[
Ahmed, Sara. 2006. “Orientations – Toward a Queer Phenomenology.” GLQ: A Journal of Lesbian and Gay Studies 12 (4): 543–74.
]Search in Google Scholar
[
Barad, Karen Michelle. 2007. Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning. Durham, N.C.: Duke University Press.
]Search in Google Scholar
[
Bolter, J. David, Maria Engberg, and Blair MacIntyre. 2021. Reality Media: Augmented and Virtual Reality. Cambridge, Massachusetts: The MIT Press.
]Search in Google Scholar
[
Carbone, Cathy. 2015. “Artists in the Archive: An Exploratory Study of the Artist-in-Residence Program at the City of Portland Archives & Records Center.” Archivaria 79 (Spring): 27–52.
]Search in Google Scholar
[
Dourish, Paul. 2001. Where the Action is: The Foundations of Embodied Interaction. Cambridge, Massachusetts: The MIT Press.
]Search in Google Scholar
[
Fischer-Lichte, Erika. 2008. The Transformative Power of Performance: A New Aesthetics. New York, NY: Routledge.
]Search in Google Scholar
[
Haraway, Donna. 1988. “Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective.” Feminist Studies 14 (3): 575–599.
]Search in Google Scholar
[
Hedemyr, Marika. 2023. Mixed Reality in Public Space: Expanding Composition Practices in Choreography and Interaction Design. PhD diss. Malmö University Press.
]Search in Google Scholar
[
Hunter, Victoria. 2015. Moving Sites: Investigating Site-Specific Dance Performance. Abingdon, Oxon: Routledge.
]Search in Google Scholar
[
Joy, Jenn. 2014. The Choreographic. Cambridge, Massachusetts: The MIT Press.
]Search in Google Scholar
[
Kuppers, Petra, ed. 2011. Somatic Engagement. Oakland and Philadelphia: ChainLinks.
]Search in Google Scholar
[
Milgram, Paul and Fumio Kishino. 1994. “A Taxonomy of Mixed Reality Visual Displays.” IEICE TRANSACTIONS on Information and Systems E77-D (12): 1321–1329.
]Search in Google Scholar
[
Pearson, Mike. 2010. Site-Specific Performance. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan.
]Search in Google Scholar
[
Tallon, Loïc and Kevin Walker, eds. 2008. Digital Technologies and the Museum Experience: Handheld Guides and Other Media. Lanham, MD: AltaMira Press.
]Search in Google Scholar
[
Taylor, Diana. 2003. The Archive and the Repertoire: Performing Cultural Memory in the Americas. Durham, N.C.: Duke University Press.
]Search in Google Scholar
[
von Rosen, Astrid. 2017. “Activating Dance Records: Conceptualizing Research into the Swedish, Nordic and Global Archives Pertaining to the Russian Dancer Anna Robenne.” Nordic Theatre Studies 29 (1): 117–137. Weiss, Gail. 1999. Body Images: Embodiment as Inter-corporeality. New York: Routledge.
]Search in Google Scholar
[
Wessel, Daniel and Eva Mayr. 2007. “Potentials and Challenges of Mobile Media in Museums.” International Journal of Interactive Mobile Technologies 1 (1): 1–8.
]Search in Google Scholar
[
Wollentz, Gustav. 2023. Digital Pedagogy at Museums for Increased Participation and Co-creation: A Handbook for Museum Professionals. Jamtli Förlag.
]Search in Google Scholar
