[
Adams, Reginald B.; Kleck, Robert E. 2005. ‘Effects of Direct and Averted Gaze on the Perception of Facially Communicated Emotion’. Emotion 5, 1, 3–11.10.1037/1528-3542.5.1.3
]Search in Google Scholar
[
Adini, Yael; Moses, Yael; Ullman, Shimon 1997. ‘Face Recognition: The Problem of Compensating for Changes in Illumination Direction’. IEEE Transactions on Pattern Analysis and Machine Intelligence 19, 7, 721–732.10.1109/34.598229
]Search in Google Scholar
[
Alton, John [1949] 1995. Painting with Light. Berkeley & Los Angeles: University of California Press.
]Search in Google Scholar
[
Anderson, Joseph D. 2007. ‘Preliminary Considerations’. – Joseph D. Anderson, Barbara Fisher Anderson, David Bordwell (eds.), Moving Image Theory: Ecological Considerations. Carbondale: Southern Illinois University Press, 1–5.
]Search in Google Scholar
[
Anderson, Joseph D.; Anderson, Barbara F.; Bordwell, David (eds.) 2007. Moving Image Theory: Ecological Considerations. Southern Illinois University Press.
]Search in Google Scholar
[
Bettetini, Gianfranco 1973. The Language and Technique of the Film. The Hague, Paris: Mouton.10.1515/9783110881523
]Search in Google Scholar
[
Bordwell, David; Thompson, Kristin 2008. Film Art: An Introduction (8th edition). New York: McGraw-Hill Education.
]Search in Google Scholar
[
Bordwell, David; Staiger, Janet; Thompson, Kristin 1985. The Classical Hollywood Cinema: Film Style & Mode of Production to 1960. New York: Columbia University Press.10.2307/1772109
]Search in Google Scholar
[
Bradley, Margaret M.; Lang, Peter J. 1994. ‘Measuring Emotion: The Self-Assessment Manikin and the Semantic Differential’. Journal of Behavior Therapy and Experimental Psychiatry 25, 1, 49–59.
]Search in Google Scholar
[
Brewer, William F.; Lichtenstein, Edward H. 1982. ‘Stories Are to Entertain: A Structural-Affect Theory of Stories’. Journal of Pragmatics 6, 5–6, 473–486.
]Search in Google Scholar
[
Brown, Blain 2016. Cinematography: Theory and Practice: Image Making for Cinematographers and Directors. Third Edition. New York, London: Routledge.10.4324/9781315667829
]Search in Google Scholar
[
Brown, Blain 2018. Motion Picture and Video Lighting. Third Edition. New York, London: Routledge.10.4324/9780429461422
]Search in Google Scholar
[
Cowley, Benjamin; Filetti, Marco; Lukander, Kristian; Torniainen, Jari; Henelius, Andreas; Ahonen, Lauri; Barral, Oswald; Kosunen, Ilkka; Valtonen, Teppo; Huotilainen, Minna; Ravaja, Niklas; Jacucci, Giulio 2016. ‘The Psychophysiology Primer: A Guide to Methods and a Broad Review with a Focus on Human-Computer Interaction’. Foundations and Trends in Human-Computer Interaction 9, 3–4, 151–308.10.1561/1100000065
]Search in Google Scholar
[
Dimberg, Ulf; Thunberg, Monika; Elmehed, Kurt 2000. ‘Unconscious Facial Reactions to Emotional Facial Expressions’. Psychological Science 11, 1, 86–89. Dimberg, Ulf; Öhman, Arne 1996. ‘Behold the Wrath: Psychophysiological Responses to Facial Stimuli’. Motivation and Emotion 20, 2, 149–182.10.1007/BF02253869
]Search in Google Scholar
[
Driver, Jon; Davis, Greg; Ricciardelli, Paola; Kidd, Polly; Maxwell, Emma; Baron-Cohen, Simon 1999. ‘Gaze Perception Triggers Reflexive Visuospatial Orienting’. Visual Cognition 6, 509–540.10.1080/135062899394920
]Search in Google Scholar
[
Eisenbarth, H.; Alpers, G. W. 2011. ‘Happy Mouth and Sad Eyes: Scanning Emotional Facial Expressions’. Emotion 11, 4, 860–865.
]Search in Google Scholar
[
Ekman, Paul 2003. ‘Darwin, Deception, and Facial Expression’. Annals of the New York Academy of Sciences 1000, 1, 205–221.10.1196/annals.1280.010
]Search in Google Scholar
[
Ekman, Paul; Friesen, Wallace V.; O’Sullivan, Maureen 1988. ‘Smiles When Lying’. Journal of Personality and Social Psychology 54, 3, 414–420.10.1037/0022-3514.54.3.414
]Search in Google Scholar
[
Enns, James T.; Shore, David I. 1997. ‘Separate Influences of Orientation and Lighting in the Inverted-Face Effect’. Perception & Psychophysics 59, 23–31.
]Search in Google Scholar
[
Favelle, Simone; Hill, Harold; Claes, Peter 2017. ‘About Face: Matching Unfamiliar Faces Across Rotations of View and Lighting’. i-Perception 8, 6, 2041669517744221.10.1177/2041669517744221
]Search in Google Scholar
[
Favelle, Simone K.; Palmisano, Stephen; Avery, Georgina 2011. ‘Face Viewpoint Effects about Three Axes: The Role of Configural and Featural Processing’. Perception 40, 761–784.10.1068/p6878
]Search in Google Scholar
[
Favelle, Simone K.; Palmisano, Stephen; Maloney, Ryan T. 2007. ‘Things Are Looking Up: Differential Decline in Face Recognition Following Pitch and Yaw Rotation’. Perception 36, 1334–1352.10.1068/p5637
]Search in Google Scholar
[
Fotios, Steve; Yang, Biao; Cheal, Chris 2015. ‘Effects of Outdoor Lighting on Judgements of Emotion and Gaze Direction’. Lighting Research & Technology 47, 3, 301–315.10.1177/1477153513510311
]Search in Google Scholar
[
Fridlund, Alan J.; Russell, James A. 2006. ‘The Functions of Facial Expressions: What’s in a Face?’ – V. Manusov, M. L. Patterson (eds.), The Sage Handbook of Nonverbal Communication. Thousand Oaks, CA: Sage Publications, 299–319.
]Search in Google Scholar
[
Frith, Chris 2009. ‘Role of Facial Expressions in Social Interactions’. Philosophical Transactions of The Royal Society B Biological Sciences 364, 1535, 3453–3458.10.1098/rstb.2009.0142
]Search in Google Scholar
[
Geuens, Jean-Pierre 2000. Film Production Theory. Albany, NY: State University of New York Press.
]Search in Google Scholar
[
Gibson, Eleanor J.; Pick, Anne D. 2000. An Ecological Approach to Perceptual Learning and Development. New York: Oxford University Press.
]Search in Google Scholar
[
Gibson, James J. 1979. The Ecological Approach to Visual Perception. Hillsdale, NJ: Lawrence Erlbaum. Glassman, Arnold; McCarthy, Todd; Samuels, Stuart 1992. Visions of Light [Film]. American Film Institute (AFI); NHK.
]Search in Google Scholar
[
Grodal, Torben 2007. ‘Film Lighting and Mood’. – Joseph D. Anderson, Barbara Fisher Anderson, David Bordwell (eds.), Moving Image Theory: Ecological Considerations. Carbondale: Southern Illinois University Press, 152–163.
]Search in Google Scholar
[
Grodal, Torben 1997. Moving Pictures: A New Theory of Film Genres, Feelings, and Cognition. New York: Oxford University Press.
]Search in Google Scholar
[
Hill, Harold; Bruce, Vicki 1996. ‘Effects of Lighting on the Perception of Facial Surfaces’. Journal of Experimental Psychology: Human Perception and Performance 22, 4, 986–1004.10.1037/0096-1523.22.4.986
]Search in Google Scholar
[
Hoehl, Stefanie; Hellmer, Kahl; Johansson, Maria; Gredebäck, Gustaf 2017. ‘Itsy Bitsy Spider…: Infants React with Increased Arousal to Spiders and Snakes’. Frontiers of Psychology 18, 8, 1710.10.3389/fpsyg.2017.01710
]Search in Google Scholar
[
Hutchinson, Jennifer; Thomas, Nicole A.; Elias, Lorin 2011. ‘Leftward Lighting in Advertisements Increases Advertisement Ratings and Purchase Intention’. Laterality 16, 4, 423–432.10.1080/13576501003702663
]Search in Google Scholar
[
Jack, Rachael E.; Schyns, Philippe G. 2015. ‘The Human Face as a Dynamic Tool for Social Communication’. Current Biology 25, R621–R634.
]Search in Google Scholar
[
Johnston, Alan; Hill, Harold; Carman, Nicole 1992. ‘Recognizing Faces: Effects of Lighting Direction, Inversion and Brightness Reversal’. Perception 21, 365–375.10.1068/p210365
]Search in Google Scholar
[
uruena, Mario F.; Giampietro, Vincent P.; Smith, Stephen D.; Surguladze, Simon A.; Dalton, Jeffrey A.; Benson, Philip J.; Cleare, Anthony J.; Fu, Cynthia H. Y. 2010. ‘Amygdala Activation to Masked Happy Facial Expressions’. Journal of the International Neuro- psychological Society: JINS 16, 2, 383–387.
]Search in Google Scholar
[
Jääskeläinen, Iiro P.; Sams, Mikko; Glerean, Enrico; Ahveninen, Jyrki 2021. ‘Movies and Narratives as Naturalistic Stimuli in Neuroimaging’. NeuroImage 224, 117445.10.1016/j.neuroimage.2020.117445
]Search in Google Scholar
[
Keating, Patrick 2006. ‘From the Portrait to the Close-Up: Gender and Technology in Still Photography and Hollywood Cinematography’. Cinema Journal 45, 3, 90–108.10.1353/cj.2006.0034
]Search in Google Scholar
[
Keating, Patrick 2009. Hollywood Lighting from the Silent Era to Film Noir. New York: Columbia University Press.
]Search in Google Scholar
[
Keating, Patrick 2014. ‘The Silent Screen’. – Patrick Keating (ed.), Cinematography. New Brunswick, NJ: Rutgers University Press, 11–33.10.36019/9780813563510-005
]Search in Google Scholar
[
Knez, Igor 1995. ‘Effects of Indoor Lighting on Mood and Cognition’. Journal of Environmental Psychology 15, 1, 39–51.10.1016/0272-4944(95)90013-6
]Search in Google Scholar
[
Knez, Igor; Niedenthal, Simon 2008. ‘Lighting in Digital Game Worlds: Effects on Affect and Play Performance’. CyberPsychology & Behavior 11, 2, 129–135.10.1089/cpb.2007.0006
]Search in Google Scholar
[
Landau, David 2014. Lighting for Cinematography: A Practical Guide to the Art and Craft of Lighting for the Moving Image. London: Bloomsbury Publishing.10.5040/9781501376146
]Search in Google Scholar
[
Lang, Peter J. 1980. ‘Behavioral Treatment and Bio-Behavioral Assessment: Computer Applications’. – J. B. Sidowski, J. H. Johnson, T. A. Williams (eds.), Technology in Mental Health Care Delivery Systems. Norwood, NJ: Ablex, 119–l37.
]Search in Google Scholar
[
Lang, Peter J.; Bradley, Margaret M.; Cuthbert, Bruce N. 1997. ‘Motivated Attention: Affect, Activation, and Action.’ – Peter J. Lang, R. F. Simons, M. T. Balaban (eds.), Attention and Orienting: Sensory and Motivational Processes. Hillsdale, NJ: Erlbaum, 97–136.
]Search in Google Scholar
[
Lang, Peter J., Greenwald, Mark K.; Bradley, Margaret M.; Hamm, Alfons O. 1993. ‘Looking at Pictures: Evaluative, Facial, Visceral, and Behavioral Responses’. Psychophysiology 30, 3, 261–273.
]Search in Google Scholar
[
van Leeuwen, Theo; Boeriis, Morten 2016. ’Towards a Semiotics of Film Lighting’. – Janina Wildfeuer, John A. Bateman (eds.), Film Text Analysis: New Perspectives on the Analysis of Filmic Meaning. New York, London: Routledge, 24–46.
]Search in Google Scholar
[
Leitch, Michael 2003. ‘A History of European Cinema-tography’. – IMAGO, Making Pictures: A Century of European Cinematography. London: Aurum Press, 20–93.
]Search in Google Scholar
[
Liu, Chang H.; Collin, Charles A.; Burton, A. Mike; Chaudhuri, Avi 1999. ‘Lighting Direction Affects Recognition of Untextured Faces in Photographic Positive and Negative’. Vision Research 39, 24, 4003–4009.10.1016/S0042-6989(99)00109-1
]Search in Google Scholar
[
Lotman, Elen 2016. ‘Exploring the Ways Cinematography Affects Viewers’ Perceived Empathy towards Onscreen Characters’. Baltic Screen Media Review 2016, 4, 88−105.10.1515/bsmr-2017-0005
]Search in Google Scholar
[
Lowell, Ross 1992. Matters of Light and Depth: Creating Memorable Images for Video, Film and Stills Through Lighting. Philadelphia: Broad Street Books.
]Search in Google Scholar
[
Malkiewicz, Kris 2012. Film Lighting: Talks with Hollywood’s Cinematographers and Gaffers (revised edition). New York: Touchstone Books.
]Search in Google Scholar
[
Mareschal, Isabelle; Calder, Andrew J.; Clifford, Colin W. 2013. ‘Humans Have an Expectation That Gaze is Directed Toward Them’. Current Biology 23, 8, 717–721.
]Search in Google Scholar
[
McMullen, Patricia A.; Shore, David I.; Henderson, Randall B. 2000. ‘Testing a Two-Component Model of Face Identification: Effects of Inversion, Contrast Reversal, and Direction of Lighting’. Perception 29, 5, 609–619.10.1068/p3055
]Search in Google Scholar
[
Mohammed Ezzat Ibrahim Ammer, Sawsan 2020. ‘Content Analysis of Lighting and Color in the Embodiment of Fear Concept in Horror Movies: A Semiotic Approach’. Information Sciences Letters 9, 2, 10.10.18576/isl/090210
]Search in Google Scholar
[
Monaco, James 2009. How to Read a Film: Movies, Media and Beyond (4th Edition). New York: Oxford University Press.
]Search in Google Scholar
[
Nevill, Alex 2018. In Light of Moving Images: Technology, Creativity and Lighting in Cinematography. PhD dissertation. University of the West of England.
]Search in Google Scholar
[
Nevill, Alex 2021. Towards a Philosophy of Cinemato- graphy. Cham: Palgrave Macmillan.10.1007/978-3-030-65935-6
]Search in Google Scholar
[
Oatley, Keith 1995. ‘A Taxonomy of the Emotions of Literary Response and a Theory of Identification in Fictional Narrative’. Poetics 23, 1–2, 53–74.10.1016/0304-422X(94)P4296-S
]Search in Google Scholar
[
Perrett, David I.; Smith, P. A. J.; Potter, Douglas D.; Mistlin, Amanda J.; Head, A. S.; Milner, A. David; Jeeves, Malcolm A. 1985. ‘Visual Cells in the Temporal Cortex Sensitive to Face View and Gaze Direction’. Proceedings of the Royal Society of London. Series B, Biological Sciences 223, 1232, 293–317.
]Search in Google Scholar
[
Place, Janey; Peterson, Lowell 1974. ‘Some Visual Motifs of Film Noir’. – Alain Silver, James Ursini (eds.), Film Noir Reader. New York: Limelight, 64–75.
]Search in Google Scholar
[
Poland, Jennifer Lee 2015. Lights, Camera, Emotion!: An Examination on Film Lighting and Its Impact on Audiences’ Emotional Response. Master’s thesis. Cleveland State University. ETD Archive, 379.
]Search in Google Scholar
[
Polanyi, Michael 1967. The Tacit Dimension. London: Routledge & Kegan Paul.
]Search in Google Scholar
[
Posner, Jonathan; Russell, James A.; Peterson, Bradley S. 2005. ‘The Circumplex Model of Affect: An Integrative Approach to Affective Neuroscience, Cognitive Development, and Psychopathology’. Development and Psychopathology 17, 3, 715–734.
]Search in Google Scholar
[
Pourtois, Gilles; Vuilleumier, Patrik 2006. ‘Dynamics of Emotional Effects on Spatial Attention in the Human Visual Cortex’. Progress in Brain Research 156, 67–91.10.1016/S0079-6123(06)56004-2
]Search in Google Scholar
[
ramaggiore, Maria; Wallis, Tom 2008. Film: A Critical Introduction, 2nd edition. London: Laurence King Publishing.
]Search in Google Scholar
[
Ramachandran, Vilayanur S. 1988. ‘Perceiving Shape from Shading’. Scientific American 259, 76–83.
]Search in Google Scholar
[
Roth, Lane 1978. ‘“Metropolis”, The Lights Fantastic: Semiotic Analysis of Lighting Codes in Relation to Character and Theme’. Literature/Film Quarterly 6, 4, 342–346.
]Search in Google Scholar
[
Russell, James A. 1980. ‘A Circumplex Model of Affect’. Journal of Personality and Social Psychology 39, 6, 1161–1178.
]Search in Google Scholar
[
Russell, James A.; Barrett, Lisa F. 1999. ‘Core Affect, Prototypical Emotional Episodes, and Other Things Called Emotion: Dissecting the Elephant’. Journal of Personality and Social Psychology 76, 5, 805–819.
]Search in Google Scholar
[
Russell, Sharon A. 1981. Semiotics and Lighting: A Study of Six Modern French Cameramen. Michigan: UMI Research Press.
]Search in Google Scholar
[
Sadowski, Piotr 2016. ‘Between Index and Icon: Towards the Semiotics of the Cast Shadow’. – Anne Bannink, Wim Honselaar (eds.), From Variation to Iconicity: Festschrift for Olga Fischer. Amsterdam: Uitgeverij Pegasus, 331–346.
]Search in Google Scholar
[
Sadowski, Piotr 2017. The Semiotics of Light and Shadows: Modern Visual Arts and Weimar Cinema. London: Bloomsbury Academic.
]Search in Google Scholar
[
Sander, David; Grafman, Jordan; Zalla, Tiziana 2003. ‘The Human Amygdala: An Evolved System for Relevance Detection’. Reviews in the Neurosciences 14, 4, 303–316.10.1515/REVNEURO.2003.14.4.303
]Search in Google Scholar
[
Schaefer, Dennis; Salvato, Larry 2013. Masters of Light: Conversations with Contemporary Cinematographers. Berkeley: University of California Press.
]Search in Google Scholar
[
Schyns, Philippe G.; Petro, Lucy S.; Smith, Marie L. 2007. ‘Dynamics of Visual Information Integration in the Brain for Categorizing Facial Expressions’. Current Biology 17, 1580–1585.
]Search in Google Scholar
[
Shafiee, Rasmuna.; Bidin, Azman. (2016, September 27–26). Lighting in Pandemic Films. Conference presentation. 2nd International Conference on Creative Media, Design & Technology (REKA2016), Penang, Malaysia. https://reka.usm.my/images/PAPER_75.pdf (6 December 2022).
]Search in Google Scholar
[
Smith, Marie L.; Gosselin, Frédéric; Schyns, Philippe G. 2007. ‘From a Face to Its Category via a Few Information Processing States in the Brain’. Neuroimage 37, 974–984.
]Search in Google Scholar
[
Sleegers, Peter J. C.; Moolenaar, Nienke; Galetzka, Mirjam; Pruyn, Adriaan T. H.; Sarroukh, Bahaa E.; van der Zande, Bianca 2013. ‘Lighting Affects Students’ Concentration Positively: Findings from Three Dutch Studies’. Lighting Research & Technology (London, England: 2001) 45, 2, 159–175.10.1177/1477153512446099
]Search in Google Scholar
[
Tan, Ed S. 1996. Emotion and the Structure of Narrative Film. Hillsdale, NJ: Lawrence Erlbaum Associates.
]Search in Google Scholar
[
Tan, Ed S. 1995. ‘Film-Induced Affect as a Witness Emotion’. Poetics 23, 1–2, 7–32.
]Search in Google Scholar
[
Tikka, Pia 2008. Enactive Cinema: Simulatorium Eisensteinense. PhD dissertation. Helsinki: University of Art and Design Publication Series.
]Search in Google Scholar
[
Voodla, Alan; Lotman, Elen; Kolnes, Martin; Naar, Richard; Uusberg, Andero 2020. ‘Cinematographic High-Contrast Lighting Can Facilitate Empathetic Affective Mimicry’. Projections 14, 1, 1–17.10.3167/proj.2020.140102
]Search in Google Scholar
[
Vuilleumier, Patrik; Armony, Jorge L.; Driver, Jon; Dolan, Raymond J. 2001. ‘Effects of Attention and Emotion on Face Processing in the Human Brain: An Event-Related fMRI Study’. Neuron (Cambridge, Mass.), 30, 3, 829–841.
]Search in Google Scholar
[
Vuilleumier, Patrik; Armony, Jorge L.; Clarke, Karen; Husain, Masud; Driver, Jon; Dolan, Raymond J. 2002. ‘Neural Response to Emotional Faces with and without Awareness: Event-Related fMRI in a Parietal Patient with Visual Extinction and Spatial Neglect’. Neuropsychologia 40, 12, 2156–2166.10.1016/S0028-3932(02)00045-3
]Search in Google Scholar
[
Watson, David; Wiese, David; Vaidya, Jatin; Tellegen, Auke 1999. ‘The Two General Activation Systems of Affect: Structural Findings, Evolutionary Considerations, and Psychobiological Evidence’. Journal of Personality and Social Psychology 76, 5, 820–838.10.1037/0022-3514.76.5.820
]Search in Google Scholar
[
Young, Steven G.; Elliot, Andrew J.; Feltman, Roger; Ambady, Nalini 2013. ‘Red Enhances the Processing of Facial Expressions of Anger’. Emotion 13, 3, 380–384.10.1037/a0032471
]Search in Google Scholar
[
Zebrowitz, Leslie A. 1997. Reading Faces: Window to the Soul? New York: Routledge.
]Search in Google Scholar
[
Zettl, Herbert 2016. Sight, Sound, Motion: Applied Media Aesthetics (8th Edition). Boston: Cengage Learning.
]Search in Google Scholar
[
Zhu, Yingying; Yang, Minqi; Yao, Ying; Xiong, Xiao; Li, Xiaoran; Zhou, Guofu; Ma, Ning 2019. ‘Effects of Illuminance and Correlated Color Temperature on Daytime Cognitive Performance, Subjective Mood, and Alertness in Healthy Adults’. Environment and Behavior 51, 2, 199–230.10.1177/0013916517738077
]Search in Google Scholar
[
Zillmann, Dolf 1995. ‘Mechanisms of Emotional Involvement with Drama’. Poetics 23, 1–2, 33–51.10.1016/0304-422X(94)00020-7
]Search in Google Scholar
