<abstract xmlns="http://www.w3.org/1999/xhtml">

<p>This study is written at the suggestion of Master Octav Calleya, a disciple of Celibidache and Franco Ferrara, who addresses those passionate about Musical Phenomenology and Acoustics. It is not very technical, it is more an introduction to the “roots” of this scientific approach to music imposed by Celibidache, which can be an open gate for those who want to enter this vast universe of knowledge.</p>
</abstract>

This study is written at the suggestion of Master Octav Calleya, a disciple of Celibidache and Franco Ferrara, who addresses those passionate about Musical Phenomenology and Acoustics. It is not very technical, it is more an introduction to the “roots” of this scientific approach to music imposed by Celibidache, which can be an open gate for those who want to enter this vast universe of knowledge.

6. From Musical Psychology to Husserlian Phenomenology to Schenkerian Analysis

Associate Professor PhD., “George Enescu” National University of Arts from Iaşi

Review of Artistic Education

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

{"article-title":"6. From Musical Psychology to Husserlian Phenomenology to Schenkerian Analysis"}

This study is written at the suggestion of Master Octav Calleya, a disciple of Celibidache and Franco Ferrara, who addresses those passionate about Musical...

6. From Musical Psychology to Husserlian Phenomenology to Schenkerian Analysis

Data publikacji: 30 kwi 2022

Zakres stron: 47 - 52

DOI: https://doi.org/10.2478/rae-2022-0006

Słowa kluczowe
analysis, acoustics, musical phenomenology, psychology

© 2022 Iulian Rusu, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

6. From Musical Psychology to Husserlian Phenomenology to Schenkerian Analysis

Data publikacji: 30 kwi 2022

Zakres stron: 47 - 52

DOI: https://doi.org/10.2478/rae-2022-0006

Słowa kluczoweanalysis, acoustics, musical phenomenology, psychology

© 2022 Iulian Rusu, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Słowa kluczowe
analysis, acoustics, musical phenomenology, psychology