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How streaming services make cinema more important

Terje Gaustad

Terje Gaustad

BI Department of Communication and Culture, Norwegian Business SchoolOslo, Norway
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Gaustad, Terje
  
26 cze 2019
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Data publikacji: 26 cze 2019
Zakres stron: 67 - 84
DOI: https://doi.org/10.2478/njms-2019-0005
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© 2019 Gaustad, T., published by Sciendo
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Figure 1

Product and money flows in the Norwegian film industryComment: Revenues flow from consumer payment at one end to filmmaker fees and salaries at the other, while products and services follow the same arrows in the opposite direction. Public support, private investments and payments to and from copyright collectives are omitted.
Product and money flows in the Norwegian film industryComment: Revenues flow from consumer payment at one end to filmmaker fees and salaries at the other, while products and services follow the same arrows in the opposite direction. Public support, private investments and payments to and from copyright collectives are omitted.

Figure 2

Market shares of consumer spending on films and drama series in Norway over time (per cent)Source: Gaustad and colleagues (2018).
Market shares of consumer spending on films and drama series in Norway over time (per cent)Source: Gaustad and colleagues (2018).

Figure 3

Windowing and valueComment: Windowing model for the sequential release cycle of films, with an overlying graph illustrating a film’s diminishing market value over time.
Windowing and valueComment: Windowing model for the sequential release cycle of films, with an overlying graph illustrating a film’s diminishing market value over time.

Figure 4

Share of the total market revenues per channel for the case distributor’s Norwegian films over time (per cent)Source: Gaustad and colleagues (2018).
Share of the total market revenues per channel for the case distributor’s Norwegian films over time (per cent)Source: Gaustad and colleagues (2018).

Figure 5

Home video revenues generated by the case distributor’s films compared with their theatrical revenues (per cent)Source: Gaustad and colleagues (2018).
Home video revenues generated by the case distributor’s films compared with their theatrical revenues (per cent)Source: Gaustad and colleagues (2018).
Język:
Angielski
Częstotliwość wydawania:
1 razy w roku
Dziedziny czasopisma:
Nauki społeczne, Nauka o komunikacji, Komunikacja masowa, Komunikacja publiczna i polityczna, Komunikacja wizualna
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