Introduction: Improving Natural Knowledge: The Multiple Uses and Meanings of Plants for European Gardens

<abstract xmlns="http://www.w3.org/1999/xhtml">European dried gardens from the 16th century have been traditionally associated with the emergence of early modern botany and its relation to the traditional genre of pharmacopeias. This study reviews a sample of the 37 known exemplars of these bound collections and argues that the design and development of these herbaria or dried gardens (<italic>orti sicci</italic>), as they were also known, reveal a broader set of questions on nature and about the relationships of humans with the natural world than the ones with which they have been linked. Based on the evidence of a diverse corpus of dried gardens—some richly bound, others composed over recycled paper, some with copious annotations, others with a seemingly random layout and distribution of plants—, this paper argues for a comparative reading of these books as a corpus that contributed significantly to early modern natural history and philosophy.</abstract>

Planting dwelling thinking. Natural history and philosophy in sixteenth-century European dried gardens

<abstract xmlns="http://www.w3.org/1999/xhtml">The article investigates Renaissance naturalists’ views on the links between plants and places where they grow. It looks at the Renaissance culture of botanical excursions and observation of plants in their natural environment and analyses the methods Renaissance naturalists used to describe relations between plants and their habitat, the influence of location on plants’ substantial and accidental characteristics, and in defining species. I worked mostly with printed sixteenth-century botanical sources and paid special attention to the work of Italian naturalist Giambattista Della Porta (1535–1615), whose thoughts on the relationship between plants and places are original, yet little known.</abstract>

‘Where have all the flowers grown’: the relationship between a plant and its place in sixteenth-century botanical treatises

<abstract xmlns="http://www.w3.org/1999/xhtml">The first two public gardens in Bucharest, as well as some of the oldest in the South and East regions of nowadays country of Romania, were designed, built and planted around the mid-nineteenth century by a German-born landscape gardener named Carl Friedrich Wilhelm Meyer. These two public gardens were designed according to modern nineteenth century landscaping concepts and were planted with exotic species of flowers, shrubs and trees not common at that time either in Bucharest or anywhere in the Romanian provinces south or east of the Carpathians. To better understand the design, development, and meaning of these gardens, this paper aims to analyze the specific palette of ornamental species of plants and the planting patterns that were used for the Kiseleff and Cișmigiu gardens in Bucharest and to outline the importance of their use.</abstract>

Planting patterns and exotic plants in nineteenth-century Bucharest public gardens

Gardens and Gardening in Early Modern England and Wales

“The Early Modern Study of Plants, an Essential Part of Natural Philosophy‚Manipulation Flora: Seventeenth-Century Botanical Practices and Natural Philosophy”

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Gardens and Landscapes of Portugal

Gardens and Landscapes of Portugal is a journal founded in 2013 on gardens and landscapes of Portugal history, as well as covers topics of environmental history, history of art and science regarding gardens and landscapes and historic gardens restoration. Ana Duarte Rodrigues is the editor-in-chief.  Rejection Rate   50%   Contact  amnrodrigues@fc.ul.pt  Why subscribe and read  Gardens and Landscapes of Portugal is an open access journal, in English, and the only one on the subject, so that a worldwide community of readers may access its contents.  Why submit  Gardens and Landscapes of Portugal is an open access journal in English and aims to reach a high impact factor. It provides peer review, professional editing and proficiency linguistic review of English.  Archiving  Sciendo archives the contents of this journal in Portico - digital long-term preservation service of scholarly books, journals and collections.  Plagiarism Policy  The editorial board is participating in a growing community of Similarity Check System's users in order to ensure that the content published is original and trustworthy. Similarity Check is a medium that allows for comprehensive manuscripts screening, aimed to eliminate plagiarism and provide a high standard and quality peer-review process.    Financed by Fundação para a Ciência e a Tecnologia, I.P./MCTES through national funds (PIDDAC) — UIDB/00286/2020; UIDP/00286/2020 