<abstract xmlns="http://www.w3.org/1999/xhtml">

<p>Even today, film restoration (both photographic and cinematographic) is a challenge, because it involves multidisciplinary competences: from analogue film inspection and conservation to digitisation and image enhancement. In this context, thanks to the high manageability of digital files, the film restoration workflow often follows a digitisation step, which presents many approximations and issues that are often ignored. In this work, we propose an alternative approach to the issues commonly encountered in film restoration (mainly concerning colour and contrast restoration) aiming at restoring the original colour appearance, through models of human colour perception.</p>
</abstract>

Even today, film restoration (both photographic and cinematographic) is a challenge, because it involves multidisciplinary competences: from analogue film inspection and conservation to digitisation and image enhancement. In this context, thanks to the high manageability of digital files, the film restoration workflow often follows a digitisation step, which presents many approximations and issues that are often ignored. In this work, we propose an alternative approach to the issues commonly encountered in film restoration (mainly concerning colour and contrast restoration) aiming at restoring the original colour appearance, through models of human colour perception.

A Computational Model of Human Colour Vision for Film Restoration

(Phd, Università degli Studi di Milano, 2021) is Postdoctoral Fellow at Università degli Studi di Milano

Ph.D. student at the University of Milano

at the Department of Computer Science, and holds a master’s degree in Cultural Heritage Conservation Science

master’s degree student in Computer Science at the University of Milano

Gestalt Theory

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

{"article-title":"A Computational Model of Human Colour Vision for Film Restoration"}

Even today, film restoration (both photographic and cinematographic) is a challenge, because it involves multidisciplinary competences: from analogue film...

A Computational Model of Human Colour Vision for Film Restoration

Data publikacji: 10 lis 2022

Zakres stron: 175 - 182

DOI: https://doi.org/10.2478/gth-2022-0005

Słowa kluczowe
colour perception, film restoration, HVS, computational modelling

© 2022 Alice Plutino et al., published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

A Computational Model of Human Colour Vision for Film Restoration

Data publikacji: 10 lis 2022

Zakres stron: 175 - 182

DOI: https://doi.org/10.2478/gth-2022-0005

Słowa kluczowecolour perception, film restoration, HVS, computational modelling

© 2022 Alice Plutino et al., published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Słowa kluczowe
colour perception, film restoration, HVS, computational modelling