This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Anderton, C., Dubber, A. & James, M. (2012) Understanding the Music Industries, SAGE Publications, London.AndertonC.DubberA.JamesM.2012Understanding the Music IndustriesSAGE PublicationsLondon10.4135/9781473915008Search in Google Scholar
Bacache, M., Bourreau, M. & Moreau, F. (2018) Les musiciens et la transformation numérique: Un nouvel équilibre? Brussels: Peter Lang.BacacheM.BourreauM.MoreauF.2018Les musiciens et la transformation numérique: Un nouvel équilibre?BrusselsPeter Lang10.3726/b14962Search in Google Scholar
Benjamin, K. (2019) Ballantine’s Goes On Marrakech Adventure With Beat Hotel, [online] Campaignlive. Available at: https://www.campaignlive.co.uk/article/ballantines-goes-marrakech-adventure-beat-hotel/1589939 (8 May 2020).BenjaminK.2019Ballantine’s Goes On Marrakech Adventure With Beat Hotel, [online] CampaignliveAvailable at: https://www.campaignlive.co.uk/article/ballantines-goes-marrakech-adventure-beat-hotel/1589939 (8 May 2020).Search in Google Scholar
Boiler Room (2015) Phurpa – Boiler Room in Stereo, [image] Available at: https://www.youtube.com/watch?v=VK5uG2fN6HE (9 July 2021).Boiler Room2015Phurpa – Boiler Room in Stereo, [image]Available at: https://www.youtube.com/watch?v=VK5uG2fN6HE (9 July 2021).Search in Google Scholar
Carey-Simos, G. (2018) Youtube Makes Premieres Available To Everyone, [online] WeRSM – We are Social Media, Available at: https://wersm.com/youtube-makes-premieres-available-to-everyone/ (11 March 2020).Carey-SimosG.2018Youtube Makes Premieres Available To Everyone, [online]WeRSM – We are Social MediaAvailable at: https://wersm.com/youtube-makes-premieres-available-to-everyone/ (11 March 2020).Search in Google Scholar
Ciampa, R., Moore, T., Carruci, J., Muller, S. & Wescott, A. (2015) 10 Things to Know About Copyright and YouTube, [online] Dummies, Available at: https://www.dummies.com/business/marketing/social-media-marketing/10-things-to-know-about-copyright-and-youtube/ (9 July 2021).CiampaR.MooreT.CarruciJ.MullerS.WescottA.201510 Things to Know About Copyright and YouTube, [online]DummiesAvailable at: https://www.dummies.com/business/marketing/social-media-marketing/10-things-to-know-about-copyright-and-youtube/ (9 July 2021).Search in Google Scholar
Cliff, A. (2019) Just Gou It: How Peggy Gou Became The World’s Hippest DJ, [online] The Guardian, Available at: https://www.theguardian.com/music/2019/aug/08/freedom-fashion-and-being-scouted-on-facebook-how-peggy-gou-became-the-worlds-coolest-dj (15 May 2020).CliffA.2019Just Gou It: How Peggy Gou Became The World’s Hippest DJ, [online]The GuardianAvailable at: https://www.theguardian.com/music/2019/aug/08/freedom-fashion-and-being-scouted-on-facebook-how-peggy-gou-became-the-worlds-coolest-dj (15 May 2020).Search in Google Scholar
Cohen, D. (2018) Facebook’s Premieres Feature Is Now Available To All Publishers and Video Creators, [online] Adweek, Available at: https://www.adweek.com/digital/facebooks-premieres-feature-is-now-available-to-all-publishers-and-video-creators/ (11 March 2020).CohenD.2018Facebook’s Premieres Feature Is Now Available To All Publishers and Video Creators, [online]AdweekAvailable at: https://www.adweek.com/digital/facebooks-premieres-feature-is-now-available-to-all-publishers-and-video-creators/ (11 March 2020).Search in Google Scholar
Collins, E. (2019) 20 of the Best Techno Tracks Released This Decade, [online] Mixmag, Available at: https://mixmag.net/feature/20-best-techno-tracks-2011-2019 (13 March 2020).CollinsE.201920 of the Best Techno Tracks Released This Decade, [online]MixmagAvailable at: https://mixmag.net/feature/20-best-techno-tracks-2011-2019 (13 March 2020).Search in Google Scholar
Discogs (2021a) Sonny Jenkins and the New York Potpourri Strings – That Friday Pay (Eagle Flying Day), [online] Discogs, Available at: https://www.discogs.com/Sonny-Jenkins-And-The-New-York-Potpourri-Strings-That-Friday-Pay-Eagle-Flying-Day/release/1338365 (15 May 2020).Discogs2021aSonny Jenkins and the New York Potpourri Strings – That Friday Pay (Eagle Flying Day), [online]DiscogsAvailable at: https://www.discogs.com/Sonny-Jenkins-And-The-New-York-Potpourri-Strings-That-Friday-Pay-Eagle-Flying-Day/release/1338365 (15 May 2020).Search in Google Scholar
Discogs (2021b) Escape From New York – Fire In My Heart (1984, Vinyl), [online] Available at: https://www.discogs.com/Escape-From-New-York-Fire-In-My-Heart/release/67800 (9 July 2021).Discogs2021bEscape From New York – Fire In My Heart (1984, Vinyl), [online]Available at: https://www.discogs.com/Escape-From-New-York-Fire-In-My-Heart/release/67800 (9 July 2021).Search in Google Scholar
Discogs (2021c) Scotch Bonnet, [online] Available at: https://www.discogs.com/fr/label/45764-Scotch-Bonnet (9 July 2021).Discogs2021cScotch Bonnet, [online]Available at: https://www.discogs.com/fr/label/45764-Scotch-Bonnet (9 July 2021).Search in Google Scholar
Elder, R. (2016) Boiler Room Partners With Topman On A US Music Tour, [online] Business Insider, Available at: https://www.businessinsider.com/live-music-streaming-pioneer-boiler-room-is-planning-a-unique-four-stop-us-tour-2016-8?r=US&IR=T (15 May 2020).ElderR.2016Boiler Room Partners With Topman On A US Music Tour, [online]Business InsiderAvailable at: https://www.businessinsider.com/live-music-streaming-pioneer-boiler-room-is-planning-a-unique-four-stop-us-tour-2016-8?r=US&IR=T (15 May 2020).Search in Google Scholar
Facebook for Business (2021a) About Rights Manager, [online] Available at: https://en-gb.facebook.com/business/help/330407020882707?id=708699556338610 (9 July 2021).Facebook for Business2021aAbout Rights Manager, [online]Available at: https://en-gb.facebook.com/business/help/330407020882707?id=708699556338610 (9 July 2021).Search in Google Scholar
Facebook for Business (2021b). How to Allow Others to Post Your Copyrighted Audio in Rights Manager for Music, [online] Available at: https://en-gb.facebook.com/business/help/2039726219634962 (9 July 2021).Facebook for Business2021bHow to Allow Others to Post Your Copyrighted Audio in Rights Manager for Music, [online]Available at: https://en-gb.facebook.com/business/help/2039726219634962 (9 July 2021).Search in Google Scholar
Facebook Rights Manager (2021) Copyright Management | Facebook, [online] Available at: https://rightsmanager.fb.com/ (9 July 2021).Facebook Rights Manager2021Copyright Management | Facebook, [online]Available at: https://rightsmanager.fb.com/ (9 July 2021).Search in Google Scholar
Forde, E. (2017) BE-AT.tv Boss Talks Livestreams, Big-Tech Platforms and ‘Exploding’ Mexico, [online] Musically.com, Available at: https://musically.com/2017/08/30/be-at-tv-livestreams-mexico/ (9 July 2021).FordeE.2017BE-AT.tv Boss Talks Livestreams, Big-Tech Platforms and ‘Exploding’ Mexico, [online]Musically.comAvailable at: https://musically.com/2017/08/30/be-at-tv-livestreams-mexico/ (9 July 2021).Search in Google Scholar
Frith, S., Brennan, M., Cloonan, M. & Webster, E. (2021) The History of Live Music in Britain, Volume 3, 1985–2015: From Live Aid to Live Nation, 1st edn. Routledge, Abingdon.FrithS.BrennanM.CloonanM.WebsterE.2021The History of Live Music in Britain, Volume 3, 1985–2015: From Live Aid to Live Nation1st edn.RoutledgeAbingdon10.4324/9781315557168Search in Google Scholar
Garcin, P. (2012) Internet et les nouvelles formes de liens publics/artistes. Sociétés, 117(3), pp.101–112.GarcinP.2012Internet et les nouvelles formes de liens publics/artistesSociétés117310111210.3917/soc.117.0101Search in Google Scholar
Guarriello, N. (2019). Never give up, never surrender: Game live streaming, neoliberal work, and personalized media economies. New Media & Society, 21(8), pp.1750–1769.GuarrielloN.2019Never give up, never surrender: Game live streaming, neoliberal work, and personalized media economiesNew Media & Society2181750176910.1177/1461444819831653Search in Google Scholar
Hamari, J. and Sjöblom, M. (2017), “What is eSports and why do people watch it?”, Internet Research, Vol. 27 No. 2, pp. 211–232.HamariJ.SjöblomM.2017“What is eSports and why do people watch it?”Internet Research27221123210.1108/IntR-04-2016-0085Search in Google Scholar
Harries, J. (2020) Junction 2 Festival 2020: Festicket’s Top Picks – Festicket Magazine, [online] Festicket, Available at: https://www.festicket.com/magazine/discover/junction-2-top-picks/ (11 March 2020).HarriesJ.2020Junction 2 Festival 2020: Festicket’s Top Picks – Festicket Magazine, [online]FesticketAvailable at: https://www.festicket.com/magazine/discover/junction-2-top-picks/ (11 March 2020).Search in Google Scholar
Hern, A. (2017) Facebook Live is Changing the World – but not in the Way it Hoped, [online] The Guardian, Available at: https://www.theguardian.com/technology/2017/jan/05/facebook-live-social-media-live-streaming (9 July 2021).HernA.2017Facebook Live is Changing the World – but not in the Way it Hoped, [online]The GuardianAvailable at: https://www.theguardian.com/technology/2017/jan/05/facebook-live-social-media-live-streaming (9 July 2021).Search in Google Scholar
Holmstrom, E. (2019) “Dancing in the Dark: An Analysis of the Live Entertainment Industry and the Deceptive Market Practices of Ticketmaster and Live Nation”, Western Journal of Legal Studies, vol. 9, no. 2, pp. 1–22.HolmstromE.2019“Dancing in the Dark: An Analysis of the Live Entertainment Industry and the Deceptive Market Practices of Ticketmaster and Live Nation”Western Journal of Legal Studies9212210.5206/uwojls.v9i2.8070Search in Google Scholar
Holt, D. (2004) How Brands Become Icons: The Principles of Cultural Branding, Harvard Business School Press, Boston.HoltD.2004How Brands Become Icons: The Principles of Cultural BrandingHarvard Business School PressBostonSearch in Google Scholar
Howie, D., & Paine, D. (2019) Conversation with Dale Howie and Douglas Paine, Label Managers at Scotch Bonnet Records. Interview by Arthur Ehlinger. 14 may.HowieD.PaineD.2019Conversation with Dale Howie and Douglas Paine, Label Managers at Scotch Bonnet RecordsInterview by Arthur Ehlinger. 14 may.Search in Google Scholar
Hsiao, J. (2019) Animoto Co-Founder Jason Hsiao Shares Five Ways you can Leverage Linkedin to Grow Your Business, [online] Medium, Available at: https://medium.com/authority-magazine/animoto-co-founder-jason-hsiao-people-on-their-mobile-devices-during-meal-time-may-be-a-problem-c3510de62869 (9 July 2021).HsiaoJ.2019Animoto Co-Founder Jason Hsiao Shares Five Ways you can Leverage Linkedin to Grow Your Business, [online]MediumAvailable at: https://medium.com/authority-magazine/animoto-co-founder-jason-hsiao-people-on-their-mobile-devices-during-meal-time-may-be-a-problem-c3510de62869 (9 July 2021).Search in Google Scholar
IFPI. (2018). Global Music Report 2018: State of the Industry. International Federation of the Phonographic Industry, pp.6–23.IFPI2018Global Music Report 2018: State of the IndustryInternational Federation of the Phonographic Industry623Search in Google Scholar
Informant 1 (2019) Conversation with an International DJ Who Regularly Takes Part in Large Scale Live Music Streams. Interiew by Arthur Ehlinger [Email]. 23 April.Informant 12019Conversation with an International DJ Who Regularly Takes Part in Large Scale Live Music StreamsInteriew by Arthur Ehlinger [Email]. 23 April.Search in Google Scholar
Informant 2 (2019) Conversation With An Employee Working In The Publishing Department of A Collection Company. Interview by Arthur Ehlinger. 3 May.Informant 22019Conversation With An Employee Working In The Publishing Department of A Collection CompanyInterview by Arthur Ehlinger. 3 May.Search in Google Scholar
Informant 3 (2019) Conversation With A Former Chief Executive of A Technology Company Working With Facebook. Interview by Arthur Ehlinger. 18 July.Informant 32019Conversation With A Former Chief Executive of A Technology Company Working With FacebookInterview by Arthur Ehlinger. 18 July.Search in Google Scholar
Johnson, M. and Woodcock, J. (2019) “And Today’s Top Donator is”: How Live Streamers on Twitch.tv Monetize and Gamify Their Broadcasts, Social Media + Society.JohnsonM.WoodcockJ.2019“And Today’s Top Donator is”: How Live Streamers on Twitch.tv Monetize and Gamify Their BroadcastsSocial Media + Society10.1177/2056305119881694Search in Google Scholar
Johnston, M. (2020) How Facebook Makes Money, [online] Investopedia, Available at: https://www.investopedia.com/ask/answers/120114/how-does-facebook-fb-make-money.asp (24 April 2020).JohnstonM.2020How Facebook Makes Money, [online]InvestopediaAvailable at: https://www.investopedia.com/ask/answers/120114/how-does-facebook-fb-make-money.asp (24 April 2020).Search in Google Scholar
King, D. (2007) Latest Content ID Tool for YouTube. [online] Official Google Blog, Available at: https://googleblog.blogspot.com/2007/10/latest-content-id-tool-for-youtube.html (9 July 2021).KingD.2007Latest Content ID Tool for YouTube. [online]Official Google BlogAvailable at: https://googleblog.blogspot.com/2007/10/latest-content-id-tool-for-youtube.html (9 July 2021).Search in Google Scholar
Litman, J. (2006) Digital Copyright, Prometheus Books, New York.LitmanJ.2006Digital CopyrightPrometheus BooksNew YorkSearch in Google Scholar
Lunden, I. (2018) Facebook Inks Music Licensing Deal with ICE Covering 160 Territories, 290K Rightsholders on FB, Insta, Oculus and Messenger. [online] Techcrunch.com, Available at: https://techcrunch.com/2018/02/21/facebook-inks-music-licensing-deal-with-ice-covering-160-territories-290k-rightsholders-on-fb-insta-oculus-and-messenger/ (9 July 2021).LundenI.2018Facebook Inks Music Licensing Deal with ICE Covering 160 Territories, 290K Rightsholders on FB, Insta, Oculus and Messenger. [online]Techcrunch.comAvailable at: https://techcrunch.com/2018/02/21/facebook-inks-music-licensing-deal-with-ice-covering-160-territories-290k-rightsholders-on-fb-insta-oculus-and-messenger/ (9 July 2021).Search in Google Scholar
Manara, C. (2021) Protecting What We Love about the Internet: Our Efforts to Stop Online Piracy, [online] Google, Available at: https://www.blog.google/outreach-initiatives/public-policy/protecting-what-we-love-about-internet-our-efforts-stop-online-piracy/ (9 July 2021).ManaraC.2021Protecting What We Love about the Internet: Our Efforts to Stop Online Piracy, [online]GoogleAvailable at: https://www.blog.google/outreach-initiatives/public-policy/protecting-what-we-love-about-internet-our-efforts-stop-online-piracy/ (9 July 2021).Search in Google Scholar
Massie, C. (2020) Conversation with Craig Massie, Editor and Creative Lead At Boiler Room London. Interview by John Markey. [Facebook Messenger]. 17 June.MassieC.2020Conversation with Craig Massie, Editor and Creative Lead At Boiler Room LondonInterview by John Markey. [Facebook Messenger]. 17 June.Search in Google Scholar
Meier, L. (2018) Popular Music as Promotion, Polity Press, Cambridge.MeierL.2018Popular Music as PromotionPolity PressCambridgeSearch in Google Scholar
Meunier, C. (2018) Cercle: électro de jour, [online] TSUGI, Available at: https://www.tsugi.fr/cercle-electro-de-jour/ (10 July 2019).MeunierC.2018Cercle: électro de jour, [online]TSUGIAvailable at: https://www.tsugi.fr/cercle-electro-de-jour/ (10 July 2019).Search in Google Scholar
Mohr, L., Webb, D. & Harris, K. (2005) “Do Consumers Expect Companies to be Socially Responsible? The Impact of Corporate Social Responsibility on Buying Behavior”, Journal of Consumer Affairs, vol. 35, no. 1, pp. 45–72.MohrL.WebbD.HarrisK.2005“Do Consumers Expect Companies to be Socially Responsible? The Impact of Corporate Social Responsibility on Buying Behavior”Journal of Consumer Affairs351457210.1111/j.1745-6606.2001.tb00102.xSearch in Google Scholar
Nieborg, D. & Poell, T. (2018) “The Platformization of Cultural Production: Theorizing the Contingent Cultural Commodity”, New Media & Society, vol. 20, no. 11, pp. 4275–4292.NieborgD.PoellT.2018“The Platformization of Cultural Production: Theorizing the Contingent Cultural Commodity”New Media & Society20114275429210.1177/1461444818769694Search in Google Scholar
NME (2006) Major Label Signs New Act on Back of Webcast. NME, [online] Available at: https://www.nme.com/news/music/sandi-thom-4-1363619 (28 May 20).NME2006Major Label Signs New Act on Back of WebcastNME[online] Available at: https://www.nme.com/news/music/sandi-thom-4-1363619 (28 May 20).Search in Google Scholar
Norman, G. (2016) » 7 Amazing Stats and Facts You Must Know about Periscope, [online] Findmysoft.com, Available at: http://www.findmysoft.com/news/7-Amazing-Stats-and-Facts-You-Must-Know-about-Periscope/ (9 July 2021).NormanG.20167 Amazing Stats and Facts You Must Know about Periscope, [online]Findmysoft.comAvailable at: http://www.findmysoft.com/news/7-Amazing-Stats-and-Facts-You-Must-Know-about-Periscope/ (9 July 2021).Search in Google Scholar
Osborn, G. & Greenfield, S. (2007) “Understanding Commercial Music Contracts: The Place of Contractual Theory”, Journal of Contract Law, vol. 23, pp. 248–268.OsbornG.GreenfieldS.2007“Understanding Commercial Music Contracts: The Place of Contractual Theory”Journal of Contract Law23248268Search in Google Scholar
Partin, W., 2020. ‘Bit by (Twitch) Bit: “Platform Capture” and the Evolution of Digital Platforms’, Social Media + Society, 6(3), pp. 1–12.PartinW.2020‘Bit by (Twitch) Bit: “Platform Capture” and the Evolution of Digital Platforms’Social Media + Society6311210.1177/2056305120933981Search in Google Scholar
Perkins, J. (2015) Cited in Southern, L., 2015. How Mixmag Survived By Turning From Print To Platforms, [online] Digiday, Available at: https://digiday.com/uk/mixmag-survived-turning-print-platforms/ (28 May 2020).PerkinsJ.2015Cited inSouthernL.2015How Mixmag Survived By Turning From Print To Platforms, [online]DigidayAvailable at: https://digiday.com/uk/mixmag-survived-turning-print-platforms/ (28 May 2020).Search in Google Scholar
Petrov, C. (2020) 24 Facebook Live Stats to Help You Boost Online Presence in 2020, [online] TechJury, Available at: https://techjury.net/blog/facebook-live-stats/#gref (3 June 2020).PetrovC.202024 Facebook Live Stats to Help You Boost Online Presence in 2020, [online]TechJuryAvailable at: https://techjury.net/blog/facebook-live-stats/#gref (3 June 2020).Search in Google Scholar
Samandel, C., Crespin, E., Gerard, L. & Grienenberger, L. (2018) “Le Marché Événementiel Des Musiques Électroniques En France”, Shotgun, pp. 58–64.SamandelC.CrespinE.GerardL.GrienenbergerL.2018“Le Marché Événementiel Des Musiques Électroniques En France”Shotgun5864Search in Google Scholar
Smiers, J. & van Schijndel, M. (2005) Opinion | Imagine A World Without Copyright, [online] New York Times, Available at: https://www.nytimes.com/2005/10/08/opinion/imagine-a-world-without-copyright.html (9 July 2021).SmiersJ.van SchijndelM.2005Opinion | Imagine A World Without Copyright, [online]New York TimesAvailable at: https://www.nytimes.com/2005/10/08/opinion/imagine-a-world-without-copyright.html (9 July 2021).Search in Google Scholar
Smith, C. (2020) 20 Interesting Periscope Statistics, [online] DMR, Available at: https://expandedramblings.com/index.php/periscope-statistics/ (9 July 2021).SmithC.202020 Interesting Periscope Statistics, [online]DMRAvailable at: https://expandedramblings.com/index.php/periscope-statistics/ (9 July 2021).Search in Google Scholar
Smith, R. (2017) Cited in Forde, E. (2017) BE-AT.tv Boss Talks Livestreams, Big-Tech Platforms and ‘Exploding’ Mexico, [online] Musically.com, Available at: https://musically.com/2017/08/30/be-at-tv-livestreams-mexico/> (9 July 2021).SmithR.2017Cited inFordeE.2017BE-AT.tv Boss Talks Livestreams, Big-Tech Platforms and ‘Exploding’ Mexico, [online]Musically.comAvailable at: https://musically.com/2017/08/30/be-at-tv-livestreams-mexico/> (9 July 2021).Search in Google Scholar
Srnicek, N. (2017) Platform Capitalism, Polity, Cambridge.SrnicekN.2017Platform CapitalismPolityCambridgeSearch in Google Scholar
Statt, N. (2020) Youtube Is A $15 Billion-A-Year Business, Google Reveals For The First Time, [online] The Verge, Available at: https://www.theverge.com/2020/2/3/21121207/youtube-google-alphabet-earnings-revenue-first-time-reveal-q4-2019 (24 April 2020).StattN.2020Youtube Is A $15 Billion-A-Year Business, Google Reveals For The First Time, [online]The VergeAvailable at: https://www.theverge.com/2020/2/3/21121207/youtube-google-alphabet-earnings-revenue-first-time-reveal-q4-2019 (24 April 2020).Search in Google Scholar
Steele, A. (2019) Why Concert Tickets Are So Expensive, [online] Wall Street Journal, Available at: https://www.wsj.com/articles/why-concert-tickets-are-so-expensive-11577371024?mod=hp_lead_pos13 (24 April 2020).SteeleA.2019Why Concert Tickets Are So Expensive, [online]Wall Street JournalAvailable at: https://www.wsj.com/articles/why-concert-tickets-are-so-expensive-11577371024?mod=hp_lead_pos13 (24 April 2020).Search in Google Scholar
Sullivan, C. (2008) “Can Sandi Thom Recover from a PR Backlash?” The Guardian, [online] Available at: https://www.theguardian.com/music/musicblog/2008/may/20/cansandithomoutmanoeuvrea (28 May 20).SullivanC.2008“Can Sandi Thom Recover from a PR Backlash?” The Guardian, [online]Available at: https://www.theguardian.com/music/musicblog/2008/may/20/cansandithomoutmanoeuvrea (28 May 20).Search in Google Scholar
Support Google. (2020) How Content ID works – YouTube Help, [online] Available at: https://support.google.com/youtube/answer/2797370?hl=en-GB (2020).Support Google2020How Content ID works – YouTube Help, [online]Available at: https://support.google.com/youtube/answer/2797370?hl=en-GB (2020).Search in Google Scholar
Swope, A. (2014) Introducing Facebook Mentions: A New App for Public Figures – About Facebook, [online] About Facebook, Available at: https://about.fb.com/news/2014/07/introducing-facebook-mentions-a-new-app-for-public-figures/ (9 July 2021).SwopeA.2014Introducing Facebook Mentions: A New App for Public Figures – About Facebook, [online]About FacebookAvailable at: https://about.fb.com/news/2014/07/introducing-facebook-mentions-a-new-app-for-public-figures/ (9 July 2021).Search in Google Scholar
Tamayo Keef, A. (2016) Introducing Rights Manager. [online] Meta for Media. Available at: <https://www.facebook.com/formedia/blog/introducing-rights-manager> [Accessed 10 March 2022].Tamayo KeefA.2016Introducing Rights Manager. [online]Meta for MediaAvailable at: <https://www.facebook.com/formedia/blog/introducing-rights-manager> [Accessed 10 March 2022].Search in Google Scholar
Taylor, T.L., 2018. Watch Me Play: Twitch and the Rise of Game Live Streaming. Princeton University Press.TaylorT.L.2018Watch Me Play: Twitch and the Rise of Game Live StreamingPrinceton University Press10.2307/j.ctvc77jqwSearch in Google Scholar
Thompson, N. (2016) Five Super Obscure Disco Records Made Expensive by Big Name DJs, [online] Vice.com, Available at: https://www.vice.com/en/article/8q7m84/discogs-rabo-de-saia-escape-from-new-york-that-friday-pay (9 July 2021).ThompsonN.2016Five Super Obscure Disco Records Made Expensive by Big Name DJs, [online]Vice.comAvailable at: https://www.vice.com/en/article/8q7m84/discogs-rabo-de-saia-escape-from-new-york-that-friday-pay (9 July 2021).Search in Google Scholar
United Nations Department of Economic and Social Affairs, 2020. World Social Report 2020: Inequality In A Rapidly Changind World. World Social Report. United Nations, pp.71–78.United Nations Department of Economic and Social Affairs2020World Social Report 2020: Inequality In A Rapidly Changind World. World Social ReportUnited Nations7178Search in Google Scholar
Variety, (2020) BTS’ New Video For ‘ON’ Breaks Youtube Premiere Record (Watch), [online]Variety2020BTS’ New Video For ‘ON’ Breaks Youtube Premiere Record (Watch), [online]Search in Google Scholar
Variety, Available at: https://variety.com/2020/biz/news/bts-on-new-video-watch-map-of-the-soul-1203517598/ (11 March 2020).VarietyAvailable at: https://variety.com/2020/biz/news/bts-on-new-video-watch-map-of-the-soul-1203517598/ (11 March 2020).Search in Google Scholar
Wagner, K. (2016) Meerkat is Ditching the Livestream – And Chasing a Video Social Network Instead, [online] Vox, Available at: https://www.vox.com/2016/3/4/11586696/meerkat-is-ditching-the-livestream-and-chasing-a-video-social-network (9 July 2021).WagnerK.2016Meerkat is Ditching the Livestream – And Chasing a Video Social Network Instead, [online]VoxAvailable at: https://www.vox.com/2016/3/4/11586696/meerkat-is-ditching-the-livestream-and-chasing-a-video-social-network (9 July 2021).Search in Google Scholar
Welch, C. (2018) Facebook Now Has Music Licensing Deals With All Three Major Labels, [online] The Verge, Available at: https://www.theverge.com/2018/3/9/17100454/facebook-warner-music-deal-songs-user-videos-instagram (11 March 2020).WelchC.2018Facebook Now Has Music Licensing Deals With All Three Major Labels, [online]The VergeAvailable at: https://www.theverge.com/2018/3/9/17100454/facebook-warner-music-deal-songs-user-videos-instagram (11 March 2020).Search in Google Scholar
Woodcock, J. and Johnson, M., 2019. The Affective Labor and Performance of Live Streaming on Twitch.tv. Television & New Media, 20(8), pp.813–823.WoodcockJ.JohnsonM.2019The Affective Labor and Performance of Live Streaming on Twitch.tvTelevision & New Media20881382310.1177/1527476419851077Search in Google Scholar
Zénouda, H. (2014) “Musique et communication au xxe siècle”, Hermes, La Revue, [online] vol. 3, no. 70, pp. 1–12, Available at: https://www.cairn.info/revue-hermes-la-revue-2014-3-page-156.htm (13 June 2019)ZénoudaH.2014“Musique et communication au xxe siècle”, Hermes, La Revue, [online]370112Available at: https://www.cairn.info/revue-hermes-la-revue-2014-3-page-156.htm (13 June 2019)10.3917/herm.070.0156Search in Google Scholar