Who Are the Domestic Creative Tourists in Slovakia? Implications from a Cluster-Based Demand Analysis
János Csapó
Constantine the Philosopher University Nitra, Faculty of Central European Studies, Department of TourismDražovská, Nitra, Slovakia
Orcid profileSearch for this author on
, Zuzana Palenčiková
Constantine the Philosopher University Nitra, Faculty of Central European Studies, Department of TourismDražovská, Nitra, Slovakia
Orcid profileSearch for this author on
and Dec 31, 2022
About this article
Article Category: Research Article
Published Online: Dec 31, 2022
Page range: 78 - 88
Received: Apr 16, 2021
Accepted: May 05, 2022
DOI: https://doi.org/10.2478/ejthr-2022-0006
Keywords
© 2022 László Csapó et al., published by Sciendo
This work is licensed under the Creative Commons Attribution 4.0 International License.
Figure 1:
Figure 2:
The average ranking of creative events by respondents_
| Creative activities | Order | Mean rank |
|---|---|---|
| Traditional events of crafts and folk art | 2 | 1.73 |
| Courses and workshops of traditional crafts and folk art | 1 | 1.71 |
| Gastronomic events with the topic of cooking local dishes and food | 4 | 1.84 |
| Traditional and local food cooking courses and workshops | 5 | 1.91 |
| Folklore events | 6 | 1.97 |
| Stage art workshops | 7 | 2.07 |
| Visual arts workshops | 5 | 1.91 |
| Creative workshops for children | 3 | 1.78 |
| Courses and workshops of traditional ecological products and recycling | 8 | 2.21 |
Summary of the general data of the respondents of the questionnaire survey_
| Gender | ||
|---|---|---|
| Person | % (n=876) | |
| Male | 363 | 41,44% |
| Female | 513 | 58,56% |