Otwarty dostęp

Voiceless Screams: Pictorialism as Narrative Strategy in Horror Silent Cinema

   | 03 kwi 2021

Zacytuj

Adorno, Theodor W. and Hanns Eisler. 1947. Composing for the Films. London: Dennis Dobson.Search in Google Scholar

Aldana Reyes, Xavier. 2017. Spanish Gothic. National Identity, Collaboration and Cultural Adaptation. London: Palgrave Macmillan.10.1057/978-1-137-30601-2Search in Google Scholar

Brewster, Ben and Lea Jacobs. 2003 [1997]. Theatre to Cinema. Stage Pictorialism and the Early Feature Film. Oxford: Oxford University Press.Search in Google Scholar

Carroll, Noël. 1999. Film, Emotion, and Genre. In Passionate Views. Film, Cognition, and Emotion, eds. Carl Plantinga and Greg M. Smith, 21–47. Baltimore & London: Johns Hopkins University Press.Search in Google Scholar

Cherchi Usai, Paolo. 2019. Silent Cinema. A Guide to Study, Research and Curatorship. London: BFI/ Bloomsbury.10.5040/9781911239123Search in Google Scholar

Gaudreault, André. 2009. From Plato to Lumière. Narration and Monstration in Literature and Cinema. Toronto, Buffalo, London: University of Toronto Press.10.3138/9781442688148Search in Google Scholar

Gunning, Tom. 2000 [1985]. The Cinema of Attraction: Early Film, Its Spectator, and the Avant Garde. In Film and Theory: An Anthology, eds. Robert Stam and Toby Miller, 229–235. Oxford: Blackwell Publishers.Search in Google Scholar

Gunning, Tom. 2009 [1989]. An Aesthetic of Astonishment: Early Film and the (In) credulous Spectator. In Film Theory and Criticism: Introductory Readings, eds. Leo Braudy and Marshall Cohen, 736–750. New York: Oxford University Press.Search in Google Scholar

Hardy, Phil, ed. 1985. Horror. The Aurum Film Encyclopedia. London: Aurum.Search in Google Scholar

Kinnard, Roy. 2000. Horror in Silent Films: A Filmography, 1896–1929. Jefferson, NC, United States: McFarland & Co Inc.Search in Google Scholar

Méliès, Georges. 2011 [1907]. Kinematographic Views. In Film and Attraction. From Kinematography to Cinema, André Gaudreault, 133–152. Urbana, Chicago and Springfield: University of Illinois Press.Search in Google Scholar

Newman, Kim. 1996. The BFI Companion to Horror. London: BFI Publishing/Cassell.Search in Google Scholar

Phillips, Kendall R. 2018. A Place of Darkness. The Rhetoric of Horror in Early American Cinema. Austin: University of Texas Press.10.7560/315507Search in Google Scholar

Valkola, Jarmo. 2016. Pictorialism in Cinema. Creating New Narrative Challenges. Newcastle upon Tyne: Cambridge Scholars Publishing.Search in Google Scholar

***. 1910. Edison Bulletins. The Film Index vol. 5, no. 12 (March): 12.Search in Google Scholar

eISSN:
2066-7779
Język:
Angielski
Częstotliwość wydawania:
2 razy w roku
Dziedziny czasopisma:
Library and Information Science, Book Studies, Media and Press