Mirror-Images, or Love As Religion in Philip Pullman’s Trilogy, His Dark Materials
| 22 lut 2013
O artykule
Data publikacji: 22 lut 2013
Zakres stron: 293 - 301
DOI: https://doi.org/10.2478/rjes-2013-0028
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Philip Pullman retells mankind’s archetypal memories of the Fall in his fantasy trilogy, His Dark Materials. I aim to prove that the age-old religious desire for the oneness of the sacred and the profane, as well as of spirit and matter is manifested in Pullman’s fictional mythology in a way that religion and love also turn out to be one.