<abstract xmlns="http://www.w3.org/1999/xhtml">

Is it possible or desirable at all to establish a museum for music? The question was first posed by Franz Liszt in the 19th century. This essay will not only present the background and context of the question, but also the contradictory conclusions that emerge from the idea of the musealisation of music, and which still linger in 20th-and 21st-century music culture.
</abstract>

Is it possible or desirable at all to establish a museum for music? The question was first posed by Franz Liszt in the 19th century. This essay will not only present the background and context of the question, but also the contradictory conclusions that emerge from the idea of the musealisation of music, and which still linger in 20th-and 21st-century music culture.

Franz Liszt and the Temple of Art

Hungarian Studies Yearbook

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

{"article-title":"Franz Liszt and the Temple of Art"}

Is it possible or desirable at all to establish a museum for music? The question was first posed by Franz Liszt in the 19th century. This essay will not only...

Franz Liszt and the Temple of Art

Data publikacji: 23 lis 2022

Zakres stron: 10 - 32

DOI: https://doi.org/10.2478/hsy-2022-0002

Słowa kluczowe
Franz Liszt, musealisation of music, 19-century music culture, museum theory, virtuosity in music, music aesthetics

© 2022 Bálint Veres, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Franz Liszt and the Temple of Art

Data publikacji: 23 lis 2022

Zakres stron: 10 - 32

DOI: https://doi.org/10.2478/hsy-2022-0002

Słowa kluczoweFranz Liszt, musealisation of music, 19-century music culture, museum theory, virtuosity in music, music aesthetics

© 2022 Bálint Veres, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Słowa kluczowe
Franz Liszt, musealisation of music, 19-century music culture, museum theory, virtuosity in music, music aesthetics