<abstract xmlns="http://www.w3.org/1999/xhtml"> Studies of ethnicity have emphasized ethnicity’s social, processual and event-like character. While they have been very successful in explaining change, they have failed to account for the durability and renewed importance of many group identities. We argue that taking into account spatial and embodied dimensions of ethnicity, we can explain continuity without falling back to primordialism and essentialism. The most important spatial factors in explaining the strength of ethnic identities include spatial separation, the built environment, generative processes associated with the built environment, performances and embodied practices, and the linguistic landscape. The article provides an outline for a general framework for the analysis of ethnicity, using examples from New Mexico as illustrations of individual arguments.</abstract>

Ethnicity in Space and Everyday Practice: an Outline of a General Framework with Examples from New Mexico

<abstract xmlns="http://www.w3.org/1999/xhtml"> The article focuses on the delinquency existing in pre-Hispanic Tenochtitlan and Texcoco as a particular type of human behavior, having many concrete forms that the wider society perceived (and condemned) through certain concepts and that it sought to both prevent and suppress. The first part of the article deals with the reflections and forms of delinquency existing in Tenochtitlan and Texcoco. In the second part of the article the mechanisms of prevention and repression of delinquency are examined. Although the pre- Hispanic society existing in Tenochtitlan and Texcoco can be considered as a so-called shame culture, in the conclusion of the article it is suggested that it could be a shame culture, which over time has changed, to a certain extent, to a so-called guilt culture.</abstract>

Crime and Punishment in pre-Hispanic Nahua City-States Tenochtitlan and Texcoco

<abstract xmlns="http://www.w3.org/1999/xhtml"> Famous Uaxactun Mural paintings, which were found in Structure B-XIII, have been wellknown to Maya scholars for decades. They are considered as proof of Maya-Teotihuacan connection, and the importance of Uaxactun. On the other hand, the different scenes with musicians, nobles and warriors are beautiful source of Maya iconography. Below these paintings, also a short inscription in form of calendric notation was found. This inscription was not analyzed due to imperfect drawing, which was made by Antonio Tejeda in 1930’s. Fortunately, it was possible to create a new rendering of this inscription, thanks to preserved photographs of Carnegie Institute.</abstract>

Maya Timeline in Uaxactun: Calendric Notations on the Mural Paintings at Structure B-XIII

<abstract xmlns="http://www.w3.org/1999/xhtml"> The basis for the present article is the case study of Julius Nestler, amateur archaeologist from Prague, who at the beginning of the twentieth century pursued excavations in the ruins of Tiahuanaco and brought to Prague a unique collection of about 3,600 pieces, deposited now in the Náprstek Museum in Prague. His activities are put into the broader context of the origins of Americanist archaeology and anthropology in Central Europe, against a background of nationalist competition and economic entrepreneurship. The life story of Nestler also brings to the fore the problem of ethics in anthropological and archaeological work.</abstract>

To the Origins of American Archaeology in the Czech Lands: The Case of Julius Nestler

<abstract xmlns="http://www.w3.org/1999/xhtml"> The article deals with selected issues which - as we perceive it - can provide an insight into what the Lakota consider essential and generic for their self-identification with their culture (What does it mean to be Lakota?). The study is based on observations gained during fieldwork research, and issues in the text reflect data collected within this period. As a result, we examine the following issues: tribal museums in Lakota reservations, Native perception of time, selected issues of Lakota religion, and Lakota relation to the land and environment they live in and to the world on a global scale. We believe that in all these issues we can also recognize an underlying dual structure which - in its most general meaning - could be understood as a dichotomy of Native and Western/Euro-American worldview and mind-set. The question was how non-Native elements distort or affect the system of Lakota culture. In the section on tribal museums and perception of time we have shown that circular way of thinking about the course of the world which is, according to Donald Fixico (FIXICO 2009), characteristic of all Native cultures affects the way tribal museums organize and present their exhibitions. In this case, the influence of the Native/Euro-American dualism does not have to be necessarily negative. The same can be said about another example where the dichotomy projects itself - in the issue of Lakota relation to the land or Unci Maka (Grandmother Earth): Though Lakota religion and identity is regionally bound (BUCKO 2008), their concern for this integral part of their Native-self can surprisingly well fit into the global issue of protection of environment. On the case of Lakota struggle to stop construction of a KXL pipeline1 we demonstrate how the same (Native/Euro-American) duality interacts and through which the Lakota (Native, regionallybound) voice is strengthened by its non-Native counterpart and vice versa.</abstract>

Selected Issues Illustrating Duality in Relation to Lakota Identity

<abstract xmlns="http://www.w3.org/1999/xhtml"> In Said´s notion of “Orientalism” as a set of discursive practices through which the West structured the imagined East, the Czech Republic (or former Czechoslovakia) in particular, and so called Eastern Europe in general, has been viewed by “the West” as a space inhabited by “exotic other”. The former socialist countries (and the so called post-socialist countries) have been constructing their own “Orients” and “exotic others” as well including Noble Savage stereotype of Native Americans. This paper focuses on a visual (re)presentation of a meeting between people who might have mutually constructed each other as the “exotic other”. Based on filming of a visit of a Native American sport team competing in the Czech Republic, the paper would like to discuss who are the “exotic ones” and for whom and the methodological issues related to the creation of the cross-cultural ethnographic films.</abstract>

Cross-Cultural Filmmaking as a Process of Self-Reflection: Filming Native Americans within Central European Space’s Prevailing Imagery of the “Noble Savage”

AHEAD OF PRINT

Volume 22 (2022): Issue 1 (June 2022)

Volume 21 (2021): Issue 2 (December 2021)

Volume 21 (2021): Issue 1 (June 2021)

Volume 20 (2020): Issue 2 (December 2020)

Volume 20 (2020): Issue 1 (June 2020)

Volume 19 (2019): Issue 2 (December 2019)

Volume 19 (2019): Issue 1 (June 2019)

Volume 18 (2018): Issue 2 (December 2018)

Volume 18 (2018): Issue 1 (June 2018)

Volume 17 (2017): Issue 2 (December 2017)

Volume 17 (2017): Issue 1 (December 2017)

Volume 16 (2016): Issue 2 (December 2016)

Volume 16 (2016): Issue 1 (June 2016)

Volume 15 (2015): Issue 2 (December 2015)

Volume 15 (2015): Issue 1 (June 2015)

Volume 14 (2014): Issue 2 (December 2014)

Volume 14 (2014): Issue 1 (June 2014)

Ethnologia Actualis

 Ethnologia Actualis is an academic peer-reviewed journal published by the Department of Ethnology and World Studies, University of SS Cyril and Methodius in Trnava. It promotes research findings that pertain to ethnic groups and their cultures. The journal prefers articles from authors coming mainly from humanities and social sciences, although interdisciplinary approach is strongly encouraged. We intend to offer an opportunity of academic presentation to all those who engage in search of recordable evidence that emphasizes the interrelatedness of cultural, social, and religious aspects of human life. Therefore, we kindly invite ethnologists, anthropologists, historians, sociologists, social-scientists, linguists, philosophers, and others to participate in our academic activity. The journal is planned to be published semiannually.  Archiving  Sciendo archives the contents of this journal in Portico - digital long-term preservation service of scholarly books, journals and collections.  Plagiarism Policy  The editorial board is participating in a growing community of Similarity Check System's users in order to ensure that the content published is original and trustworthy. Similarity Check is a medium that allows for comprehensive manuscripts screening, aimed to eliminate plagiarism and provide a high standard and quality peer-review process. 