The Art of ‘Cooking’ a Pasticcio: Musical Recipes and Ingredients for Pasticcio Operas

Arles, O. d’/div., L’Arione. Drama musicale nel compimento de anni della S.C.R.M. dell’Imperatore Leopoldo I. consacrato all’Ill.ma et Ecc.ma Sig.ra D. Isabella Maria della Zerda, et Arragona Duchessa del Sesto &c., Milano, Francesco Vigone, 1694 (I-Mb, SS.01.0067). ArlesO. d’/div., L’Arione. Drama musicale nel compimento de anni della S.C.R.M. dell’Imperatore Leopoldo I. consacrato all’Ill.ma et Ecc.ma Sig.ra D. Isabella Maria della Zerda, et Arragona Duchessa del Sesto &c. Milano Francesco Vigone 1694 (I-Mb, SS.01.0067). Search in Google Scholar

Baum, A., Selbstgefühl und reflektierte Neigung. Ästhetik und Ethik bei Shaftesbury (Problemata 143), Stuttgart-Bad Cannstadt, Frommann, 2001. BaumA. Selbstgefühl und reflektierte Neigung. Ästhetik und Ethik bei Shaftesbury (Problemata 143), Stuttgart-Bad Cannstadt Frommann 2001 Search in Google Scholar

Bazzano, N., ‘Spinola Colonna, Filippo Antonio’, in Dizionario Biografico degli Italiani, vol. 93, 2018, https://www.treccani.it/enciclopedia/spinola-colonna-filippo-antonio_%28Dizionario-Biografico%29/ (accessed 3 August 2021). BazzanoN. ‘Spinola Colonna, Filippo Antonio’ in Dizionario Biografico degli Italiani 93 2018 https://www.treccani.it/enciclopedia/spinola-colonna-filippo-antonio_%28Dizionario-Biografico%29/ (accessed 3 August 2021). Search in Google Scholar

Burden, M., ‘Metastasio’s ‘London Pasties’: Curate’s Egg or Pudding’s Proof?’, in A. Sommer-Mathis and E.T. Hilscher (eds), Pietro Metastasio – uomo universale (1698–1782). Festgabe der Österreichischen Akademie der Wissenschaften zum 300. Geburtstag von Pietro Metastasio, Wien, Verlag der Österreichischen Akademie der Wissenschaften, 2000, pp. 293–309. BurdenM. ‘Metastasio’s ‘London Pasties’: Curate’s Egg or Pudding’s Proof?’ in Sommer-MathisA. HilscherE.T. (eds), Pietro Metastasio – uomo universale (1698–1782). Festgabe der Österreichischen Akademie der Wissenschaften zum 300. Geburtstag von Pietro Metastasio Wien Verlag der Österreichischen Akademie der Wissenschaften 2000 293 309 Search in Google Scholar

Cervio, V., Il trinciante […], ampliato et a perfettione ridotto dal Cavalier Reale Fusoritto da Narni, già trinciante dell’Illustrissimo, & Reverendissimo Signor Cardinal Farnese, & al presente dell’Illustriss. Signor Cardinal Mont’alto […], Roma, Stampa del Gabbia, 1593. CervioV. Il trinciante […], ampliato et a perfettione ridotto dal Cavalier Reale Fusoritto da Narni, già trinciante dell’Illustrissimo, & Reverendissimo Signor Cardinal Farnese, & al presente dell’Illustriss. Signor Cardinal Mont’alto […] Roma Stampa del Gabbia 1593 Search in Google Scholar

Deza, M., Istoria della famiglia Spinola descritta dalla sua origine fino al secolo XVI. […] dedicata alla Sacra Cesarea Reale Maestà di Leopoldo I. Gloriosissimo Imperatore, Piacenza, Giovanni Bazachi, 1694. DezaM. Istoria della famiglia Spinola descritta dalla sua origine fino al secolo XVI. […] dedicata alla Sacra Cesarea Reale Maestà di Leopoldo I. Gloriosissimo Imperatore Piacenza Giovanni Bazachi 1694 Search in Google Scholar

Fischer, M., Chur=Bayrischer Hof=Calender auf das Jahr nach der Gnaden=reichen Geburt unsers Herrn und Heylands Jesu Christi M.DCC.XXXIX […], München, Vötter, [1738]. FischerM. Chur=Bayrischer Hof=Calender auf das Jahr nach der Gnaden=reichen Geburt unsers Herrn und Heylands Jesu Christi M.DCC.XXXIX […] München Vötter 1738 Search in Google Scholar

Giovani, G., ‘Le reciproche gelosie by Alessandro Melani and Francesco Nencini: A Trip Across Different Versions’, paper delivered at the Biennial Baroque Conference Birmingham in July 2021. GiovaniG. ‘Le reciproche gelosie by Alessandro Melani and Francesco Nencini: A Trip Across Different Versions’ paper delivered at the Biennial Baroque Conference Birmingham in July 2021. Search in Google Scholar

Goldoni, C. and V. Ciampi, Bertoldo, Bertoldino e Cacasenno, dramma comico per musica da rappresentarsi nel Teatro Giustiniano di S. Moisé il carnovale dell’anno 1749, Venezia, Modesto Fenzo, 1749. GoldoniC. CiampiV. Bertoldo, Bertoldino e Cacasenno, dramma comico per musica da rappresentarsi nel Teatro Giustiniano di S. Moisé il carnovale dell’anno 1749 Venezia Modesto Fenzo 1749 Search in Google Scholar

Goldoni, C./div., Il pasticcio. Dramma giocoso per musica da rappresentarsi nel Teatro Giustiniani di S. Moisè il carnovale dell’anno 1759, Venezia, Modesto Fenzo, 1759, http://corago.unibo.it/libretto/DRT0032885 (accessed 3 August 2021). GoldoniC. /div., Il pasticcio. Dramma giocoso per musica da rappresentarsi nel Teatro Giustiniani di S. Moisè il carnovale dell’anno 1759 Venezia Modesto Fenzo 1759 http://corago.unibo.it/libretto/DRT0032885 (accessed 3 August 2021). Search in Google Scholar

Gozzano, G., Lo specchio della corte. Il maestro di casa. Gentiluomini al servizio del collezionismo a Roma nel Seicento, Roma, Campisano, 2015. GozzanoG. Lo specchio della corte. Il maestro di casa. Gentiluomini al servizio del collezionismo a Roma nel Seicento Roma Campisano 2015 Search in Google Scholar

Heyink, R., ‘Pasticcio’, in MGG Online, Kassel/Stuttgart/New York, Bärenreiter/Metzler 2016ff., first published 1997, published online 2016, https://www-1mgg-2online-1com-1jvd8i9bh07a0.emedia1.bsbmuenchen.de/mgg/stable/13525 (accessed 3 August 2021). HeyinkR. ‘Pasticcio’ in MGG Online Kassel/Stuttgart/New York Bärenreiter/Metzler 2016ff., first published 1997, published online 2016, https://www-1mgg-2online-1com-1jvd8i9bh07a0.emedia1.bsbmuenchen.de/mgg/stable/13525 (accessed 3 August 2021). Search in Google Scholar

Kernbauer, E., Der Platz des Publikums. Modelle für Kunstöffentlichkeit im 18. Jahrhundert (Studien zur Kunst 19), Köln et al., Böhlau Verlag, 2011. KernbauerE. Der Platz des Publikums. Modelle für Kunstöffentlichkeit im 18. Jahrhundert (Studien zur Kunst 19), Köln et al. Böhlau Verlag 2011 10.7788/boehlau.9783412213831 Search in Google Scholar

Kokole, M., ‘The Graz 1740 Pasticcio Amor, odio e pentimento: A Special Case or Mingotti’s Common Practice?’, in Over and zur Nieden (eds), Operatic Pasticcios, pp. 507–525. KokoleM. ‘The Graz 1740 Pasticcio Amor, odio e pentimento: A Special Case or Mingotti’s Common Practice?’ in Over zur Nieden (eds), Operatic Pasticcios 507 525 10.14361/9783839448854-024 Search in Google Scholar

Lancellotti, V., Lo scalco prattico […] all’Illustrissimo, e Reverendiss. Prencipe il Card. Ipoolito Aldobrandino Camerlengo di Santa Chiesa, Roma, Francesco Corbelletti, 1627. LancellottiV. Lo scalco prattico […] all’Illustrissimo, e Reverendiss. Prencipe il Card. Ipoolito Aldobrandino Camerlengo di Santa Chiesa Roma Francesco Corbelletti 1627 Search in Google Scholar

Landgraf, A. and D. Vickers (eds), The Cambridge Handel Encyclopedia, Cambridge, Cambridge University Press, 2009. LandgrafA. VickersD. (eds), The Cambridge Handel Encyclopedia Cambridge Cambridge University Press 2009 Search in Google Scholar

Lanfossi, C., ‘Handel as Arranger and Producer: Listening to Pasticci in Eighteenth-Century London’, PhD Thesis, University of Pennsylvania 2018, unpublished. LanfossiC. ‘Handel as Arranger and Producer: Listening to Pasticci in Eighteenth-Century London’ PhD Thesis, University of Pennsylvania 2018 unpublished. Search in Google Scholar

Latini, A., Autobiografia (1642–1696). La vita di uno scalco, ed. by F. Luccichenti, Roma, [Leberit], 1992. LatiniA. Autobiografia (1642–1696). La vita di uno scalco ed. by LuccichentiF. Roma [Leberit] 1992 Search in Google Scholar

Latini, A., Lo scalco alla moderna, overo L’arte di ben disporre i conviti, con le regole più scelte di scalcheria, insegnate, e poste in prattica, à beneficio de’ professori, ed altri studiosi, […], 2 parts, Napoli, s.ed., 1694. LatiniA. Lo scalco alla moderna, overo L’arte di ben disporre i conviti, con le regole più scelte di scalcheria, insegnate, e poste in prattica, à beneficio de’ professori, ed altri studiosi, […] 2 parts, Napoli, s.ed., 1694. Search in Google Scholar

Lercari, A., ‘Spinola Doria, Paolo’, in Dizionario Biografico degli Italiani, vol. 93, 2018, https://www.treccani.it/enciclopedia/paolo-spinola-doria_%28Dizionario-Biografico%29/ (accessed 3 August 2021). LercariA. ‘Spinola Doria, Paolo’ in Dizionario Biografico degli Italiani 93 2018 https://www.treccani.it/enciclopedia/paolo-spinola-doria_%28Dizionario-Biografico%29/ (accessed 3 August 2021). Search in Google Scholar

Lindgren, L., ‘Lulier, Giovanni Lorenzo’, in Grove Music Online, https://doi.org/10.1093/gmo/9781561592630.article.17156 (accessed 3 August 2021). LindgrenL. ‘Lulier, Giovanni Lorenzo’ in Grove Music Online https://doi.org/10.1093/gmo/9781561592630.article.17156 (accessed 3 August 2021). 10.1093/gmo/9781561592630.article.17156 Search in Google Scholar

Mattei, V., Teatro nobilissimo di scalcheria […] per apparecchio di banchetti à gran Prencipi, secondo il variar delle Stagioni […]. Dedicato all’Eminentissimo, e Reverendissimo Sig. Cardinale Giacomo Rospigliosi, Roma, Giacomo Dragondelli, 1669. MatteiV. Teatro nobilissimo di scalcheria […] per apparecchio di banchetti à gran Prencipi, secondo il variar delle Stagioni […]. Dedicato all’Eminentissimo, e Reverendissimo Sig. Cardinale Giacomo Rospigliosi Roma Giacomo Dragondelli 1669 Search in Google Scholar

Metastasio, P., L. Vinci, and N. Jommelli/div., Il Catone in Utica. Dramma per musica da rappresentarsi nel Teatro Tron di S. Cassiano il carnovale dell’anno MDCCXLVII, [Venice 1746]. MetastasioP. VinciL. JommelliN. /div., Il Catone in Utica. Dramma per musica da rappresentarsi nel Teatro Tron di S. Cassiano il carnovale dell’anno MDCCXLVII Venice 1746 Search in Google Scholar

Over, B., ‘Arrangement Practices in Pasticcios: The Examples of Catone (arr. G.F. Handel) and Catone in Utica (arr. Mingotti Opera Troupe)’, to be published at https://www.pasticcio-project.eu. OverB. ‘Arrangement Practices in Pasticcios: The Examples of Catone (arr. G.F. Handel) and Catone in Utica (arr. Mingotti Opera Troupe)’ to be published at https://www.pasticcio-project.eu. Search in Google Scholar

Over, B., ‘Catone Group of Works: Preface’, to be published at https://www.pasticcio-project.eu. OverB. ‘Catone Group of Works: Preface’ to be published at https://www.pasticcio-project.eu. Search in Google Scholar

Over, B., ‘Dido Abandoned? Shifts of Focus and Artistic Choices in Didone pasticcios of the Mingotti Opera Troupe’, in Over and zur Nieden (eds), Operatic Pasticcios, pp. 285–328. OverB. ‘Dido Abandoned? Shifts of Focus and Artistic Choices in Didone pasticcios of the Mingotti Opera Troupe’ in Over zur Nieden (eds), Operatic Pasticcios 285 328 10.14361/9783839448854-015 Search in Google Scholar

Over, B., ‘From Opera to Pasticcio: Handel’s Revisions of Leo’s Catone in Utica (1732)’, Studi musicali, vol. n.s. 11, no. 2, 2020, pp. 69–99. OverB. ‘From Opera to Pasticcio: Handel’s Revisions of Leo’s Catone in Utica (1732)’ Studi musicali 11 2 2020 69 99 Search in Google Scholar

Over, B., ‘George Frideric Handel (arr.), Catone (London 1732): Work History’, to be published at https://www.pasticcio-project.eu. OverB. ‘George Frideric Handel (arr.), Catone (London 1732): Work History’ to be published at https://www.pasticcio-project.eu. Search in Google Scholar

Over, B., ‘How to Impress the Public: Farinelli’s Venetian Debut in 1728–1729’, Musicology Today, vol. 17, 2020, pp. 14–33, https://doi.org/10.2478/muso-2020-0002 (accessed 3 August 2021). OverB. ‘How to Impress the Public: Farinelli’s Venetian Debut in 1728–1729’ Musicology Today 17 2020 14 33 https://doi.org/10.2478/muso-2020-0002 (accessed 3 August 2021). 10.2478/muso-2020-0002 Search in Google Scholar

Over, B., ‘Mingotti Opera Troupe (arr.), Catone in Utica (Hamburg 1744): Work History’, to be published at https://www.pasticcio-project.eu. OverB. ‘Mingotti Opera Troupe (arr.), Catone in Utica (Hamburg 1744): Work History’ to be published at https://www.pasticcio-project.eu. Search in Google Scholar

Over, B., ‘Paradigmen musikalischer Mobilität: Händels Pasticci’, Händel-Jahrbuch, vol. 65, 2019, pp. 85–103. OverB. ‘Paradigmen musikalischer Mobilität: Händels Pasticci’ Händel-Jahrbuch 65 2019 85 103 Search in Google Scholar

Polin, G., ‘Le “opere / che al dosso degli attor non son tagliate / riescon per ordinario impasticciate. Riflessioni sullo status del testo spettacolare melodrammatico nel Settecento”, in G. Pitarresi (ed.), Responsabilità d’autore e collaborazione nell’opera dell’età barocca: Il pasticcio. Atti del Convegno Internazionale di Studi (Reggio Calabria, 2–3 ottobre 2009), Reggio Calabria, Laruffa, 2011, pp. 325–364. PolinG. ‘Le “opere / che al dosso degli attor non son tagliate / riescon per ordinario impasticciate. Riflessioni sullo status del testo spettacolare melodrammatico nel Settecento” in PitarresiG. (ed.), Responsabilità d’autore e collaborazione nell’opera dell’età barocca: Il pasticcio. Atti del Convegno Internazionale di Studi Reggio Calabria 2–3 ottobre 2009 Reggio Calabria Laruffa 2011 325 364 Search in Google Scholar

Poser, H., ‘Der Leibnizsche Harmoniebegriff als Einheit in der Vielheit’, in Sander Wilkens (ed.), Leibniz, die Künste und die Musik: ihre Geschichte, Theorie und Wissenschaft, München/Salzburg, Musikverlag Katzbichler, 2007, pp. 129–145. PoserH. ‘Der Leibnizsche Harmoniebegriff als Einheit in der Vielheit’ in WilkensSander (ed.), Leibniz, die Künste und die Musik: ihre Geschichte, Theorie und Wissenschaft München/Salzburg Musikverlag Katzbichler 2007 129 145 Search in Google Scholar

Price, C., ‘Pasticcio’, in Grove Music Online, https://doi.org/10.1093/gmo/9781561592630.article.21051 (accessed 3 August 2021). PriceC. ‘Pasticcio’ in Grove Music Online https://doi.org/10.1093/gmo/9781561592630.article.21051 (accessed 3 August 2021). 10.1093/gmo/9781561592630.article.21051 Search in Google Scholar

Procuranti, L., La percezione del bello da Descartes a Kant, Trento, Verifiche, 2009. ProcurantiL. La percezione del bello da Descartes a Kant Trento Verifiche 2009 Search in Google Scholar

Quantz, J.J., ‘Herrn Johann Joachim Quantzens Lebenslauf, von ihm selbst entworfen‘, in F.W. Marpurg (ed.), Historisch-kritische Beyträge zur Aufnahme der Musik, vol. 1, 5. Stück, Berlin, Lange, 1755, pp. 197–250. QuantzJ.J. ‘Herrn Johann Joachim Quantzens Lebenslauf, von ihm selbst entworfen‘ in MarpurgF.W. (ed.), Historisch-kritische Beyträge zur Aufnahme der Musik 1, 5 Stück, Berlin Lange 1755 197 250 Search in Google Scholar

Roberts, J.H., ‘Handel and Vinci’s ‘Didone abbandonata’: Revisions and Borrowings’, Music & Letters, vol. 67, 1987, pp. 141–150. RobertsJ.H. ‘Handel and Vinci’s ‘Didone abbandonata’: Revisions and Borrowings’ Music & Letters 67 1987 141 150 10.1093/ml/68.2.141 Search in Google Scholar

Romagnoli, A., ‘Collaboration, Arrangement, ‘Dressing’: The Different Recipes for the pasticcio alla napolitana in the First Half of the 18^th Century’, in Over and zur Nieden (eds), Operatic Pasticcios, pp. 349–376. RomagnoliA. ‘Collaboration, Arrangement, ‘Dressing’: The Different Recipes for the pasticcio alla napolitana in the First Half of the 18^th Century’ in Over zur Nieden (eds), Operatic Pasticcios 349 376 10.1515/9783839448854-017 Search in Google Scholar

Rosand, E., ‘L’incoronazione di Poppea di Francesco Cavalli’, in D. Fabris and F. Castaldo (eds), Francesco Cavalli: La circolazione dell’opera veneziana nel Seicento/The Circulation of Venetian Opera in the 17^th Century, Napoli, Editoriale scientifica, 2005, pp. 119–146. RosandE. ‘L’incoronazione di Poppea di Francesco Cavalli’ in FabrisD. CastaldoF. (eds), Francesco Cavalli: La circolazione dell’opera veneziana nel Seicento/The Circulation of Venetian Opera in the 17^th Century Napoli Editoriale scientifica 2005 119 146 Search in Google Scholar

Siegert, C., ‘Zum Pasticcio-Problem’, in T. Betzwieser (ed.), Opernkonzeption zwischen Berlin und Bayreuth. Das musikalische Theater der Markgräfin Wilhelmine. Referate des Symposiums anlässlich der Aufführung von L’Huomo im Markgräflichen Opernhaus in Bayreuth am 2. Oktober 2009 (Thurnauer Schriften zum Musiktheater 31), Würzburg, Königshausen & Neumann, 2016, pp. 155–166. SiegertC. ‘Zum Pasticcio-Problem’ in BetzwieserT. (ed.), Opernkonzeption zwischen Berlin und Bayreuth. Das musikalische Theater der Markgräfin Wilhelmine. Referate des Symposiums anlässlich der Aufführung von L’Huomo im Markgräflichen Opernhaus in Bayreuth am 2. Oktober 2009 (Thurnauer Schriften zum Musiktheater 31), Würzburg Königshausen & Neumann 2016 155 166 Search in Google Scholar

Stefani, G., ‘Production of Opera Pasticcios in Venice in the Early 18^th Century: The Impresario’s Role’, in B. Over, B. and G. zur Nieden (eds), Operatic Pasticcios in 18^th-Century Europe: Contexts, Materials and Aesthetics (Mainz Historical Cultural Sciences 45), Bielefeld, transcript, 2021, pp. 377–396. StefaniG. ‘Production of Opera Pasticcios in Venice in the Early 18^th Century: The Impresario’s Role’ in B. OverB. zur NiedenG. (eds), Operatic Pasticcios in 18^th-Century Europe: Contexts, Materials and Aesthetics (Mainz Historical Cultural Sciences 45), Bielefeld transcript 2021 377 396 10.1515/9783839448854-018 Search in Google Scholar

Strohm, R., ‘Händels Pasticci’, in A. Jacobshagen and P. Mücke (eds), Händels Opern, Laaber, Laaber Verlag, 2009 (Das Händel-Handbuch 2), vol. 2, pp. 351–433. StrohmR. ‘Händels Pasticci’ in JacobshagenA. MückeP. (eds), Händels Opern Laaber Laaber Verlag 2009 (Das Händel-Handbuch 2), 2 351 433 Search in Google Scholar

Strohm, R., Italienische Opernarien des frühen Settecento (1720–1730), (Analecta Musicologica 16), 2 vols, Köln, Arno Volk, 1976. StrohmR. Italienische Opernarien des frühen Settecento (1720–1730) (Analecta Musicologica 16), 2 vols, Köln Arno Volk 1976 Search in Google Scholar

Usula, N., ‘From Jason to Jason: Cavalli Reworked by Stradella (Venice 1649–Rome 1671)’, Basler Jahrbuch für historische Musikpraxis, vol. 38 (Reworkings: Musical Re-Elaboration and Cultural Context), 2014, pp. 69–84. UsulaN. ‘From Jason to Jason: Cavalli Reworked by Stradella (Venice 1649–Rome 1671)’ Basler Jahrbuch für historische Musikpraxis, vol. 38 (Reworkings: Musical Re-Elaboration and Cultural Context) 2014 69 84 Search in Google Scholar

Walpole, H., Correspondence with Sir Horace Mann (The Yale Edition of Horace Walpole’s Correspondence 18), W.S. Lewis (ed.), W. Hunting Smith, G.L. Lam, vol. 2, London/New Haven, Milford/Yale University Press, 1955. WalpoleH. Correspondence with Sir Horace Mann (The Yale Edition of Horace Walpole’s Correspondence 18), LewisW.S. (ed.), Hunting SmithW. LamG.L. vol. 2, London/New Haven Milford/Yale University Press 1955 Search in Google Scholar

Zsovár, J., ‘Singers of the Viennese Kärntnertortheater in the Light of Aria Substitutions and Pasticcios’, in Over and zur Nieden (eds), Operatic Pasticcios, pp. 425–446. ZsovárJ. ‘Singers of the Viennese Kärntnertortheater in the Light of Aria Substitutions and Pasticcios’ in Over zur Nieden (eds), Operatic Pasticcios 425 446 10.14361/9783839448854-020 Search in Google Scholar

zur Nieden, G., ‘Between Dwarfs and Giants: Aesthetics of the Pasticcio between London and Hamburg’, in Over and zur Nieden (eds), Operatic Pasticcios, pp. 153–177. zur NiedenG. ‘Between Dwarfs and Giants: Aesthetics of the Pasticcio between London and Hamburg’ in Over zur Nieden (eds), Operatic Pasticcios 153 177 10.14361/9783839448854-008 Search in Google Scholar

zur Nieden, G. and B. Over, ‘Introduction’, in Over and zur Nieden (eds), Operatic Pasticcios, pp. 9–25. zur NiedenG. OverB. ‘Introduction’ in Over zur Nieden (eds), Operatic Pasticcios 9 25 10.14361/9783839448854-002 Search in Google Scholar