<abstract xmlns="http://www.w3.org/1999/xhtml">

<p>Published in 1958, The Languages of Pao by Jack Vance is one of the earliest linguistic speculations in the science fiction genre. Directly inspired by the Sapir-Whorf hypothesis, it describes a complex, linguistic engineering experiment set up to transform the essentially peaceful nature of the inhabitants of the planet Pao, so that they might stand up to invaders from another planet. It does so through the creation and implementation of three new languages, as opposed to the one they already speak, to create a merchant class, technical class, and warrior class. While Vance’s extrapolation is excessively schematic, and certainly leans heavily on a concept of linguistic relativism that now sounds rather dated, other science fiction writers have explored in different ways the idea that language influences thought and perception of the world, beginning with Babel 17 by Samuel Delany, and Ted Chiang’s Story of Your Life (on which the film The Arrival by Denis Villeneuve is based). But of particular importance here is Mother Tongue by Suzette Haden Elgin. Her novel is set in a dystopian, patriarchal future, where a group of linguists creates an artificial language, the Làadan, to better express women’s perception of life and as an act of resistance to the dominant male-centred culture, thus anticipating many themes in today’s debate on language and gender.</p>
</abstract>

Published in 1958, The Languages of Pao by Jack Vance is one of the earliest linguistic speculations in the science fiction genre. Directly inspired by the Sapir-Whorf hypothesis, it describes a complex, linguistic engineering experiment set up to transform the essentially peaceful nature of the inhabitants of the planet Pao, so that they might stand up to invaders from another planet. It does so through the creation and implementation of three new languages, as opposed to the one they already speak, to create a merchant class, technical class, and warrior class. While Vance’s extrapolation is excessively schematic, and certainly leans heavily on a concept of linguistic relativism that now sounds rather dated, other science fiction writers have explored in different ways the idea that language influences thought and perception of the world, beginning with Babel 17 by Samuel Delany, and Ted Chiang’s Story of Your Life (on which the film The Arrival by Denis Villeneuve is based). But of particular importance here is Mother Tongue by Suzette Haden Elgin. Her novel is set in a dystopian, patriarchal future, where a group of linguists creates an artificial language, the Làadan, to better express women’s perception of life and as an act of resistance to the dominant male-centred culture, thus anticipating many themes in today’s debate on language and gender.

The Linguistic Shape of Things to Come

Linguistic Frontiers

This work is licensed under the Creative Commons Attribution 4.0 International License.

{"article-title":"The Linguistic Shape of Things to Come"}

Published in 1958, The Languages of Pao by Jack Vance is one of the earliest linguistic speculations in the science fiction genre. Directly inspired by the...

The Linguistic Shape of Things to Come

Data publikacji: 30 gru 2022

Zakres stron: 65 - 72

Otrzymano: 01 lip 2022

Przyjęty: 01 lis 2022

DOI: https://doi.org/10.2478/lf-2022-0025

Słowa kluczowe
Science Fiction, Sapir-Whorf hypothesis, Linguistic determinism, Linguistic relativism, Language and thought

© 2022 Paolo Bertetti, published by Sciendo

This work is licensed under the Creative Commons Attribution 4.0 International License.

The Linguistic Shape of Things to Come

Data publikacji: 30 gru 2022

Zakres stron: 65 - 72

Otrzymano: 01 lip 2022

Przyjęty: 01 lis 2022

DOI: https://doi.org/10.2478/lf-2022-0025

Słowa kluczoweScience Fiction, Sapir-Whorf hypothesis, Linguistic determinism, Linguistic relativism, Language and thought

© 2022 Paolo Bertetti, published by Sciendo

This work is licensed under the Creative Commons Attribution 4.0 International License.

Słowa kluczowe
Science Fiction, Sapir-Whorf hypothesis, Linguistic determinism, Linguistic relativism, Language and thought