<abstract xmlns="http://www.w3.org/1999/xhtml">

<p>In his article “Practical Rhythm and Time Projection”, István Berszán presents first a poetic experiment of Wordsworth in order to answer the question how to enter the rhythm of a happening. The argumentation is based on the assumption that Plato’s “allegory” of the cave is an experiment rather than a rhetorical construction and invokes contemporary string theory to show that everything that happens has its kinetic space as a special complementary rhythmic dimension. A second example reveals how Alain Badiou projects Saint Paul’s teaching and practice to the kinetic space of militant leftist struggle. The article concludes that instead of understanding allegory as a replacement based on similarity in the same rhetoric space, we have to take into consideration – or learn how to take into consideration – the multiple rhythmic dimensions of compared happenings.</p>
</abstract>

In his article “Practical Rhythm and Time Projection”, István Berszán presents first a poetic experiment of Wordsworth in order to answer the question how to enter the rhythm of a happening. The argumentation is based on the assumption that Plato’s “allegory” of the cave is an experiment rather than a rhetorical construction and invokes contemporary string theory to show that everything that happens has its kinetic space as a special complementary rhythmic dimension. A second example reveals how Alain Badiou projects Saint Paul’s teaching and practice to the kinetic space of militant leftist struggle. The article concludes that instead of understanding allegory as a replacement based on similarity in the same rhetoric space, we have to take into consideration – or learn how to take into consideration – the multiple rhythmic dimensions of compared happenings.

Practical Rhythm and Time Projection

Hungarian Studies Yearbook

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

{"article-title":"Practical Rhythm and Time Projection"}

In his article “Practical Rhythm and Time Projection”, István Berszán presents first a poetic experiment of Wordsworth in order to answer the question how to...

Practical Rhythm and Time Projection

Data publikacji: 21 maj 2020

Zakres stron: 25 - 39

DOI: https://doi.org/10.2478/hsy-2019-0003

Słowa kluczowe
string theory, rhythmic dimensions, kinetic space, time projection, Plato, Wordsworth, Alain Badiou

© 2019 István Berszán, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Practical Rhythm and Time Projection

Data publikacji: 21 maj 2020

Zakres stron: 25 - 39

DOI: https://doi.org/10.2478/hsy-2019-0003

Słowa kluczowestring theory, rhythmic dimensions, kinetic space, time projection, Plato, Wordsworth, Alain Badiou

© 2019 István Berszán, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Słowa kluczowe
string theory, rhythmic dimensions, kinetic space, time projection, Plato, Wordsworth, Alain Badiou