed. Jonathan Bennett, 2017, https://www.earlymoderntexts.com/assets/pdfs/bentham1780.pdf (accessed 6 October 2021).Search in Google Scholar
Boldini, G., L’Abbandono di Armida, Trattenimento scenico da cantarsi nel famosissmo Teatro Grimani di S. Gio. Grisostomo nell’ultima sera del carnevale dell’anno 1729, Venezia, Carlo Bonarigo, 1729.BoldiniG.L’Abbandono di Armida, Trattenimento scenico da cantarsi nel famosissmo Teatro Grimani di S. Gio. Grisostomo nell’ultima sera del carnevale dell’anno 1729VeneziaCarlo Bonarigo1729Search in Google Scholar
Bonlini, G.C., Le glorie della poesia e della musica contenute nell’esatta notizia de’teatri della citta di Venezia e nel catalogo purgatissimo de’dramma musicali quivi sin’hora rappresentati, Venezia, Carlo Bonarigo, 1730.BonliniG.C.Le glorie della poesia e della musica contenute nell’esatta notizia de’teatri della citta di Venezia e nel catalogo purgatissimo de’dramma musicali quivi sin’hora rappresentatiVeneziaCarlo Bonarigo1730Search in Google Scholar
Boyson, R., Wordsworth and the Enlightenment Idea of Pleasure, Cambridge, Cambridge University Press, 2012.BoysonR.Wordsworth and the Enlightenment Idea of PleasureCambridgeCambridge University Press201210.1017/CBO9781139151009Search in Google Scholar
Bucciarelli, M., ‘Venice and the East: Operatic Readings of Tasso’s Armida in Early Eighteenth-Century Venice’, in M. Bucciarelli and B. Joncus (eds), Music as Social and Cultural Practice: Essays in Honour of Reinhard Strohm, Woodbridge, Boydell & Brewer, 2007.BucciarelliM.‘Venice and the East: Operatic Readings of Tasso’s Armida in Early Eighteenth-Century Venice’inBucciarelliM.JoncusB.(eds),Music as Social and Cultural Practice: Essays in Honour of Reinhard StrohmWoodbridgeBoydell & Brewer2007Search in Google Scholar
Burden, M., ‘Opera, Excess, and the Discourse of Luxury in Eighteenth-Century England’, Revue de la Société d’études anglo-américaintes des XVIIe et XVIII siècle, 2014, pp. 232–248.BurdenM.‘Opera, Excess, and the Discourse of Luxury in Eighteenth-Century England’Revue de la Société d’études anglo-américaintes des XVIIe et XVIII siècle201423224810.4000/1718.409Search in Google Scholar
Carter, T., Tasso Torquato, in Grove Music Online, https://doi.org/10.1093/gmo/9781561592630.article.O004675 (accessed 6 October 2021).CarterT.Tasso Torquato, in Grove Music Onlinehttps://doi.org/10.1093/gmo/9781561592630.article.O004675 (accessed 6 October 2021).10.1093/gmo/9781561592630.article.O004675Search in Google Scholar
Conti, A., Lettere da Venezia a Madame La Comtesse de Caylus 1727–1729. Con l’aggiunta di un Discorso sullo Stato della Francia, S. Mamy (ed.), Firenze, Leo S. Olschki, 2003.ContiA.Lettere da Venezia a Madame La Comtesse de Caylus 1727–1729. Con l’aggiunta di un Discorso sullo Stato della FranciaMamyS.(ed.),FirenzeLeo S. Olschki2003Search in Google Scholar
Desler, A., ‘From Castrato to Bass: The Late Roles of Niccolò Grimaldi “Nicolini”’, in C. Haworth and L. Colton (eds), Gender, Age and Musical Creativity, London, Routledge, 2016, pp. 61–82.DeslerA.‘From Castrato to Bass: The Late Roles of Niccolò Grimaldi “Nicolini”’inHaworthC.ColtonL.(eds),Gender, Age and Musical CreativityLondonRoutledge20166182Search in Google Scholar
Desler, A., Il novello Orfeo’ Farinelli: vocal profile, aesthetics, rhetoric, PhD thesis, University of Glasgow, 2014.DeslerA.Il novello Orfeo’ Farinelli: vocal profile, aesthetics, rhetoricPhD thesis,University of Glasgow2014Search in Google Scholar
Martello, P.J., Della tragedia antica e moderna, in H.S. Noce (ed.), Scritti Critici e Satirici, Bari, Laterza, 1963.MartelloP.J.Della tragedia antica e modernainNoceH.S.(ed.),Scritti Critici e SatiriciBariLaterza1963Search in Google Scholar
Epicurus, ‘Letter to Menoeceus’, transl. by C. Bailey, https://users.manchester.edu/Facstaff/SSNaragon/Online/texts/316/Epicurus,%20LetterMenoeceus.pdf (accessed 6 October 2021).Epicurus‘Letter to Menoeceus’transl. byBaileyC.https://users.manchester.edu/Facstaff/SSNaragon/Online/texts/316/Epicurus,%20LetterMenoeceus.pdf (accessed 6 October 2021).Search in Google Scholar
Feldmann, M., The Castrato. The Reflections on Natures and Kinds, Berkeley, University of California Press, 2006.FeldmannM.The Castrato. The Reflections on Natures and KindsBerkeleyUniversity of California Press2006Search in Google Scholar
Forment, B., ‘From Effeminato to Virtuoso: The Inscription of Gender Patterns in Alessandro Scarlatti’s Telemaco (1718)’, in Rivista Italiana di Musicologia, no. 49, 2005, pp. 85–112.FormentB.‘From Effeminato to Virtuoso: The Inscription of Gender Patterns in Alessandro Scarlatti’s Telemaco (1718)’inRivista Italiana di Musicologia49200585112Search in Google Scholar
Leopardi, G., Zibaldone, M. Caesar and F. D’Intino (eds), transl. by K. Baldwin, R. Dixon, D. Gibbons, A. Goldstein, G. Slowey, M. Thom, and P. Williams, New York, Farrar, Straus and Giroux, 2013.LeopardiG.ZibaldoneCaesarM.D’IntinoF.(eds), transl. byBaldwinK.DixonR.GibbonsD.GoldsteinA.SloweyG.ThomM.WilliamsP.New YorkFarrar, Straus and Giroux2013Search in Google Scholar
Lowe, M.D., Pleasure and Meaning in the Classical Symphony, Bloomington, Indiana University Press, 2007.LoweM.D.Pleasure and Meaning in the Classical SymphonyBloomingtonIndiana University Press2007Search in Google Scholar
Mancini, G.B., Pensieri e riflessioni sopra il canto figurato, Vienna, Ghelen, 1774.ManciniG.B.Pensieri e riflessioni sopra il canto figuratoViennaGhelen1774Search in Google Scholar
Markuszewska, A., Festa and Music at the Court of Marie Casimire Sobieska in Rome (1699–1714), transl. A. Gutowska and T. Zymer, Berlin, Peter Lang, 2021.MarkuszewskaA.Festa and Music at the Court of Marie Casimire Sobieska in Rome (1699–1714)transl.GutowskaA.ZymerT.BerlinPeter Lang2021Search in Google Scholar
Muratori, L.A., Della perfetta poesia italiana Venezia, S. Coleti, 1724.MuratoriL.A.Della perfetta poesia italianaVeneziaS. Coleti1724Search in Google Scholar
Over, B., ‘How to Impress the Public: Farinelli’s Venetian Debut in 1728–1729’, Musicology Today, no. 17, 2020, pp. 14–33, https://doi.org/10.2478/muso-2020-0002 (accessed 6 October 2021).OverB.‘How to Impress the Public: Farinelli’s Venetian Debut in 1728–1729’Musicology Today1720201433https://doi.org/10.2478/muso-2020-0002 (accessed 6 October 2021).10.2478/muso-2020-0002Search in Google Scholar
Over, B. and G. zur Nieden (eds), Operatic Pasticcios in 18th-Century Europe. Contexts, Materials and Aesthetics, Bielefeld, transcript Verlag, 2021.OverB.zur NiedenG.(eds),Operatic Pasticcios in 18th-Century Europe. Contexts, Materials and AestheticsBielefeldtranscript Verlag202110.1515/9783839448854Search in Google Scholar
Parini, G., ‘Mezzogiorno. La favola del Piacere’, in L. Caretti (ed.), Poesie e prose, Milano-Napoli, Ricciardi Editore, 1951.PariniG.‘Mezzogiorno. La favola del Piacere’inCarettiL.(ed.),Poesie e proseMilano-NapoliRicciardi Editore1951Search in Google Scholar
Pitarresi, G. (ed.), Il Pasticcio. Responsabilità d’autore e collaborazione nell’opera dell’età barocca. Atti del Convegno Internazionale di Studi (Reggio Calabria, 2–3 ottobre 2009), Reggio Calabria, Laruffa Editore, 2011.PitarresiG.(ed.),Il Pasticcio. Responsabilità d’autore e collaborazione nell’opera dell’età barocca. Atti del Convegno Internazionale di Studi (Reggio Calabria, 2–3 ottobre 2009)Reggio CalabriaLaruffa Editore2011Search in Google Scholar
Pleasure, in Stanford Encyclopedia of Philosophy, https://plato.stanford.edu/entries/pleasure/ (accessed 6 October 2021).Pleasure, in Stanford Encyclopedia of Philosophyhttps://plato.stanford.edu/entries/pleasure/ (accessed 6 October 2021).Search in Google Scholar
Selfridge-Field, E., A New Chronology of Venetian Opera and Related Genres, 1660–1760, Palo Alto, Stanford University Press, 2007.Selfridge-FieldE.A New Chronology of Venetian Opera and Related Genres, 1660–1760Palo AltoStanford University Press200710.1515/9781503619975Search in Google Scholar
Spačilová, J., ‘Local Conditions of Pasticcio Production and Reception. Between Prague, Wrocław and Moravia’, in Over and zur Nieden (eds), Operatic Pasticcios, pp. 494–495.SpačilováJ.‘Local Conditions of Pasticcio Production and Reception. Between Prague, Wrocław and Moravia’inOverzur Nieden(eds),Operatic Pasticcios494495Search in Google Scholar
Spáčilová, J., ‘Počátky opery ve Slezsku – současný stav pramenů’ [The Origins of the Opera in Silesia – the Current State of Sources], Musicologica Brunensia, vol. 51, no. 2, 2016, https://www.researchgate.net/publication/315174387_Pocatky_opery_ve_Slezsku_-_soucasny_stav_pramenu (accessed 6 October 2021).SpáčilováJ.‘Počátky opery ve Slezsku – současný stav pramenů’ [The Origins of the Opera in Silesia – the Current State of Sources]Musicologica Brunensia5122016https://www.researchgate.net/publication/315174387_Pocatky_opery_ve_Slezsku_-_soucasny_stav_pramenu (accessed 6 October 2021).10.5817/MB2016-2-12Search in Google Scholar
Strohm, R., ‘Italienische Opernarien des frühen Settecento (1720–1730)’, Analecta Musicologica, vol. 16, 1976.StrohmR.‘Italienische Opernarien des frühen Settecento (1720–1730)’Analecta Musicologica161976Search in Google Scholar
Tatarkiewicz, W., O szczęściu [On Happiness], Warszawa, Państwowe Wydawnictwo Naukowe, 1990.TatarkiewiczW.O szczęściu[On Happiness],WarszawaPaństwowe Wydawnictwo Naukowe1990Search in Google Scholar
Theobald, R., ‘Adels-, Schul- und Wander-Oper. Beispiele für Formen und Stoffe des schlesischen Musiktheaters im 18. Jahrhundert’, Jahrbuch für Schlesische Kultur und Geschichte, vol. 53/54, 2015, pp. 235–268.TheobaldR.‘Adels-, Schul- und Wander-Oper. Beispiele für Formen und Stoffe des schlesischen Musiktheaters im 18. Jahrhundert’Jahrbuch für Schlesische Kultur und Geschichte53/542015235268Search in Google Scholar
Tosi, P.F., Opinioni de’cantori antichi e moderni, Bologna, L. dalla Volpe, 1723.TosiP.F.Opinioni de’cantori antichi e moderniBolognaL. dalla Volpe1723Search in Google Scholar
Verri, P., Discorso sull’indole del piacere e del dolore, 1773, repr. Roma, Carocci, 2001.VerriP.Discorso sull’indole del piacere e del dolore1773, repr.RomaCarocci2001Search in Google Scholar
Węgrzyn-Klissowska, K., ‘Opera włoska we Wrocławiu (1725–1734) i jej związki z innymi ośrodkami muzycznymi’ [The Italian Opera in Wrocław (1725–1734) and Its Links to Other Music Centres], Italica Wratislaviensia, no. 5, 2014, pp. 123–146, http://cejsh.icm.edu.pl/cejsh/element/bwmeta1.element.desklight-b207f021-67ec-4924-bd15-6b231d695550 (accessed 6 October 2021).Węgrzyn-KlissowskaK.‘Opera włoska we Wrocławiu (1725–1734) i jej związki z innymi ośrodkami muzycznymi’ [The Italian Opera in Wrocław (1725–1734) and Its Links to Other Music Centres]Italica Wratislaviensia52014123146http://cejsh.icm.edu.pl/cejsh/element/bwmeta1.element.desklight-b207f021-67ec-4924-bd15-6b231d695550 (accessed 6 October 2021).10.15804/IW.2014.05.05Search in Google Scholar