<abstract xmlns="http://www.w3.org/1999/xhtml">

<p>The two main issues that continue to be in the focus of hot public discussions in Russian society are the Great Patriotic War (the German–Soviet war of 1941–1945, as part of World War II) and the tragedy of Stalinism. While the Great Patriotic War was widely reflected in Soviet literature and cinema, the Stalinist issue was seldom represented in Soviet art. In the 1980s and 1990s, there was a period when Soviet and post-Soviet art contributed much to the debates on the Soviet past, and several significant anti-Stalinist films and literary works were created. Since the early 2000s, the cultural situation in Russian society has changed and nostalgia of the Soviet past has spread in the mass consciousness. The purpose of this research is to analyze how the Stalinist past is reconstructed in public memory in contemporary cinema narratives. We arrive at the conclusion that since the 2000s, public interest has drifted from images of war heroism to ordinary people’ lives under Stalin; the contemporary public interest is not the war heroes and famous victims of repressions, but the everydayness of ordinary Soviet citizens who tried to build their private lives, careers, friendships, and family relations under the conditions of pressure from the authorities, spreading fear in the society, shortage of goods, and loss of loved ones. We concentrate on several representative Russian TV serials, such as “Liquidation” (2007), “Maryina Roscha” (2012), and “Leningrad, 46” (2014–2015), because all of them are devoted to the first year of the Soviet peaceful life in different Soviet cities, such as Odessa, Moscow, and Leningrad.</p>
</abstract>

The two main issues that continue to be in the focus of hot public discussions in Russian society are the Great Patriotic War (the German–Soviet war of 1941–1945, as part of World War II) and the tragedy of Stalinism. While the Great Patriotic War was widely reflected in Soviet literature and cinema, the Stalinist issue was seldom represented in Soviet art. In the 1980s and 1990s, there was a period when Soviet and post-Soviet art contributed much to the debates on the Soviet past, and several significant anti-Stalinist films and literary works were created. Since the early 2000s, the cultural situation in Russian society has changed and nostalgia of the Soviet past has spread in the mass consciousness. The purpose of this research is to analyze how the Stalinist past is reconstructed in public memory in contemporary cinema narratives. We arrive at the conclusion that since the 2000s, public interest has drifted from images of war heroism to ordinary people’ lives under Stalin; the contemporary public interest is not the war heroes and famous victims of repressions, but the everydayness of ordinary Soviet citizens who tried to build their private lives, careers, friendships, and family relations under the conditions of pressure from the authorities, spreading fear in the society, shortage of goods, and loss of loved ones. We concentrate on several representative Russian TV serials, such as “Liquidation” (2007), “Maryina Roscha” (2012), and “Leningrad, 46” (2014–2015), because all of them are devoted to the first year of the Soviet peaceful life in different Soviet cities, such as Odessa, Moscow, and Leningrad.

The Stalinist Past in Contemporary Russian TV Serials: Reconfigurations of Memory

Department of Theory of Culture and Philosophy of Science

Journal of Nationalism, Memory & Language Politics

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

The two main issues that continue to be in the focus of hot public discussions in Russian society are the Great Patriotic War (the German–Soviet war of...

The Stalinist Past in Contemporary Russian TV Serials: Reconfigurations of Memory

Data publikacji: 04 wrz 2021

Zakres stron: 69 - 86

DOI: https://doi.org/10.2478/jnmlp-2021-0008

Słowa kluczowe
politics of memory, late Stalinism, Russian TV serials, trauma of Stalinism, cinematic memory, post-memory

© 2021 Viktoriya Sukovata, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

The Stalinist Past in Contemporary Russian TV Serials: Reconfigurations of Memory

Data publikacji: 04 wrz 2021

Zakres stron: 69 - 86

DOI: https://doi.org/10.2478/jnmlp-2021-0008

Słowa kluczowepolitics of memory, late Stalinism, Russian TV serials, trauma of Stalinism, cinematic memory, post-memory

© 2021 Viktoriya Sukovata, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Słowa kluczowe
politics of memory, late Stalinism, Russian TV serials, trauma of Stalinism, cinematic memory, post-memory