Parametric modeling of audio features of suona music of intangible cultural heritage and its digital storage strategy
Mar 19, 2025
About this article
Published Online: Mar 19, 2025
Received: Nov 13, 2024
Accepted: Feb 16, 2025
DOI: https://doi.org/10.2478/amns-2025-0457
Keywords
© 2025 Wenliang Li, published by Sciendo
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
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Figure 10.

Play the list of time
Small SuoNa | Middle SuoNa | Big SuoNa | |
---|---|---|---|
G4 | 0.053 | 0.112 | 0.111 |
A4 | 0.094 | 0.341 | 0.202 |
B4 | 0.095 | 0.098 | 0.113 |
C5 | 0.021 | 0.031 | 0.07 |
The suona side elevation is the standard deviation
Double band (Hz) | 63 | 125 | 250 | 500 | 1000 | 2000 | 4000 | 8000 |
---|---|---|---|---|---|---|---|---|
Standard deviation | 2.14 | 1.97 | 1.59 | 1.43 | 2.55 | 5.28 | 7.31 | 8.49 |
The NSPL values of the suona in scale of f strength(dB)
63Hz | 125Hz | 250Hz | 500Hz | 1000Hz | 2000Hz | 4000Hz | 8000Hz | |
---|---|---|---|---|---|---|---|---|
Signal 1 | -8 | -5.1 | -2.3 | -0.5 | -3.1 | 0 | -1.3 | 0 |
Signal 2 | -3.3 | -1.9 | -0.6 | -1.8 | -6.2 | -1 | -1.8 | -0.9 |
Signal 3 | -4.8 | -2.6 | -3 | -4.2 | -3 | -1 | -6.5 | -13.4 |
Signal 4 | 0 | -3 | -3 | -1.5 | -5.7 | -14 | -21 | -27.6 |
Signal 5 | -2.5 | -5.9 | -2.1 | -2.8 | -8 | -16.2 | -24.5 | -29.5 |
Signal 6 | -6.7 | -7.4 | -4.3 | -4.8 | -9.5 | -10.1 | -18.4 | -21.5 |
Signal 7 | -5.2 | -5.8 | -2.9 | -2.4 | -7.4 | -9.9 | -16 | -15.9 |
Signal 8 | -5.8 | -4.6 | -5.5 | -4.2 | -3.5 | -10.6 | -14.1 | -12.3 |
Signal 9 | -7 | -9.3 | -7.1 | -3.1 | -3.1 | -7 | -9.8 | -14 |
Signal 10 | -6.1 | -3.9 | -3.6 | -1.2 | 0.1 | -4.4 | -9.7 | -13.3 |
Signal 11 | -5.7 | -4.6 | -2.2 | 0 | -2.4 | -1.2 | -1.9 | -6.9 |
Signal 12 | -2.9 | 0 | 0.1 | -1 | -3.9 | -1.3 | -0.3 | -2.7 |
Signal 13 | -8.5 | -9.5 | -6 | -2.5 | -3.6 | -3.2 | -13.2 | -11.9 |
Signal 14 | -6 | -5.5 | -6.4 | -3.2 | -1.2 | -11 | -9.6 | -15.9 |
Signal 15 | -7.6 | -5.8 | -3.9 | -2.1 | -3.5 | -8.1 | -13.9 | -17.2 |
Signal 16 | -5.9 | -6.1 | -5.3 | -4.5 | -9 | -9.8 | -15 | -17.4 |
Signal 17 | -6 | -6 | -5.3 | -4.4 | -8.9 | -11.1 | -17.1 | -14.3 |
Signal 18 | -7.5 | -5.9 | -3.9 | -2.1 | -4.1 | -8.7 | -16.2 | -18.4 |
Signal 19 | -4.6 | -5.9 | -6.4 | -3.6 | -0.8 | -11 | -14.5 | -17.3 |
Signal 20 | -8 | -4.9 | -2.6 | -3 | -3.6 | -3.6 | -12.4 | -13 |
Signal 21 | -5.8 | -4.5 | -3.2 | -0.9 | -2.7 | -1.1 | -0.1 |
Play the phonetic frequency list
Number | Phonname | Tone frequency (Hz) | Deviate | Number | Phonname | Tone frequency (Hz) | Deviate |
---|---|---|---|---|---|---|---|
1 | G4 | 389.469 | -12 | 1 | G4 | 1059.38 | 25 |
2 | A4 | 438.742 | -5 | 2 | A4 | 998.123 | 21 |
3 | B4 | 488.394 | -16 | 3 | B4 | 886.03 | 13 |
4 | C5 | 524.58 | 4 | 4 | C5 | 786.526 | 7 |
5 | D5 | 590.946 | 11 | 5 | D5 | 698.196 | -1 |
6 | E5 | 657.824 | -5 | 6 | E5 | 657.824 | -4 |
7 | F5 | 698.196 | -3 | 7 | F5 | 590.946 | 15 |
8 | G5 | 777.212 | -12 | 8 | G5 | 530.867 | 27 |
9 | A5 | 875.538 | -10 | 9 | A5 | 494.247 | 1 |
10 | B5 | 986.303 | 0 | 10 | B5 | 433.999 | 14 |
11 | C6 | 1046.84 | -2 | 11 | C6 | 394.137 | 8 |
The sound quality of the small SuoNa loop
Minimum pitch (db) | Maximum pitch (db) | Average pitch (db) | |
---|---|---|---|
Low region | 6.6 | 66.06 | 58.24 |
Alto region | 9.35 | 70.14 | 57.99 |
High region | 6.44 | 70.45 | 59.77 |
The sound quality of the middle SuoNa loop
Minimum pitch (db) | Maximum pitch (db) | Average pitch (db) | |
---|---|---|---|
Low region | 9.23 | 75.45 | 63.78 |
Alto region | 26.87 | 66.96 | 63.65 |
High region | 20.31 | 76.75 | 75.57 |
The suona horizontal plane is the standard deviation
Double band (Hz) | 63 | 125 | 250 | 500 | 1000 | 2000 | 4000 | 8000 |
---|---|---|---|---|---|---|---|---|
Standard deviation | 1.48 | 1.92 | 1.75 | 1.34 | 2.76 | 4.09 | 6.16 | 5.92 |
The sound quality of the Big SuoNa loop
Minimum pitch (db) | Maximum pitch (db) | Average pitch (db) | |
---|---|---|---|
Low region | 16.7 | 79.72 | 76.94 |
Alto region | 18.19 | 81.81 | 73.86 |
High region | 22.2 | 85.52 | 80.04 |