Editorial

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Showcase festivals are industry events comprising artist showcases and conferences. It may be argued that showcase festivals are an understudied offline field, since their role in configuring and maintaining a festival-like arena and providing a meeting place for the music industries remains largely unexplored from a scholarly point of view, as well as underappreciated and underestimated within the mainstream academic community. Their purpose is to present artists hoping to attract the attention of the core audience: industry professionals looking for new talent to sign and represent. The article provides an empirical study of the Nordic showcase festival by:Larm using theories of gatekeeping, fields and capital.
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Showcase Festivals: Gatekeepers and Bridge Builders in the Music Industries

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As international competition and cooperation in collective rights management evolves, the ecosystem of rights management entities grows. Consequently, the scope of inter-RME organisation across copyright management channels is becoming more complex and thus difficult to manage. Based on the insights of interviews with nine German music publishers and the best practices specified in the Information Technology Infrastructure Library standard for <italic>supplier management</italic>, this paper re-conceptualises a unified model for <italic>RME Relationship Management</italic> for music publishers.
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Reframing the Economic Rationale of Music Publishers’ Relationships with Rights Management Entities – Shifting to a Systematic Approach

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The hustla philosophy of the Jamaican economy advocates the use of innovative and/or illicit methods to negotiate the harsh economic realities of the society. From two years of ethnographic fieldwork in Jamaica, I gleaned that local musicians applied this philosophy to support themselves and family. Most notably, local rock musicians used this mindset to survive their disadvantageous position on the periphery of the Jamaican reggae industry. They earned this status because their merger of “foreign” genres with reggae was perceived as undermining the cultural heritage of the Black populace. As a result, my analysis interrogates the attempts of rock musicians to secure work and legitimacy in a precarious and prejudicial job market. Institutionalized prejudices limited the popularity of local rock music and enforced repressive scripts. Despite these disadvantages, the Jamaican rock scene has made major contributions to the music economy by merging rock music with reggae and facilitating innovation and creativity within the contemporary Reggae Revival.
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The Hustla Playbook: Negotiating the Business Politics of Reggae in the Jamaican Rock Music Scene

Richard Osborne and Dave Laing† (eds.) (2021). <italic>Music by numbers. The use and abuse of statistics in the music industries</italic>. Intellect. 270 pp.

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International Journal of Music Business Research

The International Journal of Music Business Research (IJMBR) as a double-blind reviewed academic journal provides a platform to present articles of merit and to shed light on the current state of the art of music business research. Music business research is a scientific approach at the intersection of economic, artistic, especially musical, cultural, social, legal, technological developments that aims at a better understanding of the creation/production, dissemination/distribution and reception/consumption of the cultural good music. Thus, the IJMBR targets all academics, from students to professors, from around the world and from all disciplines with an interest in research on the music economy.  The journal is published biannual (April &amp; October) in English. The types of contribution include: research and review articles, research notes- and book reviews. The articles have been thoroughly peer reviewed by international specialists and promoted to researchers working in the same field.   With its generous financial support, the Universitetet i Agder/Norway enables the publication of the IJMBR.  There are no charges for authors to publishing articles in the IJMBR   Archiving  Sciendo archives the contents of this journal in Portico - digital long-term preservation service of scholarly books, journals and collections.  Plagiarism Policy  The editorial board is participating in a growing community of Similarity Check System's users in order to ensure that the content published is original and trustworthy. Similarity Check is a medium that allows for comprehensive manuscripts screening, aimed to eliminate plagiarism and provide a high standard and quality peer-review process. 

International Journal of Music Business Research

Volume 11 (2022): Issue 2 (October 2022)

Editorial

Editorial

Research Article

Showcase Festivals: Gatekeepers and Bridge Builders in the Music Industries

Reframing the Economic Rationale of Music Publishers’ Relationships with Rights Management Entities – Shifting to a Systematic Approach

The Hustla Playbook: Negotiating the Business Politics of Reggae in the Jamaican Rock Music Scene

Book Review

Richard Osborne and Dave Laing† (eds.) (2021). Music by numbers. The use and abuse of statistics in the music industries. Intellect. 270 pp.

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