<abstract xmlns="http://www.w3.org/1999/xhtml">

<p>Leoš Janáček (1854–1928) was one of those composers whose work was in many respects closely connected with current social events and yet it carried a deep and timeless ethical message. Janáček’s activity as an artist, teacher and organiser reflected changes in the political and cultural paradigm disseminated in the European countries in the course of more than six decades. He himself went through an interesting inner development resulting from his studies, artistic and life experience, as well as his empathy related not only to his narrow individual but also a wider collective space. His relative isolation from the official artistic establishment of Prague gave him an opportunity to formulate his original views on the European, national, and regional identity. In addition to various literary forms, music composition remained his fundamental means of expression. In this context, this paper will attempt to define the basic directions in Janáček´s dynamic evolution and the areas in which his key values and priorities remained constant.</p>
</abstract>

Leoš Janáček (1854–1928) was one of those composers whose work was in many respects closely connected with current social events and yet it carried a deep and timeless ethical message. Janáček’s activity as an artist, teacher and organiser reflected changes in the political and cultural paradigm disseminated in the European countries in the course of more than six decades. He himself went through an interesting inner development resulting from his studies, artistic and life experience, as well as his empathy related not only to his narrow individual but also a wider collective space. His relative isolation from the official artistic establishment of Prague gave him an opportunity to formulate his original views on the European, national, and regional identity. In addition to various literary forms, music composition remained his fundamental means of expression. In this context, this paper will attempt to define the basic directions in Janáček´s dynamic evolution and the areas in which his key values and priorities remained constant.

Permanent Values and Variability in Janáček´s Opinions on National and Regional Identity in Relation to Music

Department of Ethnomusicology and Ethnochoreology

Polski Rocznik Muzykologiczny

This work is licensed under the Creative Commons Attribution-ShareAlike 4.0 International License.

Leoš Janáček (1854–1928) was one of those composers whose work was in many respects closely connected with current social events and yet it carried a deep and...

Permanent Values and Variability in Janáček´s Opinions on National and Regional Identity in Relation to Music

Data publikacji: 12 lut 2022

Zakres stron: 134 - 146

DOI: https://doi.org/10.2478/prm-2021-0006

Słowa kluczowe
Leoš Janá, ček, nationalism in music, regionalism in music, cultural identity, neo-folklorism

© 2021 Jarmila Procházková, published by Sciendo

This work is licensed under the Creative Commons Attribution-ShareAlike 4.0 International License.

Permanent Values and Variability in Janáček´s Opinions on National and Regional Identity in Relation to Music

Data publikacji: 12 lut 2022

Zakres stron: 134 - 146

DOI: https://doi.org/10.2478/prm-2021-0006

Słowa kluczoweLeoš Janá, ček, nationalism in music, regionalism in music, cultural identity, neo-folklorism

© 2021 Jarmila Procházková, published by Sciendo

This work is licensed under the Creative Commons Attribution-ShareAlike 4.0 International License.

Słowa kluczowe
Leoš Janá, ček, nationalism in music, regionalism in music, cultural identity, neo-folklorism