Zofia Lissa’s participation in attempts to define formalism and realism in music in the 1940s and 1950s. Using the category of musical expression to create patterns of division

Data publikacji: 09 sie 2024

Zakres stron: 223 - 238

DOI: https://doi.org/10.2478/prm-2023-0009

Słowa kluczowe

Zofia Lissa, expression, socialist realism, Ausdrucksbewegungen, Auguste Flach

© 2023 Izabela Zymer, published by Sciendo

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