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<DIV align=justify> The Doctoral School for Theatre and Performing Arts and the Research Centre of The Faculty of Theatre at the George Enescu National University of Arts in Iaşi, having the mission of promoting the contribution of personalities in the area of theatre research and creating contexts for sharing their expertise with the doctoral students and young graduates, have proposed holding annual academic meetings. Starting with 2015, these meetings were at first organized as National Symposiums, and, since 2018, they are held as International Conferences. Our purpose is that of rekindling the dialogue between theoreticians and practitioners in our country, at European level and not only.Each year, the participants’ contributions were gathered in the pages of consistent volumes that have been indexed on international databases, so that their ideas and information can go further than the context of these meetings. Aims and Scope: <ul> <li> promoting the results of theatre research at national and international level </li> <li> promoting young researchers </li> <li> passing the dialogue between theatre theoreticians and practitioners to the wide audience </li> <li> the continuous discovery of new ways to innovate stage practice, and the revitalization of theoretical resources </li> <li> creating teams of theatre researchers, professors and doctoral students, theoreticians and theatre practitioners </li> <li> following the transdisciplinary directions between theatre and connected areas: literature, film, music, philosophy, anthropology, sociology, etc. </li> </ul>

International Conference of Doctoral School for Theater and Performing Arts and the Research Center of The Faculty of Theater at the George Enescu National University of Arts

Censorship in Theatres. System Analysis. The Mechanisms for Creating a Theatre Repertoire. Literary Secretariat - Creator / Maker of Directorial Views

Censorship in Theatres. System Analysis. The Mechanisms for Creating a Theatre Repertoire. Literary Secretariat - Creator / Maker of Directorial Views

Frontmatter

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Contents

{"title":{"xml:lang":"en","content":"Contents"}}

The Mentors’ Legacy

{"title":{"xml:lang":"en","content":"The Mentors\u2019 Legacy"}}

About Pedagogy: Generational Theatre

{"title":{"xml:lang":"en","content":"About Pedagogy: Generational Theatre"}}

Theatre Research, between to Be or Not to Be…

Theatre Research, between to Be or Not to Be…

{"title":{"xml:lang":"en","content":"Theatre Research, between to Be or Not to Be\u2026"}}

Ideology vs. Re-Theatricalization. Vasile Alecsandri National Theatre in Iaşi. Documentary: 1947-1971

Ideology vs. Re-Theatricalization. Vasile Alecsandri National Theatre in Iaşi. Documentary: 1947-1971

Chirița in the Province - Radiography of a Century. (Iaşi National Theatre - 1952, 1982, 1997, 2018)

Chirița in the Province - Radiography of a Century. (Iaşi National Theatre - 1952, 1982, 1997, 2018)

19th Century Roots of the Scenography in Iaşi, which Left an Impact on the Art of Performance in the Theatre of Iaşi

19 Century Roots of the Scenography in Iaşi, which Left an Impact on the Art of Performance in the Theatre of Iaşi

Defining Aspects in Forming the Artistic Personality of the Animation Theatre Actor

Defining Aspects in Forming the Artistic Personality of the Animation Theatre Actor

About the Innovative Role of the Animated Object on the Dramatic Theatre Scene

About the Innovative Role of the Animated Object on the Dramatic Theatre Scene

Styles, Techniques and Interpretations in the Creation of Bunraku Puppets

Styles, Techniques and Interpretations in the Creation of Bunraku Puppets

School as a Laboratory

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The Actor’s Body as a Performing Space for the Animated Object (from the Perspective of Nicolas Gousseff’s Artistic Beliefs and the Feldenkrais Method in Puppetry)

The Actor’s Body as a Performing Space for the Animated Object (from the Perspective of Nicolas Gousseff’s Artistic Beliefs and the Feldenkrais Method in Puppetry)

The Expressivity of an Actor’s Speech on and off the Stage

The Expressivity of an Actor’s Speech on and off the Stage

Psycho-pedagogical Approaches in the Training of the Acting Student

Psycho-pedagogical Approaches in the Training of the Acting Student

The Identity of Romanian Ballet

{"title":{"xml:lang":"en","content":"The Identity of Romanian Ballet"}}

Matei Vișniec – Romanian Playwright and Promoter of Young Talents

Matei Vișniec – Romanian Playwright and Promoter of Young Talents

Ștefan Oprea – the Profile of an Authentic Researcher

Ștefan Oprea – the Profile of an Authentic Researcher

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Researchers for Iași, Revolving around Shakespeare’s Plays

Researchers for Iași, Revolving around Shakespeare’s Plays

The Monologue in the Dramatic Text and in the Performance

The Monologue in the Dramatic Text and in the Performance

{"title":{"xml:lang":"en","content":"The Monologue in the Dramatic Text and in the Performance"}}

Dramaturgy – Society’s Mirror

{"title":{"xml:lang":"en","content":"Dramaturgy \u2013 Society\u2019s Mirror"}}

Theological and Philosophical Aspects of the Fool in England

Theological and Philosophical Aspects of the Fool in England

{"title":{"xml:lang":"en","content":"Theological and Philosophical Aspects of the Fool in England"}}

Interferences and Connections between Samuel Beckett’s Prose and Theatre – a Few Situations Encountered in My Research

Interferences and Connections between Samuel Beckett’s Prose and Theatre – a Few Situations Encountered in My Research

The Modernity of a Dramatic Art Lecture at the Beginning of the Twentieth Century

The Modernity of a Dramatic Art Lecture at the Beginning of the Twentieth Century

Balance and Imbalance in the Process of Research of Gogol’s Characters

Balance and Imbalance in the Process of Research of Gogol’s Characters

The New Wave of Romanian Independent Theatre: Ethical and Aesthetic Trends

The New Wave of Romanian Independent Theatre: Ethical and Aesthetic Trends

The New Wave of Independent Theatre in Romania – Some Considerations

The New Wave of Independent Theatre in Romania – Some Considerations

Theatricality in the Beginning of the Posthuman Era

Theatricality in the Beginning of the Posthuman Era

{"title":{"xml:lang":"en","content":"Theatricality in the Beginning of the Posthuman Era"}}

Theatre and Creative Industries

{"title":{"xml:lang":"en","content":"Theatre and Creative Industries"}}

 The Doctoral School for Theatre and Performing Arts and the Research Centre of The Faculty of Theatre at the George Enescu National University of Arts in Iaşi, having the mission of promoting the contribution of personalities in the area of theatre research and creating contexts for sharing their expertise with the doctoral students and young graduates, have proposed holding annual academic meetings. Starting with 2015, these meetings were at first organized as National Symposiums, and, since 2018, they are held as International Conferences.

 The Doctoral School for Theatre and Performing Arts and the Research Centre of The Faculty of Theatre at the George Enescu National...

Censorship in Theatres. System Analysis. The Mechanisms for Creating a Theatre Repertoire. Literary Secretariat - Creator / Maker of Directorial Views

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