1. bookTom 40 (2018): Zeszyt 1 (April 2018)
Informacje o czasopiśmie
License
Format
Czasopismo
eISSN
2519-5808
Pierwsze wydanie
12 Apr 2017
Częstotliwość wydawania
3 razy w roku
Języki
Angielski, Niemiecki
Otwarty dostęp

The ‘Good Form’ of Film

Data publikacji: 11 Apr 2018
Tom & Zeszyt: Tom 40 (2018) - Zeszyt 1 (April 2018)
Zakres stron: 29 - 43
Informacje o czasopiśmie
License
Format
Czasopismo
eISSN
2519-5808
Pierwsze wydanie
12 Apr 2017
Częstotliwość wydawania
3 razy w roku
Języki
Angielski, Niemiecki

Anderson, J. D. (1996). The reality of illusion: An ecological approach to cognitive film theory. Carbondale and Edwardsville, US: Southern Illinois University Press.Search in Google Scholar

Arnheim, R. (1957). Film as art. Berkeley, CA: University of California Press.Search in Google Scholar

Arnheim, R. (1974) [1954]. Art and visual perception: A psychology of the creative eye. Berkeley, CA: University of California Press.Search in Google Scholar

Arnheim, R. (1997). Visual thinking (2nd ed.). Berkeley, CA: University of California Press.10.1525/9780520353213Search in Google Scholar

Berliner, T., & Cohen, D. (2011). The illusion of continuity: Active perception and the classical editing system. Journal of Film and Video, 63(1), 44–63.10.5406/jfilmvideo.63.1.0044Search in Google Scholar

Bordwell, D. (2002). Intensified continuity: Visual style in contemporary American film. Film Quarterly, 55(3), 16–28.10.1525/fq.2002.55.3.16Search in Google Scholar

Bordwell, D., & Thompson, K. (Eds.). (2008). Film art: An introduction (8th ed.). New York: McGraw-Hill.Search in Google Scholar

Boundas, C. (2009). Gilles Deleuze: The intensive reduction. London: Continuum.Search in Google Scholar

Carroll, N. (1988). Mystifying movies. New York: Columbia University Press.10.7312/carr92070Search in Google Scholar

Cutting, J. (2010). In reply to Barry Salt: On attention and the evolution of Hollywood film. Cinemetrics,. Retrieved from http://www.cinemetrics.lv/cutting_on_salt.php (11.10.2016)Search in Google Scholar

Cutting, J. E., Brunick, K. L., DeLong, J. E., Iricinschi, C., & Candan, A. (2011). Quicker, faster, darker: Changes in Hollywood film over 75 years. i-Perception, 2(6), 569.10.1068/i0441aap348580323145246Search in Google Scholar

Cutting, J. E., Brunick, K. L., & Candan, A. (2012). Perceiving event dynamics and parsing Hollywood films. Journal of Experimental Psychology: Human Perception and Performance, 38(6), 1476–1490.Search in Google Scholar

Cutting, J., & Candan, A. (2013). Movies, evolution and mind: From fragmentation to continuity. The Evolutionary Review, 4(1), 25–36.Search in Google Scholar

D’Aloia, A., & Eugeni, R. In press. Connecting (and dis-connecting) events. A neurofilmological approach to narrative time. Retrieved from https://www.researchgate.net/profile/Ruggero_Eugeni/publication/306119820_Connecting_and_disconnecting_events_A_neurofilmological_approach_to_narrative_time/links/57b2ec6e08aeac3177847d80.pdfSearch in Google Scholar

Ehrenzweig, A. (1953). The psycho-analysis of artistic vision and hearing. London: Routledge.Search in Google Scholar

Gombrich, E. H. (1960). Art and illusion: A study in the psychology of pictorial representation. New York, NY: Bollingen Series XXXV.5.Search in Google Scholar

Hansen, M. (2014). Feed-forward: On the Future of Twenty-first century media. Chicago: The University of Chicago Press.10.7208/chicago/9780226199863.001.0001Search in Google Scholar

Hasson, U., Landesman, O., Knappmeyer, B., Vallines, I., Rubin, N., & Heeger, D. J. (2008). Neurocinematics. Projections, 2(1), 1–26.10.3167/proj.2008.020102Search in Google Scholar

Köhler, W. (1947). Gestalt psychology: An introduction to new concepts in modern psychology. New York: New American Library.Search in Google Scholar

Magliano, J. P., & Zacks, J. M. (2011). The impact of continuity editing in narrative film on event segmentation. Cognitive Science, 35(8), 1489–1517.10.1111/j.1551-6709.2011.01202.x320876921972849Search in Google Scholar

Münsterberg, H. (1916). The photoplay: A psychological study. New York and London: Appleton.Search in Google Scholar

Noë, A., & O’Regan, J. K. (2000). Perception, attention and the grand illusion. Psyche, 6(15), 6–15.Search in Google Scholar

Poulaki, M. (2015). Brain science and film theory: Reassessing the place of cognitive discontinuity in cinema. Projections, 9(1), 23–42.10.3167/proj.2015.090103Search in Google Scholar

Rodowick, D. N. (2007). The virtual life of film. Cambridge, MA: Harvard University Press.10.4159/9780674042834Search in Google Scholar

Shaviro, S. (2010). Post cinematic affect. Winchester: John Hunt Publishing.Search in Google Scholar

Smith, T. J. (2005): An attentional theory of continuity editing (PhD dissertation). University of Edinburgh, Edinburgh. Retrieved from https://www.era.lib.ed.ac.uk/handle/1842/1076 (11.10.2016)Search in Google Scholar

Spivey, M. (2007). The continuity of mind. Oxford: Oxford University Press.Search in Google Scholar

Spivey, M., & Dale, R. (2004). On the continuity of mind: Toward a dynamical account of cognition. The Psychology of Learning and Motivation, 45, 87–142.10.1016/S0079-7421(03)45003-2Search in Google Scholar

Tan, E. (1994). Film-induced affect as a witness emotion. Poetics, 23, 7–32.10.1016/0304-422X(94)00024-ZSearch in Google Scholar

Tognoli, E., & Kelso, S. J. A. (2014). Enlarging the scope: Grasping brain complexity. Frontiers in Systems Neuroscience, 8, 122.10.3389/fnsys.2014.00122407017325009476Search in Google Scholar

Wagemans, J., Feldman, J., Gepshtein, S., Kimchi, R., Pomerantz, J. R., van der Helm, P. A., & van Leeuwen, C. (2012). A century of gestalt psychology in visual perception II. Conceptual and theoretical foundations. Psychological Bulletin, 138(6), 1218–1252.Search in Google Scholar

Zacks, J. M., Speer, N. K., & Reynolds, J. R. (2009). Segmentation in reading and film comprehension. Journal of Experimental Psychology: General, 138(2), 307.10.1037/a0015305871093819397386Search in Google Scholar

Zacks, J. M., Speer, N. K., Swallow, K. M., & Maley, C. J. (2010). The brain’s cutting-room floor: Segmentation of narrative cinema. Frontiers in Human Neuroscience, 4, 168.10.3389/fnhum.2010.00168295541320953234Search in Google Scholar

Zacks, J. M., & Magliano, J. (2011). Film, narrative, and cognitive neuroscience. In F. Bacci & D. Melcher (Eds.), Art and the senses (pp. 435–453). Oxford: Oxford University Press.Search in Google Scholar

Polecane artykuły z Trend MD

Zaplanuj zdalną konferencję ze Sciendo