Music Calling for Social Transformation: Some Reflections on Poulenc’s Surrealist Work Le Bal Masqué
06 kwi 2019
O artykule
Data publikacji: 06 kwi 2019
Zakres stron: 32 - 39
DOI: https://doi.org/10.2478/rae-2019-0003
Słowa kluczowe
© 2019 Rossella Marisi, published by Sciendo
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.
Grounding on Marx’s and Freud’s theories, Surrealists sought the liberation of the individual and the transformation of society. With this aim they brought together usual objects in unusual combinations, surprising the audience and giving them the opportunity to perceive reality with different eyes. This study reflects on a character of Jacob’s and Poulenc’s Le bal masqué, Mademoiselle Malvina, presented as epitome of the bourgeoisie and described in both text and music as duplicitous and superficial.