Otwarty dostęp

Detecting Post-Nuclear Crisis in Hanna Jameson’s The Last


Zacytuj

Black, Linda Lutisha and Stephen V. Flynn. 2020. “History and Theoretical Foundations of Crisis and Crisis Counseling”. In Crisis, Trauma and Disaster, 27–72. Los Angeles: SAGE publications. Search in Google Scholar

Crowley, Patrick. 2003. “Paul Ricoeur: The Concept of Narrative Identity, the Trace of Autobiography”. Paragraph vol. 26, no. 3(Nov.): 1–12. https://www.jstor.org/stable/43263868 (Last accessed 2 June 2021).10.3366/para.2003.26.3.1 Search in Google Scholar

Foucault, Michel. 1994. The Order of Things. An Archaeology of the Human Sciences. E-book, Vintage Books Edition. Search in Google Scholar

Gomel, Elena. 1995. “Mystery, Apocalypse and Utopia: The Case of the Ontological Detective Story”. Science Fiction Studies vol. 22, no. 3(Nov.): 343–356. https://www.jstor.org/stable/4240456 (Last accessed 15 September 2021). Search in Google Scholar

Gyuris, Norbert. 2015. “Fejtetőre állított világok: binaritás és egység az Upside Downban” [Toppled Worlds: Binaries and Unity in Upside Down]. Apertúra, Tavasz-Nyár. https://www.apertura.hu/2015/tavasz-nyar/gyuris-fejtetore-allitott-vilagokbinaritas-es-egyseg-az-upside-downban/ (Last accessed 2 April 2021). Search in Google Scholar

Jameson, Hanna. 2019. The Last. London: Penguin Books. Search in Google Scholar

Kirsch, Adam. 2016. The Global Novel. Writing the World in the 21st Century. Kindle ed., New York: Columbia Global Reports. Search in Google Scholar

Kusper, Judit. 2020. “Az otthonosság szomorúsága. A szimbolikus és retorikai otthonosság Gárdonyi Géza Az öreg tekintetes című regényében” [Sad Domesticity: Symbolic and Rhetoric Homeliness in Géza Gárdonyi’s The Old Respectable]. Irodalomtörténet vol. 51, no. 4: 421–441. http://epa.oszk.hu/02500/02518/00370/pdf/EPA02518_irodalomtortenet_2020_04_421-441.pdf (Last accessed 25 March 2021). Search in Google Scholar

Plain, Gill. 2001. Twentieth-Century Crime Fiction. Gender, Sexuality and the Body. Edinburgh: Edinburgh University Press. Search in Google Scholar

Puxan-Oliva, Marta. 2020. “Crime Fiction and the Environment.” In A Routledge Companion to Crime Fiction, eds. Janice Allan, Jesper Gulddal, Stewart King and Andrew Pepper, 362–370. London: Routledge.10.4324/9780429453342-44 Search in Google Scholar

Rowland, Susan. 2010. “The ‘Classical’ Model of the Golden Age.” In A Companion to Crime Fiction, eds. Charles J. Rzepka and Lee Horsely, 117–127. Oxford: Wiley-Blackwell.10.1002/9781444317916.ch8 Search in Google Scholar

Schwab, Gabriele. 2020. Radioactive Ghosts. Kindle ed., Minneapolis: University of Minnesota Press.10.5749/j.ctv182jtjg Search in Google Scholar

Seeger, Matthew W. and Timothy L. Sellnow. 2016. Narratives of Crisis. Telling Stories of Ruin and Renewal. Kindle ed., Stanford: Stanford University Press. Search in Google Scholar

Shiloh, Ilana. 2011. The Double, the Labyrinth and the Locked Room. Metaphors of Paradox in Crime Fiction and Film. New York: Peter Lang.10.3726/978-1-4539-0088-8 Search in Google Scholar

Walton, Lindsay Jo and Samantha Walton. 2018. “Introduction to Green Letters. Crime Fiction and Ecology”. Green Letters vol. 22, no. 1: 2–6. https://doi.org/10.1080/14688417.2018.1484628 (Last accessed 26 February 2021).10.1080/14688417.2018.1484628 Search in Google Scholar

Zamora, Lois Parkinson. 1989. “Introduction: The Apocalyptic Vision and Fictions of Historical Desire”. In Writing the Apocalypse. Historical Vision in Contemporary U.S. and Latin American Fiction, 1–24. Cambridge: Cambridge University Press. Search in Google Scholar

eISSN:
2068-2956
Języki:
Angielski, Niemiecki
Częstotliwość wydawania:
3 razy w roku
Dziedziny czasopisma:
Cultural Studies, General Cultural Studies, Linguistics and Semiotics, Applied Linguistics, other, Literary Studies, general