[1. Bartoli Jean-Pierre, (2000), Propositions pour une definitions de l’exotisme musical et pour l’application en musique de la notion d’isotopie sémantique, in “Musurgia” 7(2): 65]Search in Google Scholar
[2. Bellaigue Camille, (1898), De l’Exotisme en Musique. In: Camille Bellaigue, Études Musicales et Nouvelles Silhouettes de Musiciens, Librairie Ch. Delagrave, Paris]Search in Google Scholar
[3. Bellman Jonathan, (1998), Introduction. In: Jonathan Bellman, The Exotic in Western Music, Exotic, vol. X. Northeastern Univ. Press, Boston, i-xiii]Search in Google Scholar
[4. Betzwieser Thomas and Michael Stegemann, (1994), Exotismus. In: Ludwig Finscher (ed.), Die Musik in Geschichte und Gegenwart, 2nd rev. ed., Bärenreiter and Metzler, Kassel and Stuttgart, vol. III, cols. 226–243]Search in Google Scholar
[5. Bhabha Homi K., (1996), Aura and Agora: On Negotiating Rapture and Speaking Between. In: Richard Francis (ed.), Negotiating Rapture: The Power of Art to Transform Lives, Museum of Contemporary Art, Chicago, 8-17]Search in Google Scholar
[6. Chesneau Ernest, (1878), L’Exposition universelle. Le Japon à Paris, in “ Gazette des Beaux Arts”, 2nd series, vol. XVIII, September 1878, 385-396]Search in Google Scholar
[7. Dahlhaus Carl, (1989), Nineteenth-Century Music, trans. J. Bradford Robinson, University of California Press, Berkeley and Los Angeles]Search in Google Scholar
[8. de la Laurencie Lionel (ed.), (1913), Encyclopédie de la Musique et Dictionnaire du Conservatoire, Librairie Delagrave, Paris]Search in Google Scholar
[9. Fowler Charles, (2001), Strong Arts, Strong Schools: The Promising Potential and Shortsighted Disregard of the Arts in American Schooling, Oxford University Press, Oxford]Search in Google Scholar
[10. Goethe Wolfgang Johann von, (2019), West-Eastern Divan: Complete, annotated new translation, including Goethe’s ‘Notes and Essays’ & the unpublished poems, translated by Eric Ormsby, Gingko Library, London]Search in Google Scholar
[11. Greene Roberta R. (1991), Human Behavior Theory and Social Work Practice, Routledge, Abingdon]Search in Google Scholar
[12. Hegel Georg Wilhelm Friedrich, (1975), Lectures on the Philosophy of World History, trans. H. B. Nisbet, Cambridge University Press, Cambridge]Search in Google Scholar
[13. Keskey Sophia, (2016), Crossing The Divide: Art as Mediation and Pilgrimage, Bachelor of Fine Arts Senior Papers, 15, https://openscholarship.wustl.edu/bfa/15, accessed 06.10.2022]Search in Google Scholar
[14. Kramer Lawrence, (1995), Classical Music and Postmodern Knowledge, University of California Press, Berkeley]Search in Google Scholar
[15. Locke Ralph, (2019), Enlightened and Exotic: Ralph Locke Takes Rameau’s World Tour in ‘Les Indes galantes’, in “Opera”, September 2019, 1104-1109]Search in Google Scholar
[16. Locke Ralphs P., (2007-2014), Exoticism, Grove Music Online, http://www.oxfordmusiconline.com, accessed 06.10.2022]Search in Google Scholar
[17. Lockspeiser Edward, (1962), Debussy: His Life and Mind, vol. I, Cassel & Company, London, 204-208]Search in Google Scholar
[18. Mautner-Markhof Frances, (1989), Introduction. In: Frances Mautner-Markhof (ed.), Processes of International Negotiations, Westview Press, Bolder, San Francisco & London, 1-4]Search in Google Scholar
[19. McClary Susan (1992), Carmen, Cambridge University Press, Cambridge]Search in Google Scholar
[20. Merriam-Webster, (2022), Dictionary, https://www.merriamwebster.com/dictionary/social%20system, accessed 06.110.2022]Search in Google Scholar
[21. Ortiz Fernando, (1995), Cuban Counterpoint: Tobacco and Sugar, Duke University Press, Durham, and London]Search in Google Scholar
[22. Parsons Talcott and A. L. Kroeber, (1958), The Concepts of Culture and of Social System, in “American Sociological Review”, 23, 582-583]Search in Google Scholar
[23. Quittard Henri, (1906), L’orientalisme musicale: Saint-Saёns orientaliste, in “La Revue Musicale”, vol. VI, 107]Search in Google Scholar
[24. Said Edward, (1979), Orientalism, Vintage Books, New York]Search in Google Scholar
[25. Scott Derek B., (2003), Orientalism and musical style. In: Derek B. Scott, From the Erotic to the Demonic: On Critical Musicology, Oxford University Press, New York, 155-178]Search in Google Scholar
[26. Segalen Victor (2002), Essay on Exoticism: An Aesthetic of Diversity. Translated and edited by Yaёl Schlick, Duke University Press, Durham]Search in Google Scholar
[27. Taruskin Richard, (2007), Oxford History of Western Music, vol. III, Oxford University Press, Oxford]Search in Google Scholar