Beyond the Subjective Experience of Visual Information in the Modern Media

Appignanesi, R., Garratt, C., Sardar, Z., & Curry, P. (2007).Introducing postmodernism. Totem Books.Search in Google Scholar

Boehm, G., & Mitchell, W. J. T. (2009). Pictorial versus Iconic Turn: Two Letters. Culture, Theory and Critique, 50(2–3), 103–121. DOI: 10.1080/14735780903240075.10.1080/14735780903240075Search in Google Scholar

Boehm, G. (ed.) (1994). Was ist ein Bild?. Fink, München.Search in Google Scholar

Brown, S. (2010).Tokyo cyberpunk: posthumanism in Japanese visual culture. Pal-grave Macmillan.10.1057/9780230110069Search in Google Scholar

Daly, P.M. (2017). Some visual strategies in symbolic illustrated advertising. Imago: Revista de Emblemática y Cultura Visual, 9, 87–105. http://dx.doi.org/10.7203/imago.9.10832.10.7203/imago.9.10832Search in Google Scholar

Davis, W. (2011).A general theory of visual culture. Princeton University.Search in Google Scholar

Guogis, A., & Rakšnys, A.V. (2014). Naujoji viešoji vadyba – kaip postmodernios vartotojiškos kultūros produktas?. Socialinių mokslų studijos, 6(2), 349–360.10.13165/SMS-14-6-2-07Search in Google Scholar

Hochman, N. (2014). The social media image. Big Data & Society, 1(2). doi: 10.1177/205395171454664510.1177/2053951714546645Search in Google Scholar

Hoffman, D. (2011). The construction of visual reality. In: J.D. Blom, I. Sommer (eds.), Hallucination: Research and Practice (pp. 7–15). Springer. doi: 10.1007/978-1-4614-0959-5-2.Search in Google Scholar

Jameson, F. (1998).The Cultural Turn: Selected Writings on the Postmodern. London: Verso.Search in Google Scholar

Manovich, L. (2016). The science of culture? Social computing, digital humanities and cultural analytics. In: M.T. Schaefer, K. van Es (eds.) The Datafied Society: Social Research in the Age of Big Data. Amsterdam: Amsterdam University Press.Search in Google Scholar

McLuhan, M. (1994).Understanding Media: The Extensions of Man. The MIT Press.Search in Google Scholar

Merleau-Ponty, M. (2002).Phenology of perception. Routledge.Search in Google Scholar

Mitchell, W.J.T. (1984). What is an image?. New literary history, 15(3), 503–537.10.2307/468718Search in Google Scholar

Mitchell, W.J.T. (2002). Showing Seeing. A Critique of Visual Culture. Journal of Visual Culture, 1(2), 165–181. doi: 10.1177/147041290200100202.10.1177/147041290200100202Search in Google Scholar

Osborne, M., & Smith, J.A. (2007). Interpretative Phenomenological Analysis. In A.J. Smith (ed.) Qualitative Psychology: a practical guide to research methods (pp. 53–80). London: SAGE.Search in Google Scholar

Parikka, J. (2018). Middle east and other futurisms: imaginary temporalities in contemporary art and visual culture. Culture, Theory and Critique, 59(1), 40–58. DOI:10.1 080/14735784.2017.1410439.10.1080/14735784.2017.1410439Search in Google Scholar

Rubavičius, V. (2010). Pasaulis kaip reklaminis vaizdas. Filosofija. Sociologija, 21(3), 203–210.Search in Google Scholar

Rubavičius, V. (2014). Prekiniai santykiai: vaizdas, įvaizdis ir vizualumas, Logos, 79, 51–62.Search in Google Scholar

Smith, J. A. (1996). Beyond the divide between cognition and discourse: Using interpretative phenomenological analysis in health psychology. Psychology and Health, 11, 261–271. doi: 10.1080/08870449608400256.10.1080/08870449608400256Search in Google Scholar

Tascon, S. (2019).Visual Communication for Social Work Practice. London: Routledge. https://doi.org/10.4324/9781351241977.10.4324/9781351241977Search in Google Scholar

Vidauskytė, L. (2014). Vizualinis raštingumas: metafora ar oksimoronas?. Logos, 81, 6–19.Search in Google Scholar

Yun-Qi, J. (2015). Ocularcentrism: Towards a Mastery over Life and Death, Gnosis, 14(1), 267–284.Search in Google Scholar