The notion of the “post-socialist city” is a widely used interpretative framework for discussing vast number of issues—including,
In this special issue, we postulate post-socialism as a de-territorialized concept that focuses on a specific process or phenomenon, rather than a hegemonic framework that could be applied to define the totality of processes shaping urban space and identity (Tuvikene 2016). Building upon Grubbauer and Kusiak, we consider the coinage of a “post-socialist city” as a
The above considerations are just an entry point to our initial questioning of the nexus between the urban space, the social, and the various cultural developments in different urban settings. We turn to memory studies for possible hints. Here, the role that space plays in formatting certain memories of the individual and the group was hinted at in the classic works of Halbwachs, Ricœur, and Portelli (more in Gensburger 2020). The space, in this regard, functions both as a model
These viewpoints were the major rationale behind the organization of the two-day workshop in June 2021 by the Post-Yugoslav Area Research Center, based within the Institute of Western and Southern Slavic Studies of the University of Warsaw, and the Skopje-based Center for Research of Nationalism and Culture. At the workshop, we discussed various aspects related to the memory of the socialist pasts and the socialist heritage in the cities, the processes of social change and urban space, as well as various aspects of identity and activism in local communities, small towns, and larger urban centers. Ultimately, 18 junior and senior scholars from more than ten countries presented their case studies, but also some examinations of interdisciplinary methodologies and theoretical approaches that referred to different operationalities of the post-socialist city, merged with various local and national idiosyncrasies.
Five articles presented in this special issue are related to the workshop. All authors deploy their reading of the category of post-socialism in their analysis, challenging the aforementioned notion of “post-socialist city” from various standpoints. They discuss the temporal dynamism of bottom-up activism, vernacular memory practices, identity-building and nation branding, as well as the activities and actions of local governments and actors, employing the spatial aspects of small-town-ness, borderlands and peripherality, and local in-city communities, such as
The first article, authored by Robert Kulmiński, deals with the urban traces of memory in Jáchymov, Czechia, and, in particular, memory related to the local German-speaking population and its displacement after World War II. The author argues that the
The next article, authored by Linda Kovářová, Jan Krajíček and Albert J. Šturma, deals with the legacies of the Iron Curtain site near the Czech town of Aš as a set of individual practices related to the border, as well as the practices of groups, communities, and institutions in the city. The article is based on four years of field research, and it is part of a project sponsored by the European Regional Development Fund.
In his article, Maciej Falski analyzes diverse strategies of building place-identity and town-recognition in the small towns in the region of Zamojszczyzna in southeastern Poland. Drawing on his fieldwork in three towns in the region—Tyszowce, Szczebrzeszyn, and Łaszczów—the author examines the symbolic space and urban memory landscape shaped by the disruptions of cultural and social reproduction under the socialist regime and redefined in the process of systemic transformation. By employing the category of “small town-ness,” he identifies and describes the strategies used by external and local social actors and various memory agents in order to (re)build a narrative of the local past in Poland's inner peripheries, where the identity of a place is not specifically defined. As the author concludes, the narrative of the past in the small towns of Zamojszczyzna connects external elements of the redefined nation-state perspective with local heritage linked to the local memories and identities. He also points to the new—capitalist—context of memory, where the possibility of commodifying the past by creating an identity as a brand, a marketable product for external audiences emerges.
The article by Ondřej Daniel deals with the grassroots cultural initiatives in Tišnov, Czechia, in the early 1990s: in particular, an alternative music club, art film screenings and a small art gallery. The author, relying on his interviews with the local activists and an analysis of their private archives, argues that the social capital and the practices acquired in the late socialism were transferred into the post-socialist realm.
Finally, the legacies of