[
Arnheim, R. (1969). Visual Thinking, Berkeley and Los Angeles: University of California Press.
]Search in Google Scholar
[
Arnheim, R. (1974). Art and Visual Perception: A Psychology of the Creative Eye, New Version. Berkeley and Los Angeles: University of California Press.
]Search in Google Scholar
[
Arnheim, R. (1977). The Dynamics of Architectural Form, Berkeley and Los Angeles: University of California Press
]Search in Google Scholar
[
Arnheim, R. (1984). Perceptual Dynamics in Musical Expression, The Musical Quarterly, Volume LXX, Issue 3, Winter 1984, 295–309, also collected in Arnheim, R. (1986). New Essays on the Psychology of Art. Berkeley and Los Angeles: University of California Press, 214–227.
]Search in Google Scholar
[
Arnheim, R. (1988). The Power of the Center: A Study of Composition in the Visual Arts, new version, Berkeley and Los Angeles: University of California Press.
]Search in Google Scholar
[
Ehrenfels, Ch.v. (1890). Über Gestaltqualitäten, in Vierteljahrsschrift für wissenschaftliche Philosophie, 14, 249–292.
]Search in Google Scholar
[
Heider, F. (1983). The Life of a Psychologist, Lawrence: University of Kansas Press.
]Search in Google Scholar
[
Köhler, W. (1915). Akustische Untersuchungen, Zeitschrift für Psychologie, 72, 1–192
]Search in Google Scholar
[
Langer, S. K. (1960). Philosophy in a New Key, Cambridge, Mass.: Harvard University Press.
]Search in Google Scholar
[
Stumpf, C. (1883–1890). Tonpsychologie, 2 Bände. Hirzel: Leipzig. Verstegen, I. (2005) Arnheim, Gestalt and Art: A Psychological Theory, Vienna: Springer Verlag.
]Search in Google Scholar
[
Zuckerkandl, V. (1956). Sound and Symbol: Music and the External World (translated by Willard Trask), New York: Pantheon Books.
]Search in Google Scholar