<abstract xmlns="http://www.w3.org/1999/xhtml">

<p> Steven Soderbergh’s The Good German (2006), while grounding itself in WWII, casts a wide net as it attempts to examine the role of memory, the difficulty of assigning guilt, determining justice, defining the past, and writing history. Its nuanced treatment of these issues is enhanced by its complex ethnic characterizations and its contextualization among a group of WWII American cinematic classics. This ultimately leads to a shift in viewer reception aimed at creating greater understanding and empathy.</p>
</abstract>

Steven Soderbergh’s The Good German (2006), while grounding itself in WWII, casts a wide net as it attempts to examine the role of memory, the difficulty of assigning guilt, determining justice, defining the past, and writing history. Its nuanced treatment of these issues is enhanced by its complex ethnic characterizations and its contextualization among a group of WWII American cinematic classics. This ultimately leads to a shift in viewer reception aimed at creating greater understanding and empathy.

Cinematic Memory and The Americanization of The Holocaust

Romanian Journal of English Studies

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

{"article-title":"Cinematic Memory and The Americanization of The Holocaust"}

Steven Soderbergh’s The Good German (2006), while grounding itself in WWII, casts a wide net as it attempts to examine the role of memory, the difficulty of...

Cinematic Memory and The Americanization of The Holocaust

Data publikacji: 21 lut 2013

Zakres stron: 138 - 146

DOI: https://doi.org/10.2478/v10319-012-0015-x

Słowa kluczowe
Film Noir, Jewish representation, identity, memory, WWII

© 2012 by Versita

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Cinematic Memory and The Americanization of The Holocaust

Data publikacji: 21 lut 2013

Zakres stron: 138 - 146

DOI: https://doi.org/10.2478/v10319-012-0015-x

Słowa kluczoweFilm Noir, Jewish representation, identity, memory, WWII

© 2012 by Versita

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Słowa kluczowe
Film Noir, Jewish representation, identity, memory, WWII