<abstract xmlns="http://www.w3.org/1999/xhtml"><p>The paper focuses on the context of a traditional women’s wearing component – a leather skirt – on the example of the contemporary semi-nomadic Datooga<sup>1</sup> and ideas, imaginations, and myths which this product of material culture represents. Analysis of the researched material composed from the statements of the daily users (married women) as well as the members of the society on example of the Datooga people (Buradiga subgroup) in a particular locality of Igunga district in Tanzania will demonstrate why the leather skirt, linked and designed by women’s deity Urameselgwa, is considered not only as a sign of marriage from the external perspective through outsider’s eyes, but mostly as an identification factor and strong cultural symbol through the Buradiga’s perception. The author explains how Urameselgwa is presented in the daily routine of the Buradiga’ women and which kind of privilege, so unique among East African pastoralists, is given to them by the wearing of the leather skirt transmitted from one generation to the other.</p></abstract>

The paper focuses on the context of a traditional women’s wearing component – a leather skirt – on the example of the contemporary semi-nomadic Datooga1 and ideas, imaginations, and myths which this product of material culture represents. Analysis of the researched material composed from the statements of the daily users (married women) as well as the members of the society on example of the Datooga people (Buradiga subgroup) in a particular locality of Igunga district in Tanzania will demonstrate why the leather skirt, linked and designed by women’s deity Urameselgwa, is considered not only as a sign of marriage from the external perspective through outsider’s eyes, but mostly as an identification factor and strong cultural symbol through the Buradiga’s perception. The author explains how Urameselgwa is presented in the daily routine of the Buradiga’ women and which kind of privilege, so unique among East African pastoralists, is given to them by the wearing of the leather skirt transmitted from one generation to the other.

Is Leather Skirt Designed by Urameselgwa a Symbol of Datooga’s Identity?

Department of Ethnology and World Studies

University of Ss. Cyril and Methodius in Trnava

Ethnologia Actualis

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.

{"article-title":"Is Leather Skirt Designed by Urameselgwa a Symbol of Datooga\u2019s Identity?"}

The paper focuses on the context of a traditional women’s wearing component – a leather skirt – on the example of the contemporary semi-nomadic Datooga1 and...

Is Leather Skirt Designed by Urameselgwa a Symbol of Datooga’s Identity?

Data publikacji: 26 lis 2019

Zakres stron: 14 - 35

DOI: https://doi.org/10.2478/eas-2019-0008

Słowa kluczowe
Buradiga, Datooga, identity, leather skirt, Urameselgwa

© 2019 Emília Bihariová, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.

Is Leather Skirt Designed by Urameselgwa a Symbol of Datooga’s Identity?

Data publikacji: 26 lis 2019

Zakres stron: 14 - 35

DOI: https://doi.org/10.2478/eas-2019-0008

Słowa kluczoweBuradiga, Datooga, identity, leather skirt, Urameselgwa

© 2019 Emília Bihariová, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.

Słowa kluczowe
Buradiga, Datooga, identity, leather skirt, Urameselgwa