<abstract xmlns="http://www.w3.org/1999/xhtml">

<p>Very little is known about Giuseppe Torti's life. Associated with Milan, he was active in 1752–1780. He made several long journeys, including to the Lithuanian court of H. F. Radziwiłł. I have recently discovered three new works by this composer, which means that his known and surviving output now consists of 12 compositions: 9 instrumental pieces, cantatas, and an aria, to which one should add one opera libretto and information about two operas. In Poland, Torti composed at least two (now lost) operas, staged at H. F. Radziwiłł's court theatre. His earlier works, such as <italic>Concerto in G Major</italic> (GroF826), <italic>Trio in G Major</italic> dedicated to Charles Davers, and the aria <italic>Attenda il core dal caro bene</italic> may also have belonged to the ducal court's repertoire. The cantata <italic>Armata sum in campo</italic> was most likely composed in Lithuania.</p>
<p>A notable aspect of Torti's preserved output are the numerous arrangements of his works, which suggests that his music was constantly in circulation, adapted and rewritten for the needs of a given place, in accordance with the audience's tastes. This indirectly confirms that his oeuvre earned the audience's acclaim. The geographic distribution of his compositions in European music centres is impressive indeed, from Edinburgh to Slutsk and from Stockholm to Palermo. This wide distribution testifies to Torti's love of travelling, but also to the popularity of his music.</p>
</abstract>

Very little is known about Giuseppe Torti's life. Associated with Milan, he was active in 1752–1780. He made several long journeys, including to the Lithuanian court of H. F. Radziwiłł. I have recently discovered three new works by this composer, which means that his known and surviving output now consists of 12 compositions: 9 instrumental pieces, cantatas, and an aria, to which one should add one opera libretto and information about two operas. In Poland, Torti composed at least two (now lost) operas, staged at H. F. Radziwiłł's court theatre. His earlier works, such as Concerto in G Major (GroF826), Trio in G Major dedicated to Charles Davers, and the aria Attenda il core dal caro bene may also have belonged to the ducal court's repertoire. The cantata Armata sum in campo was most likely composed in Lithuania.
A notable aspect of Torti's preserved output are the numerous arrangements of his works, which suggests that his music was constantly in circulation, adapted and rewritten for the needs of a given place, in accordance with the audience's tastes. This indirectly confirms that his oeuvre earned the audience's acclaim. The geographic distribution of his compositions in European music centres is impressive indeed, from Edinburgh to Slutsk and from Stockholm to Palermo. This wide distribution testifies to Torti's love of travelling, but also to the popularity of his music.

More on the Music of Giuseppe Torti (before 1752–after 1780)

Musicology Today

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

{"article-title":"More on the Music of Giuseppe Torti (before 1752\u2013after 1780)"}

Very little is known about Giuseppe Torti's life. Associated with Milan, he was active in 1752–1780. He made several long journeys, including to the Lithuanian...

More on the Music of Giuseppe Torti (before 1752–after 1780)

Data publikacji: 31 gru 2020

Zakres stron: 34 - 44

DOI: https://doi.org/10.2478/muso-2020-0003

Słowa kluczowe
Giuseppe Torti, Giovanni Battista Sammartini, Baldassare Federici, Andrea Bernasconi, flute trio sonata, cantata, Karlsruhe, Lambach, Engelberg, Charles Frederick Margrave and Grand Duke of Baden, Edinburgh, John Reid, Charles Davers, Slutsk, Biała, Hieronim Florian Radziwiłł

© 2020 Irena Bieńkowska, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

More on the Music of Giuseppe Torti (before 1752–after 1780)

Data publikacji: 31 gru 2020

Zakres stron: 34 - 44

DOI: https://doi.org/10.2478/muso-2020-0003

Słowa kluczoweGiuseppe Torti, Giovanni Battista Sammartini, Baldassare Federici, Andrea Bernasconi, flute trio sonata, cantata, Karlsruhe, Lambach, Engelberg, Charles Frederick Margrave and Grand Duke of Baden, Edinburgh, John Reid, Charles Davers, Slutsk, Biała, Hieronim Florian Radziwiłł

© 2020 Irena Bieńkowska, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Słowa kluczowe
Giuseppe Torti, Giovanni Battista Sammartini, Baldassare Federici, Andrea Bernasconi, flute trio sonata, cantata, Karlsruhe, Lambach, Engelberg, Charles Frederick Margrave and Grand Duke of Baden, Edinburgh, John Reid, Charles Davers, Slutsk, Biała, Hieronim Florian Radziwiłł