[
Bartram, David, „The Perception of Semantic Quality in Type: Differences Between Designers and Mon-designers”, în Information Design Journal, 1982, 3.1, pp. 38–50.10.1075/idj.3.1.04bar
]Search in Google Scholar
[
Chen, Tingyou, Chinese Calligraphy, China Intercontinental Press, China, 2003.
]Search in Google Scholar
[
Dâncu, Vasile Sebastian, Comunicarea simbolică, Ediția a II-a, Eikon, Cluj-Napoca, 2009.
]Search in Google Scholar
[
Doyle, John R., Paul Bottomley, „Font Appropriateness and Brand Choice”, în Journal of Business Research, 2004, 57(8), pp. 873-880.10.1016/S0148-2963(02)00487-3
]Search in Google Scholar
[
Earnshaw, Cristopher J., Sho. Japanese Calligraphy, Tuttle Publishing, Singapore, 1988.
]Search in Google Scholar
[
Gardner, Bill, Catharine Fishel, Logo Creed: The Mystery, Magic, and Method Behind Designing Great Logos, Rockport Publishers, Beverly, 2013.
]Search in Google Scholar
[
Lawson, Alexander S., Anatomy of a Typeface, David R. Godine Publisher, Boston, 1990.
]Search in Google Scholar
[
Moskowitz, Howard R., Michele Reisner, Jon Ben Lawlor, Rosires Deliza, Packaging Research in Food Product Design and Development, Blackwell Publishing, Hoboken, 2009.10.1002/9781444319330
]Search in Google Scholar
[
Mukai, Shioko, „Analysis of Common Cognition of Impression Among Japanese Fonts and Tea Beverage Packaging”, în KEER2014. Proceedings of the 5th Kanesi Engineering and Emotion Research; International Conference, Linköping, Sweden, Iunie 11-13, nr. 100, Linköping University Electronic Press, 2014, pp. 1509-1519.
]Search in Google Scholar
[
Paul Grice, Studies in the Way of Words, Harvard University Press, Cambridge, 1989.
]Search in Google Scholar
[
Pieter Desmet, “Product Emotion”, în H.N.J. Schifferstein și P. Hekkert (ed.), Product Experience, Elsevier, Amsterdam, 2008, pp. 379–397.10.1016/B978-008045089-6.50018-6
]Search in Google Scholar
[
Ryokushū Kuiseko, Brush Writing. Calligraphy Techniques for Beginners, Kodansha international, Tokyo, 1988.
]Search in Google Scholar
[
Sato, Shozo, Shodo. The Quiet Art of Japanese Zen Calligraphy, Tuttle Publishing, Singapore 2013.
]Search in Google Scholar
[
Seams, Adams, Masters of design: logos and identity: learn from twenty designers who have changed the logo landscape, Rockport Publishers, Beverly, 2008.
]Search in Google Scholar
[
Shibata, Ayako, „The role of iconicity in package design: A case of the contemporary marketing of traditional Japanese confectionery”, în Angelika Zirker, Matthias Bauer, Olga Fischer, Christina Ljungberg (ed.), Dimensions of Iconicity. John Benjamins Publishing Company. Amsterdam/Philadelphia, 2017, pp. 229-246.
]Search in Google Scholar
[
Shinmura, Izuru, Kōjien, Ed. a II-a, Iwanami shoten, Tokyo, 1971.
]Search in Google Scholar
[
Taiun, Yanagida, “Sho”, în Words in Motion: Modern Japanese Calligraphy, Library of Congress and Yomiuri Shinbun, Tokyo, 1984.
]Search in Google Scholar
