<abstract xmlns="http://www.w3.org/1999/xhtml">

<p>The “Dinosaur Renaissance” is known as a crucial event in the study of dinosaurs. From sluggish and lizard-like, they came to be conceived and represented as more dynamic animals. This paper argues that the “Dinosaur Renaissance” did not only constitute a significant scientific and artistic shift. Indeed, it can also be interpreted as a foundational episode for the historiography of paleoart. During the “Dinosaur Renaissance,” a growing community of artists and paleontologists promoted the integration of artistic processes in paleontology. They began to actively discuss the historical legacy and future of such integration. The itinerant paleoart exhibition <italic>Dinosaurs Past and Present</italic>, hosted in eight major cities across North America at the end of the 1980s, can be identified as having played a significant role in setting the foundation for the historiography of paleoart. The “Dinosaur Renaissance” did not only result in revised visual representations of dinosaurs, but also spurred some of the first investigations on the historical relationship between visual arts and paleontology. This article concludes by offering some remarks on how the present historiography of paleoart can continue to build on the efforts made during the “Dinosaur Renaissance” while remaining cognizant of their context. To effectively answer the needs of historians, as well as of paleontologists and paleoartists alike, the growing historiography of paleoart has much to gain in clarifying its own history.</p>
</abstract>

The “Dinosaur Renaissance” is known as a crucial event in the study of dinosaurs. From sluggish and lizard-like, they came to be conceived and represented as more dynamic animals. This paper argues that the “Dinosaur Renaissance” did not only constitute a significant scientific and artistic shift. Indeed, it can also be interpreted as a foundational episode for the historiography of paleoart. During the “Dinosaur Renaissance,” a growing community of artists and paleontologists promoted the integration of artistic processes in paleontology. They began to actively discuss the historical legacy and future of such integration. The itinerant paleoart exhibition Dinosaurs Past and Present, hosted in eight major cities across North America at the end of the 1980s, can be identified as having played a significant role in setting the foundation for the historiography of paleoart. The “Dinosaur Renaissance” did not only result in revised visual representations of dinosaurs, but also spurred some of the first investigations on the historical relationship between visual arts and paleontology. This article concludes by offering some remarks on how the present historiography of paleoart can continue to build on the efforts made during the “Dinosaur Renaissance” while remaining cognizant of their context. To effectively answer the needs of historians, as well as of paleontologists and paleoartists alike, the growing historiography of paleoart has much to gain in clarifying its own history.

The Dinosaur Renaissance 1960s-80s: A Foundational Episode for the Historiography of Paleoart

HoST - Journal  of History of Science and Technology

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

The “Dinosaur Renaissance” is known as a crucial event in the study of dinosaurs. From sluggish and lizard-like, they came to be conceived and represented as...

The Dinosaur Renaissance 1960s-80s: A Foundational Episode for the Historiography of Paleoart

Data publikacji: 14 cze 2023

Zakres stron: 4 - 16

DOI: https://doi.org/10.2478/host-2023-0002

Słowa kluczowe
paleontology, dinosaurs, paleoart, “Dinosaur Renaissance”, historiography

© 2023 Victor Monnin, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

The Dinosaur Renaissance 1960s-80s: A Foundational Episode for the Historiography of Paleoart

Data publikacji: 14 cze 2023

Zakres stron: 4 - 16

DOI: https://doi.org/10.2478/host-2023-0002

Słowa kluczowepaleontology, dinosaurs, paleoart, “Dinosaur Renaissance”, historiography

© 2023 Victor Monnin, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Słowa kluczowe
paleontology, dinosaurs, paleoart, “Dinosaur Renaissance”, historiography